51

CLACS Colleagues Celebrate Milestone Years at 51

51 recently hosted its Length of Service Awards ceremony, recognizing employees who have reached work milestones ranging from five years up to 45 years at the university.

Many of our CLACS affiliates took part – thanks to each of them for their contributions to our university!

 

35 years

Paul Brodwin (Professor, Anthropology)

25 years

Barry Cameron (Associate Professor, Geosciences)
R. John McCaw (Associate Professor, Spanish)
M. Estrella Sotomayor (Senior Teaching Faculty, Spanish)

20 years

César Ferreira (Professor, Spanish)
Renato Umali (Teaching Faculty, Film, Video, Animation, and New Genres)
Chia Vang (Professor, History; Vice Chancellor, Community Empowerment & Institutional Inclusivity)

15 years

Marcus B. Filippello (Associate Professor, History)
Jeffrey Sommers (Professor, African and African Diaspora Studies)

10 years

Susana Antunes (Associate Professor, Portuguese)
Kimberly Hernandez (Teaching Assistant Professor, History)
Amy Olen (Associate Professor, Translation Studies)

Five Years

Maria Gleason Maddox (Former FLAS Fellow, Portuguese)
Anjana Mudambi (Associate Professor, Communication)

 

From Poetry to Protest: The Circulation of a Poetics of Justice in Mexican Women’s Writing and Activism

Flyer for Diana Aldrete's 51 talk in March 2026Friday, March 13, 2026
12 noon – 1:00pm
Curtin Hall room 118, UW-Milwaukee
Free and open to the public

The World Languages and Cultures Speaker Series presents, with the Center for Latin American and Caribbean Studies:

From Poetry to Protest: The Circulation of a Poetics of Justice in Mexican Women’s Writing and Activism

This talk examines how a language of justice circulates from poetic writing into activist movements and public discourse in Mexico, through an analysis of Susana Chávez Castillo’s Primera Tormenta and Arminé Arjona’s Juárez, tan lleno de sol y desolado. Drawing on Chávez Castillo’s work, initially circulated online prior to her feminicidal murder in 2011, it traces how her poetic discourse of justice—including the phrases “Ni una más” and “Ni una menos,” now central to anti-feminicidal movements—entered public and political spaces. The talk then turns to Arjona’s poetry, dedicated to the dead women of Juárez, whose dissemination through the Movimiento Acción Poética brought her work into the city streets. Together, these cases illuminate how a poetics of justice transcends traditional literary boundaries to become part of the public discourse, positioning Mexico as a generative space in which women’s writing actively shapes the language of resistance.

Dr. Diana Aldrete is Assistant Professor of Language and Culture Studies and Human Rights at Trinity College. Her research, pedagogy, and artistic production, interrogates the intersections of contemporary Mexican/Latin American/Latinx literary, film and cultural studies, Mexico-U.S. border studies, feminist and queer theory, environmental humanities, and Human Rights studies. She is currently working on her first monographic book project tentatively titled Between Land and Death: Women Writing for Justice in Mexico, which examines how literary production, primarily by contemporary Mexican women writers, have become part of the political dialectic on anti-feminicidal violence as they question notions of justice, and place literature in conversation with activism.

Professor Aldrete is also an abstract visual artist and writer, who often infuses literary, musical, and cultural references in her visual art and writing.

LACUSL talk: choreography and memory with Professor Maria Gillespie

Flyer advertising Professor Maria Gillespie's LACUSL talk in March 2026Thursday, March 12, 2026
3:00pm – 4:00pm
American Geographical Society Library (AGSL)
51 Libraries, 3rd floor east wing

This talk is part of the LACUSL Speaker Series: Join us to learn about the many topics you can study through 51’s interdisciplinary LACUSL major (Latin American, Caribbean, and U.S. Latinx Studies). Save the date for our other Spring 2026 LACUSL talks!

Moving Between Tongues: Choreographing Translation and Embodied Memory

In this talk, 51 Dance Professor Maria Soledad Gillespie will share about her work as a choreographer, performer, dance and somatic educator. Gillespie explores dance as a liberation practice, and she draws on the fields of somatics, translation studies, narrative storytelling, and new media to chart a path for expressing body-based knowledges that exist before and beyond language. This work is shared with audiences through long-form choreographic performance installations, which connect Gillespie and her collaborators’ personal experiences to larger social and political meanings and rewrite narratives designed by colonial destruction. Professor Gillespie will share about how she got started in this field, the collaborations that enrich her work, and what sustains her artistic commitment through today.

