{"id":34128,"date":"2022-06-21T15:31:17","date_gmt":"2022-06-21T20:31:17","guid":{"rendered":"https:\/\/uwm.edu\/libraries\/?page_id=34128"},"modified":"2026-03-23T11:49:13","modified_gmt":"2026-03-23T16:49:13","slug":"past-readings","status":"publish","type":"page","link":"https:\/\/uwm.edu\/libraries\/special\/events\/great-books\/past-readings\/","title":{"rendered":"Great Books Discussion Past Readings Index"},"content":{"rendered":"\n
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Author<\/th>Title<\/th>Geographical Region and Gender<\/th>Era<\/th>Format<\/th>Non-Fiction, by Subject<\/th>\n<\/tr>\n<\/thead>\n
Abbott, Edwin A. <\/td>Flatland<\/td>European<\/td>19th Century<\/td>Novels<\/td><\/td>\n<\/tr>\n
Achebe, Chinua<\/td>The Voter<\/td>Non-Western<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Achebe, Chinua<\/td>The Sacrificial Egg<\/td>Non-Western<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Achebe, Chinua<\/td>The Madman<\/td>Non-Western<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Achebe, Chinua <\/td>Marriage is a Private Affair<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Achebe, Chinua <\/td>Dead Men's Path<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Aeschylus<\/td>The Eumenides<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Aeschylus<\/td>Libation Bearers<\/td>Western<\/td>Ancient (pre-450AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Aeschylus<\/td>Agamemnon<\/td>Western<\/td>Ancient (pre-450AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Akutagawa, Ry\u016bnosuke<\/td>Rash\u014dmon<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Akutagawa, Ry\u016bnosuke<\/td>In a Grove<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Alcott, Louisa May <\/td>Transcendental Wild Oats<\/td>American, Women<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Alighieri, Dante<\/td>Purgatorio, Cantos 8-9<\/td>European<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Alighieri, Dante<\/td>Paradiso, Cantos 25-27<\/td>European<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Alighieri, Dante <\/td>Inferno, Cantos 1-5<\/td>European<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Anderson, Sherwood<\/td>The Egg<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Anonymous<\/td>The Epic of Gilgamesh<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Novels<\/td><\/td>\n<\/tr>\n
Aristopahnes<\/td>Lysistrata<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Aristophanes<\/td>Lysistrata<\/td>European<\/td>Ancient<\/td>Plays<\/td><\/td>\n<\/tr>\n
Aristophanes<\/td>Lysistrata<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Arnold, Matthew <\/td>The Buried Life<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Arnold, Matthew <\/td>Morality<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Arnold, Matthew <\/td>Dover Beach<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Ashbery, John<\/td>The Problem of Anxiety<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Ashbery, John<\/td>The Fear of Death<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Ashbery, John<\/td>Myrtle<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Auden, W. H.<\/td>The Fall of Rome<\/td>European\/American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Auden, W. H.<\/td>In Praise of Limestone<\/td>European\/American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Augustine of Hippo<\/td>Ambrose and the Confession of Augustine<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Memoir, Non-Fiction<\/td>\n<\/tr>\n
Aurelius, Marcus <\/td>The Meditations, Books One-Three<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Austen, Jane<\/td>Lady Susan<\/td>European\/American, Women<\/td>1650-1799<\/td>Novellas<\/td><\/td>\n<\/tr>\n
Bacon, Francis<\/td>First Ten \"Essays\"<\/td>European<\/td>Early Modern (1400-1650)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Baldwin, James<\/td>Sonny's Blues<\/td>American, African American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Balzac, Honor\u00e9 de<\/td>The Red Inn<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Balzac, Honor\u00e9 de<\/td>The Atheist's Mass<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Balzac, Honor\u00e9 de<\/td>Le Grande Bret\u00e8che<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Barnes, Djuna<\/td>How it Feels to Be Forcibly Fed<\/td>American<\/td>1900-1945<\/td>Essays and Speeches<\/td>Non-Fiction<\/td>\n<\/tr>\n
Barnes, Djuna<\/td>A Night Among the Horses<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Barth, Karl<\/td>Is Man Immortal?<\/td>European<\/td>Post 1945<\/td>Essays and Speeches<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Benjamin, Walter<\/td>The Work of Art in the Age of Mechanical Reproduction<\/td>European<\/td>1900-1945<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Berkeley, George<\/td>A Treatise Concerning the Principles of Human Knowledge, Sections 1-33<\/td>European<\/td>1650-1799<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>The Last Days of Jesus as described in the four canonical gospels<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>The Epistle of Paul to the Galatians<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>The Epistle of James<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Song of Songs<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Sermon on the Mount, Matthew 5-7<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Lamentations<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Judges, chapters 2-15<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Jonah<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Job<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Genesis 37-50,The Joseph Cycle<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Genesis 11.26-35.29,The Abraham--Isaac--Jacob Cycles<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Genesis 1-11, Creation to the Descendants of Shem<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Exodus (Selections)<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Esther<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>Ecclesiastes<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bible<\/td>and the so-called Gospel of Peter<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Bishop, Elizabeth<\/td>What Is in His Hand?<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Bishop, Elizabeth<\/td>In the Village<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Blake, William<\/td>Songs of Experience<\/td>European<\/td>1650-1799<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Boccaccio, Giovanni<\/td>The Decameron, Introduction and Day One <\/td>European<\/td>Medieval (450-1400)<\/td>Novellas<\/td><\/td>\n<\/tr>\n
Boethius<\/td>The Consolation of Philosophy, Books 1-3<\/td>European<\/td>Medieval (450-1400)<\/td>Essays and Speeches<\/td>Philosophy<\/td>\n<\/tr>\n
Bohr, Niels<\/td>Atoms and Human Knowledge, address to the Royal Danish Academy of Sciences<\/td>European<\/td>Post 1945<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
