{"id":69809,"date":"2019-04-04T14:47:24","date_gmt":"2019-04-04T19:47:24","guid":{"rendered":"https:\/\/uwm.edu\/news\/?p=69809"},"modified":"2024-09-27T10:02:12","modified_gmt":"2024-09-27T15:02:12","slug":"opera-teaches-lessons-in-life-and-career-for-uwm-music-students","status":"publish","type":"post","link":"https:\/\/uwm.edu\/news\/opera-teaches-lessons-in-life-and-career-for-uwm-music-students\/","title":{"rendered":"Opera teaches lessons in life and career for 51ÁÔÆæ music students"},"content":{"rendered":"

Colleen Brooks believes her 51ÁÔÆæ students are learning many lessons, from the business side to the artistic, by staging a classic opera production like \u201cLa Clemenza di Tito.\u201d<\/p>\n

\u201cWe are truly studying the human experience,\u201d said Brooks, visiting assistant professor and producer of \u201cLa Clemenza di Tito.\u201d \u201cHopefully we can take from our study of art, history and our stories some lessons and tools that can help us communicate more efficiently into our future.\u201d<\/p>\n

On April 5 and 6, Peck School of the Arts and Milwaukee Opera Theatre<\/a> will stage a production of Mozart\u2019s penultimate opera,\u201cLa Clemenza di Tito.\u201d<\/a> Over 60 students will be helping or performing in the production, with a few alumni coming back to join the cast.<\/p>\n

\u201cI\u2019ve always had an interest in operas despite never being in one except for freshman year. It\u2019s always been something I wanted to pursue,\u201d 51ÁÔÆæ music student Emilia Peterson said. Peterson is the stage manager and member of the chorus in \u201cLa Clemenza di Tito.\u201d<\/p>\n

Every two years<\/h3>\n

Opera productions with orchestral accompaniment are put on by the music department every two years, most recently \u201cLa Perichole\u201d in 2017.<\/p>\n

For this year\u2019s production, Brooks thought it was time to do a more well-known, classic opera. The production team discussed it with Jill Anna Ponasik, producing artistic director of Milwaukee Opera Theatre, and settled on \u201cLa Clemenza di Tito.\u201d<\/p>\n

\u201cYoung singers have so many opportunities to sing alone,\u201d said Ponasik, \u201cand relatively few to feel the power that comes from small ensembles like duets and trios.\u201d<\/p>\n

The opera has two alternating casts for the lead roles (except for the role of Tito) to allow more students the opportunity to take on a starring role.<\/p>\n

\u201cNo one will hire you if you don\u2019t have the reputation of being able to do larger roles,\u201d said Megan McCarthy, music master\u2019s student at 51ÁÔÆæ and one of the leads for the opera.<\/p>\n

Staging this opera will help students gain crucial skills for their professional musical careers, Brooks said, including how to market and promote a production, build a sense of dramatic intention and network with people already in the industry.<\/p>\n

\u201cLearning the important skill of networking is how careers come to pass, it seems,\u201d Brooks said.<\/p>\n

Working with professionals<\/h3>\n

One student notes that one of the best things about being part of the opera so far is working with Ponasik. In addition to her work with the Milwaukee Opera Theatre, Ponasik is also artistic associate for Skylight Music Theatre<\/a>.<\/p>\n

\u201cA lot of colleges don\u2019t give that experience of getting to work with people in the actual professional field,\u201d Peterson said.<\/p>\n

51ÁÔÆæ Peck School of the Arts 2018 alum Emanuel Camacho will perform both nights in the titular role of Tito.<\/p>\n

\u201cWhen we’ve had opportunities on our season\u00a0that were well matched with young singers, we’ve created apprenticeships in the past, and that’s what we did\u00a0this year,\u201d Ponasik said. \u201cIt has been a joy having them with us this season.\u201d<\/p>\n

Camacho is part of the informal apprentice program at the Milwaukee Opera Theatre that nurtures young talent in their professional artistic careers.<\/p>\n

\u201cWe try to give our current students what they need,\u201d Brooks said, \u201cand when we have extra opportunities, we pull from our alumni first.\u201d<\/p>\n

Costumes by Leslie Vaglica<\/h3>\n

This opera will feature new costumes specifically designed for the cast by Leslie Vaglica<\/a>, who has done costume design for many professional companies around Milwaukee.<\/p>\n

\u201cThat was something really exciting for us because it\u2019s something that we have not had here,\u201d Brooks said.<\/p>\n

The new costumes are provided by the Yolanda Marculescu fund, named after a former 51ÁÔÆæ voice faculty member. Next year the fund will start awarding scholarships to students pursuing a voice-focused music degree.<\/p>\n

There will be supertitles near the stage to translate the song lyrics and also give historical and comedic commentary on the happenings on stage. The supertitles are courtesy of Danny Brylow, company manager of Milwaukee Opera Theatre.<\/p>\n

The opera \u201cLa Clemenza di Tito\u201d will be performed on April 5 and 6 at Helen Bader Concert Hall in the Zelazo Center for Performing Arts at 7:30 p.m. The 51ÁÔÆæ Symphony Orchestra will be conducted by Maestro Jun Kim.<\/p>\n

Anyone who wants to donate to the Yolanda Marculescu Scholarship Fund can do so online<\/a>. From the \u201cdesignation\u201d pulldown menu, select Peck School of the Arts; from the \u201cfund\u201d pulldown, select Marculescu Voice Scholarship Fund.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Staging an opera isn\u2019t easy, but it\u2019s worth the effort for the valuable lessons it teaches 51ÁÔÆæ music and theater students, say those involved. 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