Professor Maria Soledad Gillespie (she/they) is Professor of Dance at 51, a CLMA Laban Bartenieff Movement Analyst, director of the MFA in Dance program, and director of two Milwaukee-based arts groups: MG/The Collaboratory and Hyperlocal MKE, both dedicated to interdisciplinary collaboration and improvised performance. She has enjoyed choreographic commissions with numerous universities and cultural institutions (including UCLA, California Institute of the Arts, The Getty Center, La Cantera in Mexico City, and the Beijing Modern Dance Festival) and toured and taught internationally with her LA-based company Oni Dance. Gillespie’s choreography and performance have been recognized by multiple awards and grants, as has her teaching; she loves bringing improvisation methodologies, embodied anatomy, and choreographic thinking to students of all backgrounds.

 

Tiger (Tiguere)

three people on a scooter

Saturday, April 4th at 6:00 pm

Director: José María Cabral

2024 Dominican Republic | 84 minutes

Pablo is sent to a camp run by his father, where strength is demanded and fear is treated as failure. Within its rigid rules, he is taught how to endure, obey, and perform a version of masculinity (Dominican tigueraje) that leaves little room for doubt. As Pablo forms fragile connections and questions the lessons imposed on him, the film drifts between intimacy and rebellion. Tiger is a tense coming-of-age portrait of control, inheritance, and the forces that shape who we become. Best Feature Nominee, 2025 Guadalajara International Film Festival.

Other films by José María Cabral:

  • Hotel Coppelia (2021)
  • Woodpeckers (2017)

Find him on letterboxd:

The Visitor (El visitante)

one person reading a book to another

Saturday, April 4th at 4:00 pm

Director: Martín Boulocq

2022 Bolivia | 87 minutes

Fresh out of prison, Humberto moves cautiously through a world that no longer waits for him. Determined to reconnect with his teenage daughter Aleida, Humberto faces the quiet judgment of her influential grandparents while searching for work and a sense of dignity. Small jobs and tentative moments become acts of hope as he tries to earn trust and rebuild a bond. The Visitor is a measured portrait belonging anda subtle commentary on the growing evangelical presence in the region. Best Screenplay, 2022 Tribeca Film Festival; Best Screenplay, 2022 Lima Film Festival; Best International Feature Film, 2022 Antalya Golden Orange Film Festival; Best Technical Realization and Treatment of Social Issues, 2022 Mar del Plata International Film Festival.

Other films by Martín Boulocq:

  • Eugenia (2017)
  • The Most Beautiful of My Very Best Years (2005)

Find him on letterboxd:

Gardenia Perfume (Perfume de gardenias)

an elderly person sitting in a garden

Friday, April 3rd at 7:00 pm

Director: Gisela Rosario Ramos (Macha Colón)

2021 Puerto Rico, Colombia | 97 minutes

*Join us after the film for a short discussion with 51 film studies professor Gilberto Blasini!

Isabel, an elderly woman in Puerto Rico, is adrift after the death of her husband. When she uncovers an unexpected gift for planning funerals, Isabel begins helping her neighbors transform loss into moments of humor and care. As her role in the community deepens, connection and purpose quietly return. Perfume de Gardenias is a darkly funny and tender meditation on grief, creativity, and the surprising ways life continues. Best Feature, 2022 FEMI Film Festival; Best Narrative Feature, 2021 Trinidad & Tobago Film Festival; Best Feature, 2021 Puerto Rico Film Festival; Jury’s Special Mention, Narrative Feature, 2021 New Orleans Film Festival.

Other films by Gisela Rosario Ramos:

  • Ruby’s Son (2014)
  • Ten in Music (2009)

Find her on letterboxd:

We Shall Not Be Moved (No nos moverán)

two people looking down from a balcony

Thursday, April 2nd at 7:00 pm

Director: Pierre Saint-Martin Castellanos

2024 Mexico | 94 minutes

* Join us after thefilmfor a virtual Q&A with the director, Pierre Saint-Martin Castellanos!