B\u00f6ll, Heinrich<\/td>Christmas Every Day<\/td>European<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borge, Jorge Luis<\/td>Book of Sand<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>Tl\u00f6n, Uqbar, Orbis Tertius<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Zahir<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The South<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Sect of the Phoenix<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Lottery in Babylon<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Library of Babel<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Golem\/El Golem<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Garden of Forking Paths<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Circular Ruins<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>The Aleph<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>Pierre Menard, Author of the Quixote<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>Death and the Compass<\/td>Latin American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>\u201cUn Lobo\" \/ \"A Wolf\u201d<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Borges, Jorge Luis<\/td>\u201cEl Otro Tigre\" \/ \"The Other Tiger\u201d<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Brooks, Gwendolyn<\/td>Negro Hero<\/td>American, African American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Brooks, Gwendolyn<\/td>First Fight, Then Fiddle<\/td>American, African American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Burns, Robert<\/td>To a Mouse<\/td>European<\/td>1650-1799<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Burns, Robert<\/td>Is There for Honest Poverty,( A Man's a Man for a' That)<\/td>European<\/td>1650-1799<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Burns, Robert<\/td>Green Grow The Rashes, O<\/td>European<\/td>1650-1799<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Burns, Robert<\/td>Comin Thro The Rye<\/td>European<\/td>1650-1799<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Burns, Robert<\/td>A Red, Red Rose<\/td>European<\/td>1650-1799<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Calderon de la Barca, Pedro<\/td>Life is a Dream<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Calvino, Italo<\/td>\"Lightness\" and \"Quickness\" from Six Memos for the New Millenium<\/td>European<\/td>Post 1945<\/td>Essays and Speeches<\/td><\/td>\n<\/tr>\n
Carr, Marina<\/td>By the Bog of Cats (a 1998 retelling of Euripides's Medea)<\/td>European<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Cather, Willa<\/td>Paul's Case<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Cather, Willa<\/td>A Wagner Matinee<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Cervantes, Miguel de<\/td>The Tale of the Ill-Advised Curiosity, Chapters 33-35 from Don Quixote<\/td>European<\/td>Early Modern (1400-1650)<\/td>Novels<\/td><\/td>\n<\/tr>\n
Chaucer, Geoffrey<\/td>The Wife of Bath's Tale<\/td>European<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Chaucer, Geoffrey<\/td>The Pardoner's Tale<\/td>European<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Cheever, John<\/td>The Swimmer<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Cheever, John<\/td>The Five-Forty-Eight<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Cheever, John<\/td>The Enormous Radio<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Chekhov, Anton<\/td>The Seagull<\/td>European<\/td>19th Century<\/td>Plays<\/td><\/td>\n<\/tr>\n
Chekov, Anton<\/td>Three Sisters<\/td>European<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Chopin, Kate<\/td>The Story of an Hour<\/td>American, Women<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Chopin, Kate<\/td>The Storm<\/td>American, Women<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Chopin, Kate<\/td>At the 'Cadian Ball<\/td>American, Women<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Christie, Agatha<\/td>The Tuesday Night Club<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Christie, Agatha<\/td>The Kidnapped Prime Minister<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Christie, Agatha<\/td>The Adventure of the Egyptian Tomb<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Clarke, Arthur C.<\/td>The Nine Billion Names of God<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Clarke, Arthur C.<\/td>The Sentinel<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Clarke, Arthur C.<\/td>The Star<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Clarke, Arthur C.<\/td>Transience<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Collins, Wilkie<\/td>The Ghost in the Cupboard Room<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Collins, Wilkie (with Charles Dickens, Elizabeth Gaskell, and Adelaide Anne Procter)<\/td>House to Let<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Conrad, Joseph<\/td>The Heart of Darkness<\/td>European<\/td>19th Century<\/td>Novella<\/td><\/td>\n<\/tr>\n
Copernicus, Nicholas<\/td>First nine chapters of On the Revolutions<\/td>European<\/td>Early Modern (1400-1650)<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Coward, Noel <\/td>Hay Fever<\/td>European<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Crane, Hart<\/td>To Brooklyn Bridge<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Crane, Stephen<\/td>In the Desert<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Crane, Stephen<\/td>I Explain the Silvered Passing of a Ship at Night<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Cr\u00e8vec\u0153ur, J. Hector St. John de<\/td>Selected Letters from an American Farmer (1782) Letters I, III, IX, XII<\/td>American<\/td>1650-1799<\/td>Essays and Speeches<\/td>Letters, Non-Fiction<\/td>\n<\/tr>\n
cummings, e. e.<\/td>the Cambridge ladies who live in furnished souls<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
cummings, e. e.<\/td>O sweet spontaneous<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Darwin, Charles<\/td>to the Theory of Natural Selection<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Darwin, Charles<\/td>Summary from Chapter XI<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Darwin, Charles<\/td>Selections from The Origin of Species<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Darwin, Charles<\/td>Introduction<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Darwin, Charles<\/td>Chapter XV: Recapitulation and Conclusion<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Darwin, Charles<\/td>Chapter VII: Miscellaneous Objections<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Darwin, Charles<\/td>Chapter VI: Difficulties of the Theory<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Darwin, Charles<\/td>An Historical Sketch<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Declaration of Independence<\/td><\/td>American<\/td>1650-1799<\/td>Documents<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Descartes, Rene<\/td>Meditation 2<\/td>European<\/td>Early Modern (1400-1650)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Dhammapada<\/td>(Sayings of the Buddha)<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td><\/td>\n<\/tr>\n
Dickens, Charles<\/td>The Signal-Man<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Dickens, Charles<\/td>The Lawyer and the Ghost<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Dickens, Charles<\/td>A Trial for Murder<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Dirksen, Everett M. <\/td>Congressional speech to end the Senate filibuster on the Civil Rights bill, June 10, 1964<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Donne, John<\/td>The Flea<\/td>European<\/td>Early Modern (1400-1650)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Donne, John<\/td>The Canonization<\/td>European<\/td>Early Modern (1400-1650)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Donne, John<\/td>Death Be Not Proud (Holy Sonnet X)<\/td>European<\/td>Early Modern (1400-1650)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Dostoevsky, Fyodor<\/td>The Life and Sayings of the Elder Zosima<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Dostoevsky, Fyodor<\/td>The Grand Inquisitor<\/td>European<\/td>19th Century<\/td>Short Stories <\/td><\/td>\n<\/tr>\n
Dostoevsky, Fyodor<\/td>The Crocodile<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Douglass, Frederick<\/td>May 11, 1857 Speech on the Dred Scott Decision<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Du Bois, W. E. B. <\/td>Selected Chapters from The Souls of Black Folk<\/td>American, African American<\/td>1900-1945<\/td>Essays and Speeches<\/td><\/td>\n<\/tr>\n
