  {"id":23208,"date":"2015-11-04T09:47:46","date_gmt":"2015-11-04T15:47:46","guid":{"rendered":"https:\/\/uwm.edu\/news\/?p=23208"},"modified":"2015-11-12T08:29:58","modified_gmt":"2015-11-12T14:29:58","slug":"two-centuries-later-electa-quinney-lives-again-onstage","status":"publish","type":"post","link":"https:\/\/uwm.edu\/news\/two-centuries-later-electa-quinney-lives-again-onstage\/","title":{"rendered":"Two centuries later, Electa Quinney lives again, onstage"},"content":{"rendered":"<p>Electa Quinney is arguably one the most interesting \u2013 and important \u2013 figures in Wisconsin history. A member of the Stockbridge-Munsee tribe, she taught at the state\u2019s first public school in Kaukauna 20 years before Wisconsin became a state in 1848. Now, she is the subject of a new play, by aboriginal Canadian playwright Alanis King.<\/p>\n<p>In 2010, 51ÁÔÆæ established The Electa Quinney Institute for American Indian Education, which grew out of an endowed professorship in American Indian education through a gift from the <a href=\"http:\/\/www.ics-milw.org\/\">Indian Community School<\/a> in Franklin. With a professional development grant to help create a play about Quinney, staff members turned to King, a playwright and director who was the first aboriginal woman to graduate from the <a href=\"http:\/\/www.canadiantheatre.com\/dict.pl?term=National%20Theatre%20School%20of%20Canada\">National Theatre School of Canada<\/a>.<\/p>\n<p>King spent a week in Milwaukee this summer, researching Quinney and conducting workshops with 51ÁÔÆæ students and staff and members of the Native American community. The result of that visit, \u201cMorning Becomes Electa,\u201d will be presented at 1 p.m., Nov. 11, in the Helene Zelazo Center for the Performing Arts, room 250, 2400 E. 51ÁÔÆæ.<\/p>\n<p>Although \u201cMorning Becomes Electa\u201d will bear King\u2019s name, preparing the script for the Nov. 11 staged reading was a collaborative process. Through Quinney Institute-sponsored workshops this summer, King explored what Milwaukee\u2019s Native American community already knew about Quinney\u2019s life and what they hoped to share about her with the world.<\/p>\n<p>The collective knowledge provided by the workshop participants fast-tracked King\u2019s research and writing process, she said. \u201cSome of them had been in theater before, some were writers. There was the Wisconsin Poet Laureate (Anishinaabe poet Kim Blaeser), the academics who have the history, and Karyn Saemann who had written a book on Quinney. It was valuable to have all this input.\u201d<\/p>\n<p>Saemann\u2019s book, \u201cElecta Quinney: Stockbridge Teacher,\u201d also contributed King\u2019s research. Saemann had earlier given a talk on her book and research at 51ÁÔÆæ.<\/p>\n<p>King sat with each of the workshop participants and asked what they wanted to see in the play. One element that resonated among them was the image of Quinney standing to one side of the stage while the events of her life play out on the other side. After returning home to Ottawa, Canada, King took the knowledge and creative ideas she had gathered and set to work crafting a compelling narrative.<\/p>\n<p>Quinney\u2019s chosen career posed a challenge. \u201cYou know, she was a teacher. She taught students. Where is the drama?\u201d King asked, laughing. \u201cThat\u2019s where the research by Saemann really came into play.\u201d<\/p>\n<p>Through Saemann\u2019s groundwork for her book, King discovered that this quiet teacher\u2019s life was indeed full of drama. Quinney\u2019s tribe, the Stockbridge-Munsee, was forced to relocate from New York to Wisconsin around 1828, and faced discrimination among the state\u2019s growing white population. Quinney\u2019s first husband died early, as did the young daughter of her second husband. Most painful perhaps was the murder of her sister, Phoebe, by Phoebe\u2019s husband, a member of a prominent French-American family. It is thought that Phoebe\u2019s husband faced no legal repercussions for the killing.<\/p>\n<p>King\u2019s task became then to choose which of these events propelled the play forward. \u201cThere were great losses in her life and I had to omit some of the losses to move the story along,\u201d King said. \u201cAnd also to find some light. To find some levity is always an aim of my work as a playwright.\u201d<\/p>\n<p>\u201cMorning Becomes Electa\u201d is a work in progress, King noted, and she welcomes new collaborators. Although she had hoped to include some lines in Quinney\u2019s native Stockbridge Mohican language, she resorted instead to some dialogue in Anishinaabe, a related tongue. \u201cMaybe the Stockbridge people can fill in the language. That would be a really nice way to honor her and honor descendants who are still living.\u201d<\/p>\n<p>\u201cIt was a real honor to be asked to write about Electa Quinney because who she was, was never brought to the foreground,\u201d King said. \u201cI hope that the response could be enlightened people who love the theater want to see subsequent drafts and ultimately a world premiere.\u201d<\/p>\n<p>It was the Native American students at 51ÁÔÆæ who started this effort, King said. \u201cThey were asking who Electa Quinney was, really driving the project.\u201d Her upcoming trip to 51ÁÔÆæ brings the project full circle. King says she is looking forward to being the writer in the audience, watching others bring this collective work to life. \u201cIt\u2019s actually quite a treat.\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new play by an aboriginal Canadian playwright sheds light on Electa Quinney, the remarkable Stockbridge-Munsee woman who lived and taught school in Wisconsin in the early 19th century.<\/p>\n","protected":false},"author":486,"featured_media":23210,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"categories":[174],"tags":[],"section":[127,131],"display_categories":[115],"related-coverage":[232],"uwmnews-feed":[158,159],"class_list":["post-23208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","section-arts-humanities","section-theater","display_categories-top-story-secondary","related-coverage-native-american","uwmnews-feed-letters-science","uwmnews-feed-humanities"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Two centuries later, Electa Quinney lives again, onstage<\/title>\n<meta name=\"description\" content=\"A new play by an aboriginal Canadian 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