Socorro is a retired lawyer consumed by her obsession to find the soldier who killed her brother nearly 60 years ago, during the student protests of October 2, 1968 in Mexico City’s Tlatelolco Square. Moving through her days under the weight of financial strain and unspoken grief, a new clue surfaces, and Socorro sets out on a perilous quest for vengeance. Blending realism with moments of symbolic rupture, Saint-Martin delivers a powerful and intimate reflection on the enduring wounds of Mexico’s modern history. Best First Work, Best Original Screenplay, Best Breakthrough Performance, Best Actress, 2025 Ariel Awards; Best Performance, Casa de Iberoamérica Award, 2024 Huelva Ibero-American Film Festival; Audience Award, Best Performance, Audience Award, 2024 Guadalajara International Film Festival; SFCC Critics’ Award, CCAS Fiction Award, Student Fiction Award, 2024 Toulouse Cinelatino Film Festival.

Other films by Pierre Saint-Martin Castellanos:

  • Strangers on a Train (2020)
  • The Hanged Girl (2013)

Find him on letterboxd:

The First Women (As Primeiras)

a team of people sitting and drinking beer

Tuesday, March 31st at 7:00 pm

Director: Adriana Yañez

2024 Brazil | 78 minutes

When women’s football is outlawed in Brazil in 1941, the game is forced into the shadowsuntil its re-legalizationin 1979. This documentaryfollowsthefirst players to return to professional competition,who were discovered young and asked to lovea sport that did not love them back. Through archival photographs, headlines, andwide-ranging interviews, the film moves between past and present, revealing the cost of exclusion and the endurance of passion. A quiet act of resistance, and a testament to why these women and their game still matter.Audience Jury Best Film Award, 2024TriadentesFilm Festival;SoFootaward(Best Film), 2024 Thinking Football Film Festival; Best Feature Film, 2023CINEfootInternational Football Film Festival.

Other films by Adriana Yañez:

  • A Crime Amongst Us (2020)
  • Lampião’s Sandal (2014)

Find her on letterboxd:

The Dog Who Wouldn’t Be Quiet (El perro que no calla)

a person dressed as an astronaut standing in a field

Wednesday, April 1st at 7:00 pm

Director: Ana Katz

2020 Argentina | 73 minutes

*Join us after the film for a short discussion with 51 film studies professor Tami Williams!

In a story both tender and absurd, Sebastián drifts through a life shaped by work, chance, and quiet companionship. After losing his job, he moves from one temporary role to another, forming brief connections that leave lasting traces. Shot in black and white, this film unfolds as a series of everyday moments that gradually shift in tone and form. A meditation on memory, loss, and human connection, the film finds meaning in the small gestures that shape a life. Best Latin American Film, Best Argentinian Director, ARGENTORES Award, 2021 Mar del Plata International Film Festival; VPRO Big Screen Award, 2021 International Film Festival Rotterdam; Ibero American Competition, 2021 Seattle International Film Festival; Best Screenplay, 2021 Havana Film Festival New York.

Other films by Ana Katz:

  • Florianópolis Dream (2018)
  • My Friend from the Park (2015)

Find her on letterboxd:

2026 Summer Teacher Institute: Contemporary Religious Life in Latin America and the Caribbean

Detail from a ceramic tile mural, depicting the Orishá Yemayá through the visual conventions of the Catholic Madonna and Child, art by Said Musa
The Orisha Yemayá, in a mural detail by Dominican artist Said Musa

UW-Milwaukee’s Center for Latin American and Caribbean Studies (CLACS), along with UW-Madison’s Latin American, Caribbean, and Iberian Studies (LACIS) and Institute for Regional and International Studies (IRIS), and Florida International University’s Kimberly Green Latin America and Caribbean Center (LACC) are pleased to present our 2026 Summer Teacher Institute: Contemporary Religious Life in Latin America and the Caribbean

Date, Time, Location

  • Location: UW-Milwaukee (in person)
  • July 6-8, 2026

Registration and Payment

Payment in full is required in advance through your registration form, but reimbursement is available if requested by May 21 (45 days prior to reservation start). Thank you for your understanding!

Registration deadline (institute and optional lodging): May 22, 2026. For more information, contact: Monica VanBladel (vanblade@uwm.edu or 414-251-5216).