Einstein, Albert<\/td>Foreword to Galileo's Dialogue Concerning the Two Chief World Systems<\/td>European<\/td>Post 1945<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Einstein, Albert, Poldosky, Boris, and Rosen, Nathan <\/td>EPR Paradox: \"Can quantum-mechanical description of physical reality be considered complete?\"<\/td>European<\/td>1900-1945<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Eliot, T.S.<\/td>The Waste Land<\/td>American\/European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Eliot, T.S.<\/td>The Hollow Men<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Eliot, T.S.<\/td>Love Song of J. Alfred Prufrock<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Ellison, Ralph<\/td>In a Strange Country<\/td>American, African American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Ellison, Ralph<\/td>Flying Home<\/td>American, African American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Emerson, Ralph Waldo<\/td>The Transcendentalist<\/td>American<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Emerson, Ralph Waldo<\/td>The Over-Soul<\/td>American<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Emerson, Ralph Waldo<\/td>The Lord's Supper<\/td>American<\/td>19th Century<\/td>Essays and Speeches<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Emerson, Ralph Waldo<\/td>Self-Reliance<\/td>American<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Epictetus<\/td>Enchiridion<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Erasmus, Desiderius<\/td>A Pilgrimage for the Sake of Religion<\/td>European<\/td>Early Modern (1400-1650)<\/td>Colloquies<\/td>Philosophy, Religion<\/td>\n<\/tr>\n
Euripides<\/td>Trojan Women<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Euripides<\/td>Media<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Euripides<\/td>Bacchae<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Fainlight, Ruth<\/td>To See the Matter Clearly<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Fainlight, Ruth<\/td>The Wild Hunt<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Fainlight, Ruth<\/td>Friend's Photos<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Faulkner, James<\/td>Barn Burning<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Faulkner, James<\/td>A Rose for Emily<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Faulkner, William<\/td>The Bear<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Faulkner, William<\/td>That Evening Sun<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Faulkner, William<\/td>Dry September<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Ferber, Edna<\/td>The Woman Who Tried to be Good<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Ferber, Edna<\/td>The Maternal Feminine<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Feynman, Richard<\/td>Time and Distance<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Physics<\/td>\n<\/tr>\n
Feynman, Richard<\/td>There's Plenty of Room at the Bottom<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Physics<\/td>\n<\/tr>\n
Feynman, Richard<\/td>Cargo Cult Science<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Physics<\/td>\n<\/tr>\n
Fitzgerald, F. Scott<\/td>Winter Dreams<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Fitzgerald, F. Scott<\/td>Babylon Revisited<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Fitzgerald, F. Scott<\/td>Afternoon of an Author<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Flaubert, Gustave<\/td>Dance of Death<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Flaubert, Gustave<\/td>A Simple Heart<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Forster, E. M. <\/td>The Machine Stops<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Frank, Anne<\/td>The Diary of Young Girl, 12 June - 22 December, 1942<\/td>European<\/td>1900-1945<\/td>Documents<\/td><\/td>\n<\/tr>\n
Freud, Sigmund<\/td>The Origin and Development of Psychoanalysis<\/td>European<\/td>1900-1945<\/td>Documents<\/td><\/td>\n<\/tr>\n
Friel, Brian<\/td>Translations<\/td>European, Irish<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Frost, Robert<\/td>The Road Not Taken<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Frost, Robert<\/td>Mending Wall<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Frost, Robert<\/td>Desert Places<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Gale, Zona<\/td>The Cobweb<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Galilei, Galileo<\/td>Dialogue Concerning the Two Chief World Systems<\/td>European<\/td>Early Modern (1400-1650)<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Garcia Lorca, Federico<\/td>Blood Wedding<\/td>European<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Gilman, Charlotte Perkins<\/td>The Yellow Wallpaper<\/td>American, Women<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Ginsberg, Allen <\/td>Howl<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Glasgow, Ellen<\/td>The Shadowy Third<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Glasgow, Ellen<\/td>The Shadowy Third<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Glasgow, Ellen<\/td>A Point in Morals<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Glasgow, Ellen<\/td>A Point in Morals<\/td>American, Women<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Glaspell, Susan<\/td>A Jury of Her Peers<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Gogol, Nikolai<\/td>The Nose<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Goldman, Alvin<\/td>A Causal Theory of Knowing<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Gooch, Steve<\/td>Female Transport<\/td>European<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Gordimer, Nadine<\/td>The Defeated<\/td>Non-Western, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Greene, Graham<\/td>The Destructors<\/td>European<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Guirgis, Stephen Adly<\/td>The Last Days of Judas<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Gurney, A. R.<\/td>What I Did Last Summer<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Hafez (Hafiz)<\/td>Saints bowing in the mountains<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hafez (Hafiz)<\/td>My sweet, crushed angel<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hafez (Hafiz)<\/td>If it is not too dark<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hafez (Hafiz)<\/td>I know the way you can get<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hafez (Hafiz)<\/td>And Applaud<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hamilton, Alexander; Jay, John; Madison, James<\/td>Selections from the Federalist Papers<\/td>American<\/td>1650-1799<\/td>Documents<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Hampton, Christopher<\/td>Les liaisons dangereuses [Dangerous Liaisons] (1985 stage adaptation of the 1972 epistolary novel by Pierre Choderlos de Laclos)<\/td>European<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Hawthorne, Nathaniel<\/td>Young Goodman Brown<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hawthorne, Nathaniel<\/td>The Great Stone Face<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hawthorne, Nathaniel<\/td>Rappacini's Daughter<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hawthorne, Nathaniel<\/td>Peter Goldthwaite's Treasure<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hawthorne, Nathaniel<\/td>Ethan Brand<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Heaney, Seamus<\/td>The Cure at Troy<\/td>European<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Heaney, Seamus (translator, 1999)<\/td>Selection from Beowulf (ca. 10th\/11th century CE) Lines 1-1643<\/td>European<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Heidegger, Martin<\/td>What Calls for Thinking<\/td>European<\/td>Post 1945<\/td>Essays and Speeches<\/td>Philosophy<\/td>\n<\/tr>\n
