  {"id":6667,"date":"2025-09-24T15:20:58","date_gmt":"2025-09-24T20:20:58","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?p=6667"},"modified":"2025-09-24T15:20:58","modified_gmt":"2025-09-24T20:20:58","slug":"book-review-helen-of-troy-1993-by-maria-zoccola","status":"publish","type":"post","link":"https:\/\/uwm.edu\/creamcityreview\/book-review-helen-of-troy-1993-by-maria-zoccola\/","title":{"rendered":"Book Review: Helen of Troy, 1993 by Maria Zoccola"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.17.2&#8243; custom_margin=&#8221;0px|0px|0px|0px&#8221; custom_padding=&#8221;0px|0px|0px|0px&#8221;][et_pb_row _builder_version=&#8221;3.17.2&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.17.2&#8243;]by Allie Farrell<br \/>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.17.2&#8243; custom_padding=&#8221;0|0px|32.1719px|0px|false|false&#8221;][et_pb_row custom_padding=&#8221;15px|0px|16.0859px|0px|false|false&#8221; _builder_version=&#8221;3.0.48&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.17.2&#8243; custom_margin=&#8221;0px|0px|0px|0px&#8221; custom_padding=&#8221;0px|0px|0px|0px&#8221;]<\/p>\n<div id=\"attachment_5870\" class=\"wp-caption alignnone\" style=\"width: 310px\">\n<p><img decoding=\"async\" src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn:ANd9GcQkPcri1jmoJPMDbZf1OrSnpWkAN7O1GA3prMmK11-VyDphLf0-wQT5BWb_LrN-bY7y8vH_1GH9jHIN8fXceCwZVpp-WsI2J12eYcXATg\" alt=\"JANUARY MONTHLY: INTERVIEW WITH MARIA ZOCCOLA\" \/><\/p>\n<p id=\"caption-attachment-5870\" class=\"wp-caption-text\">Photograph by Morgan Lyttle<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><span data-contrast=\"auto\">Maria Zoccola, a queer Southern writer and educator from Memphis, Tennessee, brings the epic to the everyday in her debut collection, <\/span><i><span data-contrast=\"auto\">Helen of Troy, 1993 <\/span><\/i><span data-contrast=\"auto\">(Scribner, 2025). One of her \u201cHelen\u201d poems was previously featured in <\/span><i><span data-contrast=\"auto\">The Cream City Review, <\/span><\/i><span data-contrast=\"auto\">and <\/span><span data-contrast=\"auto\">Zoccola\u2019s work has earned her Best Small Fictions and Best New Poets nominations, as well as a special mention for the Pushcart Prize. Here, Zoccola shows off her knowledge of the Classics while keeping her writing voice approachable, giving her readers a sense of living in a Greek tragedy borne of the late 20<\/span><span data-contrast=\"auto\">th<\/span><span data-contrast=\"auto\"> Century.<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">With a title like <\/span><i><span data-contrast=\"auto\">Helen of Troy, 1993, <\/span><\/i><span data-contrast=\"auto\">it is unsurprising that this is a telling of Homer\u2019s <\/span><i><span data-contrast=\"auto\">Iliad <\/span><\/i><span data-contrast=\"auto\">that we haven\u2019t heard before. In <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=1Q5JabI4ihY\"><span data-contrast=\"none\">an interview<\/span><\/a><span data-contrast=\"auto\"> with the <\/span><i><span data-contrast=\"auto\">Alaska Quarterly Review, <\/span><\/i><span data-contrast=\"auto\">Zoccola addresses what she finds to be an \u201cunfair ending\u201d for the Queen of Sparta in the original, having no <\/span><i><span data-contrast=\"auto\">agency <\/span><\/i><span data-contrast=\"auto\">in the events that happen around her. It\u2019s a bit of a paradox in the initial story: if Helen is the driving force behind the events of the Trojan War, why is she not the protagonist? Here, Helen<\/span> <span data-contrast=\"auto\">takes center stage. In the town of Sparta, Tennessee, we learn of Helen\u2019s family, their names appropriately disguised or shortened to match Helen\u2019s deadpan, often sarcastic tone; for instance, her husband Menelaus is referred to as \u201cThe Big Cheese,\u201d her daughter Hermoine is \u201cThe Kid,\u201d and her lover Paris is \u201cThe Stranger.