{"id":17119,"date":"2021-12-08T10:31:23","date_gmt":"2021-12-08T16:31:23","guid":{"rendered":"https:\/\/uwm.edu\/letters-science\/?p=17119"},"modified":"2023-12-04T15:19:55","modified_gmt":"2023-12-04T21:19:55","slug":"grad-students-new-book-tackles-mental-health-and-media","status":"publish","type":"post","link":"https:\/\/uwm.edu\/letters-science\/in-focus-2021\/grad-students-new-book-tackles-mental-health-and-media\/","title":{"rendered":"Grad student’s new book tackles mental health and media"},"content":{"rendered":"

Christopher Olson has coped with anxiety and depression his entire life. One day, he watched an episode of the Netflix series \u201cBoJack Horseman,\u201d an animated show about an alcoholic former television star navigating Hollywood. In that episode, the audience hears the titular character\u2019s inner monologue (be warned, the linked video contains profanity), complete with frenetic scribbled animation.<\/p>\n

\u201cAs I was watching that episode, I was like, how did they get into my head? That\u2019s the litany that ran through my head for years,\u201d Olson said.<\/p>\n

That, he noted, was the driving reason he wanted to make his newly-published book <\/i><\/a>, \u201cNormalizing Mental Illness and Neurodiversity in Media: Quieting the Madness.\u201d<\/p>\n

Olson is working toward his PhD in media studies at 51ÁÔÆæ. He\u2019s authored, co-authored, and co-edited several books focusing on topics like cult movies and television shows and professional wrestling, but this book is a bit more academic than his previous work.<\/p>\n

\u201c(Co-editor Malynda Johnson and I) noticed \u2026 the preponderance of shows and movies and other media that are starting to very frankly deal with the issues of neurodiversity and mental health,\u201d Olson said. \u201cI was like, we need to do something with this. This is a topic that I think people need to dig into and talk about.\u201d<\/p>\n

Others agreed; Olson and Johnson\u2019s book garnered an Honorable Mention award in the Best Edited category at the Midwest Popular Culture Association\u2019s book awards ceremony in October.<\/p>\n

A book is born<\/h3>\n

Olson met Johnson, an assistant professor of communication at Indiana State University, at a conference hosted by the Midwest Popular Culture Association a few years ago. After the two discovered their mutual interest about mental health portrayals in media, they sent out a call for papers and approached the publisher Routledge with their idea.<\/p>\n

Routledge bit and the papers flowed in. Olson and Johnson compiled them in a loose order: One grouping deals with the portrayal of therapy in shows like \u201cModern Family\u201d and a children\u2019s show called \u201cThe Loud House;\u201d another examines eating disorders in media, and another focuses on neurodiversity.<\/p>\n

Olson\u2019s own essay in the book stemmed from his interest in professional wrestling, which he says often uses negative stereotypes as cultural shorthand.<\/p>\n

\u201cOne of the main negative stereotypes that you see is the \u2018crazy woman.\u2019 She\u2019s shrill and angry,\u201d he noted. \u201cBut in recent years, a lot of professional wrestlers have been very open about their own struggles. There were two women who were very open about their eating disorders \u2026 on their reality show, \u2018Total Divas.\u2019 We thought, let\u2019s look at what this ancillary program is doing and how that informs the characters that they play in the ring.\u201d<\/p>\n

More essays in the book focus on topics like posttraumatic stress disorder in the films \u201cTaxi Driver\u201d and \u201cYou Were Never Here,\u201d or how Dory the fish\u2019s short-term memory disorder impacts her relationships in the Pixar movies \u201cFinding Nemo\u201d and \u201cFinding Dory.\u201d<\/p>\n

And Olson said, there are a more than a few 51ÁÔÆæ ties in the book. \u201c(Co-editor) Malynda Johnson is a 51ÁÔÆæ alum. She got her PhD from 51ÁÔÆæ (\u201912, Communication). Then Ali (Gattoni, an assistant faculty associate in the 51ÁÔÆæ Communication Department) has a chapter in here.\u201d<\/p>\n

Mental health and media<\/h3>\n

If mental health and neurodiversity are becoming more accepted in mainstream pop culture these days, it was a long road to get there. For decades, Olson said, if movies or television shows dealt with mental illness, it was to characterize the villain.<\/p>\n

\u201cThat\u2019s one of the things that we talk about in the intro to the collection. For a long time, the dominant portrayal of mental illness was negative in media,\u201d he added. \u201cThe villain was the mad scientist or the crazy jealous woman. Horror especially uses mental illness and neuroatypicality to position the \u2018monster\u2019 against \u2018normal society.\u2019\u201d<\/p>\n

That started to change around the turn of the millennium. People gradually became more open about the topic of mental illness, and movies and television soon followed. Then the advent of social media like Facebook, Instagram, YouTube, and now TikTok allowed people to begin sharing their mental health experiences with other people who faced similar issues.<\/p>\n

The riseof streaming services played a role too, especially as companies like Netflix, Amazon, and Hulu began to make their own content.<\/p>\n

\u201cIn the past, you would have network television where they\u2019re trying to appeal to this broad audience, but with streaming, with their algorithms, they\u2019re able to really target niche audiences,\u201d Olson said. \u201cSo, for example, there was a show created by comedienne Maria Bamford called \u2018Lady Dynamite\u2019 that was on Netflix, about her own struggles with bipolar disorder and depression. … I think, as we\u2019re seeing the further fragmentation of media into these more niche audiences, you\u2019re seeing more people (saying), \u2018I can speak about these things and I will get an audience of people who will watch it.\u2019\u201d<\/p>\n

And it\u2019s not just in movies and television. Comic books, video games, and other forms of entertainment have also begun to incorporate mental health in their storylines. Olson regrets that he and Johnson weren\u2019t able to include those forms of media in the book.<\/p>\n

But, he said, maybe they can add them in if there\u2019s ever a Volume 2.<\/p>\n

By Sarah Vickery<\/strong>, College of Letters & Science<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"

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