Heisenberg, Werner<\/td>Remarks on the Origin of the Relations of Uncertainty<\/td>European<\/td>Post 1945<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Hellman, Lillian<\/td>The Children's Hour<\/td>American<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Hellman, Lillian<\/td>Little Foxes<\/td>American, Women<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Heloise and Abelard<\/td>Letters 1-7<\/td>European, Women<\/td>Medieval (450-1400)<\/td>Documents<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Hemingway, Ernest<\/td>The Snows of Kilimanjaro<\/td>American <\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hemingway, Ernest<\/td>The Short Happy Life of Francis Macomber<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hemingway, Ernest<\/td>The Killers<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hemingway, Ernest<\/td>The Doctor and the Doctor's Wife<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hemingway, Ernest<\/td>Fathers and Sons<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hemingway, Ernest<\/td>A Clean, Well-lighted Place<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Herodotus<\/td>Tales from Herodotus including Solon and Croesus, The Rise of Cyrus, and Rhampsinitis and the Thief<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Herodotus<\/td>Battle of Thermopylae, History, Book 7, sections 198 thru 239<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Hoffman, E.T.A.<\/td>The Automata<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hoffman, E.T.A.<\/td>The Sandman<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Homer<\/td>The Odyssey, Books 21-24<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Homer<\/td>The Odyssey, Books 9 & 12<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Homer<\/td>Iliad, Books 6 & 22<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Homer<\/td>Iliad, Books 6 & 22<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Homer<\/td>Iliad, Books 3 and 4<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hopkins, Gerard Manley<\/td>The Sea and the Skylark<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hopkins, Gerard Manley<\/td>The Candle Indoors<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hopkins, Gerard Manley<\/td>Inversnaid<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hopkins, Gerard Manley<\/td>Andromeda<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Hughes, Langston<\/td>Slave on the Block<\/td>American, African American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hughes, Langston<\/td>Red-Headed Baby<\/td>American, African American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hughes, Langston<\/td>Little Dog<\/td>American, African American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hughes, Langston<\/td>Cora Unashamed<\/td>American, African American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hume, David<\/td>On the Immortality of the Soul<\/td>European<\/td>1650-1799<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Hume, David<\/td>Miracles<\/td>European<\/td>1650-1799<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Hurston, Zora Neale<\/td>Spunk<\/td>American, African American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Hurston, Zora Neale<\/td>Magnolia<\/td>American, African American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Ibsen, Henrik<\/td>Peer Gynt<\/td>European<\/td>19th Century<\/td>Plays<\/td><\/td>\n<\/tr>\n
Jackson, Shirley<\/td>The Lottery<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
James, Henry<\/td>The Tree of Knowledge<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
James, Henry<\/td>The Altar of the Dead<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
James, Henry<\/td>Glasses<\/td>American<\/td>19th Century
\n<\/td>		Short Stories<\/td><\/td>\n<\/tr>\n
Jewett, Sarah Orne<\/td>Poor Joanna Todd, Chapters 13-15 from The Country of the Pointed Firs <\/td>American<\/td>1900-1945<\/td>Novellas<\/td><\/td>\n<\/tr>\n
Jewett, Sarah Orne<\/td>Poor Joanna Todd<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Joyce, James<\/td>The Dead<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Joyce, James<\/td>Ivy Day in the Committee Room<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Joyce, James<\/td>Clay<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Joyce, James<\/td>After the Race<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Juvenal<\/td>Satire VIII: Ture Nobility<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Non-Fiction, Satire<\/td>\n<\/tr>\n
Juvenal<\/td>Satire V: Patronizing Patronage<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Non-Fiction, Satire<\/td>\n<\/tr>\n
Juvenal<\/td>Satire I: It Is Hard Not to Write Satire<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Non-Fiction, Satire<\/td>\n<\/tr>\n
Kafka, Franz<\/td>The Great Wall of China<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Kafka, Franz<\/td>The Burrow<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Kafka, Franz<\/td>A Hunger Artist<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Kennedy, John F. <\/td>Report to the People on Civil Rights, June 11, 1963<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Kensaku, Shimaki<\/td>Wasps<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Kensaku, Shimaki<\/td>Red Frog<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Kensaku, Shimaki<\/td>Centipede<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Kensaku, Shimaki<\/td>Black Cat<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
King Jr., Martin Luther<\/td>I Have a Dream speech, August 28, 1963<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Koethe, John<\/td>Theories of Prayer<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Koethe, John<\/td>In Italy<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Koethe, John<\/td>(Milwaukee Port Laureate, 2000-2002)<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Kumin, Maxine<\/td>The Archaeology of a Marriage<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Kumin, Maxine<\/td>Morning Swim<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Kumin, Maxine<\/td>How It Is<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Lao Tzu<\/td>Tao Te Ching<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Lawrence, D. H. <\/td>Odour of Chrysanthemums<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Leopold, Aldo<\/td>The Land Ethic, from A Sand County Almanac<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Lessing, Doris<\/td>Through the Tunnel<\/td>European, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lessing, Doris<\/td>The Day Stalin Died<\/td>European, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lessing, Doris<\/td>Our Friend Judith<\/td>European, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lewis, C.S.<\/td>The Screwtape Letters<\/td>European<\/td>1900-1945<\/td>Novel<\/td><\/td>\n<\/tr>\n
Lispector, Clarice<\/td>The Smallest Woman in the World<\/td>Latin American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lispector, Clarice<\/td>The Hen<\/td>Latin American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lowell, Robert<\/td>Skunk Hour<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Lowell, Robert<\/td>For the Union Dead<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Lu Xun<\/td>The True Story of Ah Q<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lu Xun<\/td>Kong Yiji<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lu Xun<\/td>A Madman\u2019s Diary<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Lucretius<\/td>Book I of De Rerum Natura<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
