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Critically analyzing a series of surreptitious and visually benign objects contained or referenced in colonial archives in Brazil and Portugal, Rarey suggests that mapping the visual culture of Atlantic slavery ethically requires engaging objects produced as challenges to, and archives of, their makers\u2019 experiences of displacement and diaspora.<\/p>\n<p>Matthew Rarey is Associate Professor of African and Black Atlantic Art History and the Chair of Art History at Oberlin College and Conservatory. He researches and teaches the art history of the Black Atlantic, with a focus on connections between West Africa, Brazil, and Portugal from the seventeenth through twenty-first centuries. His research looks to visual and material culture to centralize Africans\u2019 contributions to histories of slavery, racial formation, religion, and commodity exchange. 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