Summary

This three-day program will examine the variety of religious institutions, practices, and beliefs that characterize daily life across Latin America and the Caribbean, adding complexity to the popular understanding of the region as historically Catholic. Presentations will highlight the social, artistic, and political dimensions of religions and spirituality, considering topics like the rise of evangelicalism, Afro-Caribbean belonging and activism, and Indigenous communities revitalizing traditional knowledges suppressed by missionary efforts. The institute will feature a variety of expert presentations (speakers may include university faculty, journalists, and practitioners), and allow participants time to collaboratively discuss ways to incorporate this material in their existing curriculum.

Open to educators at the K-12 and college levels. More information about our speakers will be shared throughout spring!

Program Cost

$90 educators (in-service teacher, librarian, counselor, other staff in K-16 setting) / $30 Education students. Fee includes breakfasts, lunches, and materials.

Lodging

Participants are expected to secure their own lodging. Some lower-cost, apartment-style suites are available through 51 University Housing (shared apartment with two private bedrooms) – $57/night shared or $114/night single.

Suites are available for the nights of July 5, 6, 7, and 8. Rates include overnight parking for one vehicle for the duration of your stay.

Speaker Bios

We are pleased to be hosting these experts for our 2026 summer institute on Contemporary Religious Life in Latin America and the Caribbean:

  • Dr. Robert Brennemanis Professor of Criminal Justice and Sociology at Goshen College, and his research focuses on the impact of violence and violent social structures on human flourishing. His book Homies and Hermanos: God and Gangs in Central America (Oxford University Press 2011) takes a close-up look at the lives of sixty-three former gang members, many of whom joined an evangelical congregation as part of their attempt to extricate themselves from gang violence. Rob has provided expert witness testimony in more than a dozen asylum cases involving Central American gangs, and is widely published on matters of gangs and violence in Central America, as well as spirituality and religious architecture.
  • Dr. Fadeke Castoris Associate Professor of Religion and Africana Studies at Northeastern University, with research and teaching interests in religion, race, performance, and the intersectional politics of decolonization. As a Yorùba Ifá initiate of Trinidadian heritage, they are inspired by African spiritual engagements with Black liberation imaginaries and the Black radical tradition. Castor is the author of Spiritual Citizenship: Transnational Pathways from Black Power to Ifá in Trinidad (Duke University Press, 2017; Clifford Geertz Prize, 2018) and her current research explores the spiritual ontologies and epistemologies of Black Spiritual praxis as shifting our centers of being and ways of knowing towards collective care, healing, and social transformation.
  • Florence Goupilis a French-Peruvian documentary photographer working between ethnobotany, environmental and human rights, and the living memory of Indigenous communities. While a Pulitzer Center Rainforest Journalism grantee, she published on cultural revitalization of Indigenous knowledges that were historically suppressed by missionary efforts. She has exhibited internationally and published in The New York Times Magazine, BJP, Fisheye, Atmos, and National Geographic. Florence has received numerous awards, including POY Latam Photographer of the Year, the Magnum Foundation “Heat” Fellowship, and the Latin America Professional Award in the 2025 Sony World Photography Awards.
  • Dr. Sergio Gonzálezis Associate Professor of History at Marquette University. He is a historian of twentieth-century U.S. migration, labor, and religion, and his scholarship explores the intersections between faith and social movements as well as the development of Latino communities in the U.S. Midwest. He is author of Strangers No Longer: Latino Belonging and Faith in Twentieth-Century Wisconsin (University of Illinois Press, 2024) and co-editor of Faith and Power: Latino Religious Politics Since 1945 (New York University Press, 2022). One of his current research projects examines the history of sanctuary movements in the late twentieth and early twenty-first centuries, exploring the pivotal role religious institutions and people of faith have played in developing contemporary social movements for immigrant and refugee justice.
  • Dr. Gustavo Morello, SJ, is Professor of Sociology at Boston College and author of Lived Religion in Latin America: An Enchanted Modernity (Oxford University Press, 2021). As a sociologist of religion, Morello’s research focuses on practices: he studies religion as an ongoing human relation with a supra-human power, rather than focusing on institutional mandates or traditional sociological narratives of secularization or the expansion of religious markets. Morello is also author of The Catholic Church and Argentina’s Dirty War (Oxford University Press, 2015) and has studied religious expression in Mexico, Peru, Argentina, Uruguay, and Chile.