MacDiarmid, Hugh<\/td>The Little White Rose<\/td>European<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
MacDiarmid, Hugh<\/td>The Eemis Stane<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
MacDiarmid, Hugh<\/td>Stony Limits<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
MacDiarmid, Hugh<\/td>Facing the Chair<\/td>European<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Machiavelli, Nicolo<\/td>Selections from The Prince<\/td>European<\/td>Early Modern (1400-1650)<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
MacLeish, Archibald<\/td>You, Andrew Marvell<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
MacLeish, Archibald<\/td>The End of the World<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Mahfouz, Naguib<\/td>\u201cZaabalawi\u201d (1962)<\/td>Non-Western<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mahfouz, Naguib<\/td>\u201cThe Conjurer Made Off with the Dish\u201d(1967)<\/td>Non-Western<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mahfouz, Naguib<\/td>\u201cThe Time and the Place\u201d (1982)<\/td>Non-Western<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mahfouz, Naguib<\/td>\u201cHalf a Day\u201d (1989)<\/td>Non-Western<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mann, Thomas<\/td>Mario and the Magician<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mann, Thomas<\/td>Disorder and Early Sorrow<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mansfield, Katherine<\/td>This Flower<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mansfield, Katherine<\/td>The Child-Who-Was-Tired<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mansfield, Katherine<\/td>Frau Brechenmacher Attends a Wedding<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
M\u00e1rquez, Gabriel Garc\u00eda<\/td>The Handsomest Drowned Man In The World<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
M\u00e1rquez, Gabriel Garc\u00eda<\/td>One of These Days<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
M\u00e1rquez, Gabriel Garc\u00eda<\/td>Eyes of a Blue Dog<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
M\u00e1rquez, Gabriel Garc\u00eda<\/td>Eva is Inside Her Cat<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
M\u00e1rquez, Gabriel Garc\u00eda<\/td>A Very Old Man With Enormous Wings<\/td>Latin American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Marx, Karl<\/td>Wage Labour and Capital<\/td>European <\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Maupassant, Guy de<\/td>The Necklace<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Maupassant, Guy de<\/td>The Devil<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Maupassant, Guy de<\/td>Diary of a Madman<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Maupassant, Guy de<\/td>Apparition<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Maupassant, Guy de<\/td>\u201cBoule de Suif\u201d (1880)<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Maupassant, Guy de<\/td>\u201cThe Necklace\u201d (1884)<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Maupassant, Guy de<\/td>\u201cThe Wreck\u201d (1886)<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
McCarthy, Cormac<\/td>Wake for Susan<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
McCarthy, Cormac<\/td>The Dark Waters<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
McCarthy, Cormac<\/td>A Drowning Incident<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
McCullers, Carson<\/td>Wunderkind<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
McCullers, Carson<\/td>The Sojourner<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
McCullers, Carson<\/td>The Jockey<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
McCullers, Carson<\/td>Madame Zilensky and the King of Finland<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Meireles, Cec\u00edlia<\/td>\u201cO Cavalo Morto\" \/ \"The Dead Horse\u201d<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Meireles, Cec\u00edlia<\/td>\u201cCantar\u00e3o os Galos\" \/ \"The Roosters Will Crow\u201d<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Melville, Herman<\/td>The Happy Failure<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Melville, Herman<\/td>Benito Cereno<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Melville, Herman<\/td>Bartleby the Scrivener<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Mencius (Mengzi)<\/td>The Works of Mencius, Books 1 & 2<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td><\/td>\n<\/tr>\n
Mill, John Stuart<\/td>Utilitarianism<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Mill, John Stuart<\/td>Chapter 2: \"What Utilitarianism Is\"<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Mill, John Stuart<\/td>Chapter 1: \"General Remarks\"<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Miller, Arthur<\/td>The Crucible<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Miller, Arthur<\/td>All My Sons<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Milne, A.A. <\/td>Winnie the Pooh, ch. 1-5<\/td>European<\/td>1900-1945<\/td>Novels<\/td><\/td>\n<\/tr>\n
Milton, John<\/td>Paradise Lost: Book I<\/td>European<\/td>1650-1799<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Mina Loy<\/td>Religious Instruction<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Mina Loy<\/td>Brancusi's Golden Bird<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Mistral, Gabriela<\/td>What You Loved<\/td>Latin American, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Mistral, Gabriela<\/td>The Sad Mother<\/td>Latin American, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Moli\u00e8re<\/td>The Misanthrope<\/td>European<\/td>1650-1799<\/td>Plays<\/td><\/td>\n<\/tr>\n
Moli\u00e8re<\/td>Lovers' Quarrels (translated into English verse by Richard Wilbur, 2005)<\/td>European<\/td>1650-1799<\/td>Plays<\/td><\/td>\n<\/tr>\n
Munro, Alice<\/td>\u201cDance of the Happy Shades\u201d 1968<\/td>Canadian<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Munro, Alice<\/td>\u201cBoys and Girls\u201d 1968<\/td>Canadian<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Munro, Alice<\/td>\u201cThe Beggar Maid\u201d 1977<\/td>Canadian<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Montaigne, Michel de<\/td>On Presumption<\/td>European<\/td>Early Modern (1400-1650)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Montaigne, Michel de<\/td>On Cannibals<\/td>European<\/td>Early Modern (1400-1650)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Moore, Marianne<\/td>What are Years?<\/td>American, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Moore, Marianne<\/td>To a Steam Roller<\/td>American, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Muir, John<\/td>My First Summer in the Sierra, Chapter 5: The Yosemite<\/td>American<\/td>1900-1945<\/td>Essays and Speeches<\/td>Nature, Non-Fiction<\/td>\n<\/tr>\n
Muir, John<\/td>My First Summer in The Sierra, Chapter 1: Through the Foothills with a Flock of Sheep<\/td>American<\/td>1900-1945<\/td>Essays and Speeches<\/td>Nature, Non-Fiction<\/td>\n<\/tr>\n
Nabokov, Vladimir<\/td>The Vane Sisters<\/td>European<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Nabokov, Vladimir<\/td>Signs and Symbols<\/td>European<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Nabokov, Vladimir<\/td>Colette [First Love]<\/td>European<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Nagel, Thomas<\/td>What is it Like to Be a Bat?<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Neruda, Pablo<\/td>The Word and Past<\/td>Latin American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Neruda, Pablo<\/td>\u201cUn Perro Ha Muerto\" \/ \"A Dog Has Died\u201d<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Neruda, Pablo<\/td>\u201cSue\u00f1o de Gatos\" \/ \"Cat\u2019s Dream\u201c<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Neruda, Pablo<\/td>\u201cP\u00e1jaro\" \/ \"Bird\u201d<\/td>Latin American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Nottage, Lynn<\/td>Sweat<\/td>American, Women<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Nottage, Lynn<\/td>Ruined<\/td>American, African American, Women<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>The River<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>The Life You Save May Be Your Own<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>The Artificial Nigger<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>Revelation<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>Greenleaf<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>Good Country People<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>Everything That Rises Must Converge<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>A Temple of the Holy Ghost<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
O'Connor, Flannery<\/td>A Good Man Is Hard to Find<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Oates, Joyce Carol<\/td>Where Are You Going, Where Have You Been?<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Olsen, Tillie<\/td>I Stand Here Ironing<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
One Thousand and One Nights<\/td>12 short tales<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Ortega y Gasset, Jos\u00e9 <\/td>Selection from Revolt of the Masses<\/td>European<\/td>1900-1945<\/td>Essays and Speeches<\/td><\/td>\n<\/tr>\n
Orwell, George<\/td>Shooting an Elephant<\/td>European<\/td>1900-1945<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Orwell, George<\/td>Politics and the English Language<\/td>European<\/td>1900-1945<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Ovid<\/td>Metamorphoses (8 CE; translated by Ian Johnston, 2011) Book 1<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Ovid<\/td>Metamorphoses (8 CE; translated by Ian Johnston, 2011) Book 2<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Paley, Grace<\/td>Goodbye and Good Luck<\/td>American, Women<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Parker, Dorothy<\/td>Here We Are<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Parker, Dorothy<\/td>Big Blond<\/td>American, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Pascal, Blaise<\/td>The Misery of Man without God (Section II, Pens\u00e9es 60-183)<\/td>European<\/td>1650-1799<\/td>Non-fiction<\/td>Philosophy<\/td>\n<\/tr>\n
Pascal, Blaise<\/td>Of the Necessity of the Wager (Section III, Pens\u00e9e 233)<\/td>European<\/td>1650-1799<\/td>Non-fiction<\/td>Philosophy<\/td>\n<\/tr>\n
Paz, Octavio<\/td>Brotherhood<\/td>Latin American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Paz, Octavio<\/td>Between Going And Coming<\/td>Latin American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Pirandello, Luigi<\/td>Six Characters in Search of an Author<\/td>European<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Plath, Sylvia<\/td>Morning Song<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Plath, Sylvia<\/td>Elm<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Plato<\/td>Theages<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>The Myth of Er<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy<\/td>\n<\/tr>\n
Plato<\/td>The Death of Socrates<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>The Apology<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>Phaedrus<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>Meno<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>Hippias Major<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>Hipparchus<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>Euthyphro<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Plato<\/td>Crito<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Pliny the Younger<\/td>Letters<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Pliny the Younger<\/td>Book 9, Letter 33 To his friend Caninius on a boy and his dolphin<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Pliny the Younger<\/td>Book 6, Letters 16 and 20 Letters on Vesuvius to his friend Tacitus<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Pliny the Younger<\/td>Book 5, Letter 16 To his friend Aefulanus Marcellinus on a father's grief<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Pliny the Younger<\/td>Book 4, Letter 11 To his friend Cornelius Minicianus on the death of a Vestal<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Pliny the Younger<\/td>Book 3, Letter 16 To his friend Nepos on a woman's heroism<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Pliny the Younger<\/td>Book 3, Letter 14 To his friend Acilius on a murdered magistrate<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Poe, Edgar Allen<\/td>The Murders in the Rue Morgue<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Poe, Edgar Allen<\/td>Imp of the Perverse<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Poe, Edgar Allen<\/td>Cask of the Amontillado<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Poe, Edgar Allen<\/td>A Descent into the Maelstrom<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Polo, Marco<\/td>The Court of Kublai Khan, Book II, Chapters 1-12 of The Travels<\/td>European<\/td>Medieval (450-1400)<\/td>Non-Fiction<\/td><\/td>\n<\/tr>\n
Porter, Katherine Anne<\/td>Theft<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Porter, Katherine Anne<\/td>The Jilting of Granny Weatherall<\/td>American <\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Porter, Katherine Anne<\/td>The Grave<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Porter, Katherine Anne<\/td>He<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Porter, Katherine Anne<\/td>Flowering Judas<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Pound, Ezra<\/td>The River-Merchant's Wife: A Letter<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Pound, Ezra<\/td>Canto I<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Proust, Marcel<\/td>Within a Budding Grove, v.2 of In Search of Lost Time (Remembrance of Things Past)<\/td>European<\/td>1900-1945<\/td>Novels<\/td><\/td>\n<\/tr>\n
Proust. Marcel<\/td>Swann's Way, v.1 of In Search of Lost Time (Remembrance of Things Past)<\/td>European<\/td>1900-1945<\/td>Novels<\/td><\/td>\n<\/tr>\n
Proust. Marcel<\/td>\u201cSeascape, with Frieze of Girls\u201d Part II, from Within a Budding Grove, volume 2 of Proust\u2019s In Search of Lost Time (Remembrance of Things Past) (1919)<\/td>European<\/td>1900-1945<\/td>Novels<\/td><\/td>\n<\/tr>\n
Pushkin, Aleksandr<\/td>The Blizzard (aka The Snowstorm)<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Pushkin, Aleksandr<\/td>Queen of Spades<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Pynchon, Thomas<\/td>The Crying of Lot 49<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Qu'ran<\/td>Sura 6, The Cattle<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Qu'ran<\/td>Sura 4, The Women<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Documents<\/td>Religion, Non-Fiction<\/td>\n<\/tr>\n
Ramayana, Selections from<\/td><\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Documents<\/td><\/td>\n<\/tr>\n
Rand, Ayn<\/td>The Objectivist Ethics<\/td>American, Women<\/td>Post 1945<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Rand, Ayn<\/td>Anthem<\/td>American, Women<\/td>1900-1945<\/td>Essays and Speeches<\/td><\/td>\n<\/tr>\n
Rilke, Rainer Maria<\/td>Duino Elegies<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Roth, Philip<\/td>The Conversion of the Jews <\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Roth, Philip<\/td>Eli the Fanatic<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Rousseau, Jean-Jacques<\/td>The Origin and Foundation of the Inequality of Mankind<\/td>European<\/td>1650-1799<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Rumi, Jalaluddin<\/td>Rise up from me-ness and mix with all<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Rumi, Jalaluddin<\/td>Kisses but no lips were visable<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Rumi, Jalaluddin<\/td>Be drunk in love since love is all that exists<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Rumi, Jalaluddin<\/td>Advice is never useful to lovers<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Russell, Bertrand<\/td>Why I Am Not A Christian<\/td>European<\/td>1900-1945<\/td>Essays and Speeches<\/td>Philosophy, Religion, Non-Fiction<\/td>\n<\/tr>\n
Saint-Exupery, Antoine de<\/td>The Little Prince<\/td>European<\/td>1900-1945<\/td>Novella<\/td><\/td>\n<\/tr>\n
Salinger, J.D. <\/td>Uncle Wiggily in Connecticut<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Salinger, J.D. <\/td>Down at the Dinghy<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Salinger, J.D. <\/td>A Perfect Day for Bananafish<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Sartre, Jean-Paul<\/td>The Wall<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Sartre, Jean-Paul<\/td>Intimacy<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Sartre, Jean-Paul<\/td>Herostratus<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Schopenhauer, Arthur<\/td>The World as Will and Idea, Book One (also titled The World as Will and Representation)<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Schr\u00f6dinger, Erwin <\/td>Schr\u00f6dinger's Cat, Sections 5 and 6 from The Present Situation in Quantum Mechanics from the original 1935 paper in Die Naturwissenschaften.<\/td>European<\/td>1900-1945<\/td>Essays and Speeches<\/td>Science, Non-Fiction<\/td>\n<\/tr>\n
Seneca the Younger<\/td>Thyestes<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Sexton, Anne<\/td>Crossing the Atlantic<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Sexton, Anne<\/td>Consorting with Angels<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Sexton, Anne<\/td>45 Mercy Street<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Shakespeare, William<\/td>Richard II<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William<\/td>Love's Labour's Lost<\/td>European<\/td>Early Modern<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, WIlliam<\/td>Henry VI, Part 1<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William<\/td>Henry V<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William<\/td>Henry IV, Part II<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William<\/td>Henry IV, Part I<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William<\/td>Henry VI, Part 2 (ca. 1591)<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William<\/td>Cymbeline<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>The Tempest<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>The Taming of the Shrew<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>The Merchant of Venice<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>Romeo and Juliet<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>Othello<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>Much Ado About Nothing<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>Macbeth<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>King Lear<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>Hamlet, Prince of Denmark<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>Cymbeline<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>Coriolanus<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>As You Like It<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shakespeare, William <\/td>A Midsummer Night's Dream<\/td>European<\/td>Early Modern (1400-1650)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shaw, George Barnard<\/td>Major Barbara<\/td>European<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shaw, George Bernard<\/td>Arms and the Man<\/td>European<\/td>19th Century<\/td>Plays<\/td><\/td>\n<\/tr>\n
Shen Fu<\/td>The Sorrows of Misfortune<\/td>Non-Western<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Shen Fu<\/td>The Pleaures of Leisure<\/td>Non-Western<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Shen Fu<\/td>The Joys of the Wedding Chamber<\/td>Non-Western<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Shen Fu<\/td>The Delights of Roaming Afar<\/td>Non-Western<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Shen Fu<\/td>Selections from Six Records of a Floating Life<\/td>Non-Western<\/td>19th Century<\/td>Novels<\/td><\/td>\n<\/tr>\n
Shi Nai'an<\/td>Water Margin: Chapters 1-7<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Novels<\/td><\/td>\n<\/tr>\n
Shikibu, Murasaki<\/td>The Tale of Genji, Chapters 1 & 2<\/td>Non-Western<\/td>Medieval (450-1400)<\/td>Novels<\/td><\/td>\n<\/tr>\n
Sitwell, Edith<\/td>The Lady with the Sewing-Machine<\/td>European, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Sitwell, Edith<\/td>Still Falls the Rain<\/td>European, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Sophocles<\/td>Trachiniae, or The Woman of Trachis<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Sophocles<\/td>Oedipus Rex, translation by David Mulroy (2011)<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Sophocles<\/td>Antigone, translation by David Mulroy (2013)<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Sophocles<\/td>Antigone<\/td>European<\/td>Ancient (to 450 AD)<\/td>Plays<\/td><\/td>\n<\/tr>\n
Soyinka, Wole<\/td>The Swamp Dwellers<\/td>Non-Western<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
St. Vincent Millay, Edna <\/td>Time does not bring relief; you all have lied (Sonnet II)<\/td>American, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
St. Vincent Millay, Edna <\/td>If I should learn, in some quite casual way (Sonnet V)<\/td>American, Women<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Steele, Shelby<\/td>The Content of Our Character: A New Vision of Race in America, chapts.1, 2, and 7<\/td>American, African American<\/td>Post 1945<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Sterne, Laurence<\/td>The Life and Opinions of Tristram Shandy, Gentleman, Book 1<\/td>European<\/td>1650-1799<\/td>Novels<\/td><\/td>\n<\/tr>\n
Stevens, Wallace<\/td>Thirteen Ways of Looking at a Blackbird<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Stevens, Wallace<\/td>The Snow Man<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Stevens, Wallace<\/td>The Idea of Order at Key West<\/td>American<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Stoppard, Tom<\/td>Arcadia<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Stowe, Harriet Beecher<\/td>Uncle Tom's Cabin, Chapters 1-8<\/td>American<\/td>19th Century<\/td>Novels<\/td><\/td>\n<\/tr>\n
Sun Tzu<\/td>Selections from The Art of War<\/td>Non-Western<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Svich, Caridad<\/td>12 Ophelias (a play with broken songs)<\/td>American, Women<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Swift, Jonathan<\/td>A Treatise on Good Manners and Good Breeding<\/td>European<\/td>1650-1799<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Swift, Jonathan<\/td>A Modest Proposal<\/td>European<\/td>1650-1799<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Tagore, Rabindranath<\/td>Cabuliwallah (The Fruitseller from Kabul)<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Tagore, Rabindranath <\/td>The Postmaster <\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Tagore, Rabindranath <\/td>The Hungry Stones<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Taylor, Marilyn (Milwaukee Poet Laureate, 2004-2006)<\/td>To Lucy, Who Came First<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Taylor, Marilyn (Milwaukee Poet Laureate, 2004-2006)<\/td>The Blue Water Buffalo<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Taylor, Marilyn (Milwaukee Poet Laureate, 2004-2006)<\/td>Notes from the Good-Girl Chronicles<\/td>American, Women<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Tennyson, Alfred<\/td>The Lotus-Eaters<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Thomas, Dylan<\/td>The Force That Through the Green Fuse Drives the Flower<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Thomas, Dylan<\/td>Do Not Go Gentle into that Good Night<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Thomas, Dylan<\/td>A Refusal to Mourn the Death, by Fire, of a Child in London<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Thoreau, Henry David<\/td>A Winter Walk<\/td>American<\/td>19th Century<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Thucydides<\/td>The Peloponnesian War, Book 2:<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Thucydides<\/td>Pericles' Funeral Oration and the Plague at Athens<\/td>European<\/td>Ancient (to 450 AD)<\/td>Essays and Speeches<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Thucydides<\/td>History of the Peloponnesian War: \"The Melian Dialogue\"<\/td>European<\/td>Ancient (to 450 AD)<\/td>Documents<\/td>History, Non-Fiction<\/td>\n<\/tr>\n
Thurber, James<\/td>There's an Owl in My Room<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Thurber, James<\/td>The Secret Life of Walter Mitty <\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Thurber, James<\/td>The Night the Bed Fell<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Thurber, James<\/td>The Greatest Man in the World<\/td>American<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Tolstoy, Leo<\/td>Death of Ivan Ilych<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Turganev, Ivan<\/td>The Dog<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Turganev, Ivan<\/td>Bezhin Meadow<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Turganev, Ivan<\/td>A Month in the Country<\/td>European<\/td>19th Century<\/td>Plays<\/td><\/td>\n<\/tr>\n
Twain, Mark<\/td>Diary of Adam and Eve<\/td>American<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Unamuno, Miguel de <\/td>Saint Emmanuel the Good, Martyr<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
United States Constitution, The <\/td><\/td>American<\/td>1650-1799<\/td>Documents<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
United States Supreme Court, The <\/td>The Dred Scott Decision<\/td>American<\/td>19th Century<\/td>Documents<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
United States Supreme Court, The <\/td>Roe versus Wade (Opinions of Justices Blackmun and Renquist)<\/td>American<\/td>Post 1945<\/td>Documents<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Updike, John<\/td>A & P<\/td>American<\/td>Post 1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Virgil<\/td>Aeneid, Book 6<\/td>European<\/td>Ancient (to 450 AD)<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Voltaire<\/td>Candide (First twelve chapters)<\/td>European<\/td>1650-1799<\/td>Novellas<\/td><\/td>\n<\/tr>\n
Walch, John<\/td>The Nature of Mutation<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Wallace, George C. <\/td>4th of July speech (1964) against Civil Rights legislation<\/td>American<\/td>Post 1945<\/td>Essays and Speeches<\/td><\/td>\n<\/tr>\n
Wells, H. G. <\/td>The Star<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Wharton, Edith<\/td>Ethan Frome<\/td>American, Women<\/td>1900-1945<\/td>Novels<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>When I Heard the Learn'd Astronomer<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>Out of the Rolling Ocean the Crowd<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>One's-Self I Sing<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>O Captain! My Captain!<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>I Sing the Body Electric<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>I Saw in Louisinana a Live-Oak Growing<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>A Woman Waits for Me<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Whitman, Walt<\/td>A Noiseless Patient Spider<\/td>American<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Wilde, Oscar<\/td>The Decay of Lying<\/td>European<\/td>19th Century<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Wilder, Thornton<\/td>Our Town<\/td>American<\/td>1900-1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Williams, William Carlos <\/td>To Elsie<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Williams, William Carlos <\/td>This Is Just to Say<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Williams, William Carlos <\/td>The Red Wheelbarrow<\/td>American<\/td>Post 1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Wilson, August<\/td>Fences<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Wilson, Lanford<\/td>Hot l Baltimore<\/td>American<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Wittgenstein, Ludwig <\/td>Selections from Tractatus Logico-Philosophicus and Philosophical Investigations<\/td>European<\/td>1900-1945<\/td>Documents<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Wodehouse, P.G.<\/td>Without the Option<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Wodehouse, P.G.<\/td>The Rummy Affair of Old Biffy<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Wodehouse, P.G.<\/td>Jeeves Takes Charge<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Wodehouse, P.G.<\/td>Bertie Changes His Mind<\/td>European<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Wollstonecraft, Mary<\/td>A Vindication of the Rights of Woman, introduction and chapter 12<\/td>European, Women<\/td>1650-1799<\/td>Essays and Speeches<\/td>Philosophy, Non-Fiction<\/td>\n<\/tr>\n
Woolf, Virginia<\/td>The Mark on the Wall<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Woolf, Virginia<\/td>The Duchess and the Jeweller<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Woolf, Virginia<\/td>An Unwritten Novel<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Woolf, Virginia<\/td>A Society<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Woolf, Virginia<\/td>A Haunted House<\/td>European, Women<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Wordsworth, William<\/td>Ode: Intimations of Immortality<\/td>European<\/td>19th Century<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Xun, Lu<\/td>New Year's Sacrifice<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Xun, Lu<\/td>Diary of a Madman<\/td>Non-Western<\/td>1900-1945<\/td>Short Stories<\/td><\/td>\n<\/tr>\n
Yeats, William Butler<\/td>When You Are Old<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Yeats, William Butler<\/td>Vacillation<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Yeats, William Butler<\/td>The Second Coming<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Yeats, William Butler<\/td>Sailing to Byzantium<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Yeats, William Butler<\/td>Politics<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Yeats, William Butler<\/td>Among School Children<\/td>European<\/td>1900-1945<\/td>Poetry<\/td><\/td>\n<\/tr>\n
Zacarias<\/td>The Sins of Sor Juana<\/td>Latin American, Women<\/td>Post 1945<\/td>Plays<\/td><\/td>\n<\/tr>\n
Zola, Emile<\/td>The Attack on the Mill<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n
Zola, Emile<\/td>J'accuse<\/td>European<\/td>19th Century<\/td>Essays and Speeches<\/td>Politics, Non-Fiction<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n<\/div>\n\n\n\n