\u201d Helen\u2019s voice as we hear about her daily (mis)adventures is biting, sometimes humorous, and yet quietly tragic; while reading, it\u2019s easy to get the feeling that we <\/span><i><span data-contrast=\"auto\">know<\/span><\/i><span data-contrast=\"auto\"> this person, or someone just like her.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The storyline of the collection draws inspiration from both Euripides\u2019 tragedy <\/span><i><span data-contrast=\"auto\">Helen <\/span><\/i><span data-contrast=\"auto\">and Homer\u2019s epic <\/span><i><span data-contrast=\"auto\">Iliad, <\/span><\/i><span data-contrast=\"auto\">even building from the original text of the latter\u2014my personal favorite use of the original text includes a golden shovel within \u201chelen of troy avoids her school reunion,\u201d in which the last words of each line spell out the infamous lines: <\/span><i><span data-contrast=\"auto\">\u201cbitch that I am, vicious, scheming\u201d<\/span><\/i><span data-contrast=\"auto\"> followed by Zoccola\u2019s own enjambed last words: <\/span><i><span data-contrast=\"auto\">\u201chorror to freeze the heart\u201d<\/span><\/i> <i><span data-contrast=\"auto\">(Iliad <\/span><\/i><span data-contrast=\"auto\">translated by Robert Fagles 6.408-409)<\/span><i><span data-contrast=\"auto\">.<\/span><\/i><span data-contrast=\"auto\">\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Understatement and irony dominate Helen\u2019s narration. Titles like \u201chelen cleans up after the barbecue\u201d and \u201canother thing about the affair\u201d both highlight the mundanity of everyday life and minimize the weight of her experiences; the choices Helen makes are hers, though an air of passivity casts a veil over the events that no doubt run emotions high. This is an interesting detail when read in tandem with how The Big Cheese treats Helen, encouraging her role as a housewife despite her claustrophobia and forbidding her access to the internet to keep her world small. Helen, conversely, pushes back at his attempts as she expresses pity, disappointment, and even hatred toward him. As we follow Helen\u2019s life story, she finds herself married and with a young child. Though Helen possesses some agency in her circumstances, we see how generational poverty, trauma, and societal pressure to do what one is \u201csupposed to\u201d can stand in for fate. Zoccola channels this push and pull against greater forces symbolically with literal winds of change. Helen tells us as she returns on foot to Sparta, after running off with The Stranger, that the wind <\/span><i><span data-contrast=\"auto\">\u201c<\/span><\/i><i><span data-contrast=\"none\">scraped away shreds of <\/span><\/i><span data-contrast=\"none\">[<\/span><i><span data-contrast=\"none\">herself<\/span><\/i><span data-contrast=\"none\">]\/ <\/span><i><span data-contrast=\"none\">back to <\/span><\/i><span data-contrast=\"none\">[<\/span><i><span data-contrast=\"none\">her<\/span><\/i><span data-contrast=\"none\">], <\/span><i><span data-contrast=\"none\">old stretches of skin that fit\/ themselves to the holes <\/span><\/i><span data-contrast=\"none\">[<\/span><i><span data-contrast=\"none\">she\u2019d<\/span><\/i><span data-contrast=\"none\">] <\/span><i><span data-contrast=\"none\">been guarding.\u201d <\/span><\/i><span data-contrast=\"none\">Later, in \u201chelen of troy makes peace with the kudzu,\u201d she gives us these words:\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:240,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><i><span data-contrast=\"none\">\u201cthe world around me\/ hunkered under the wrong spread of life,\/ and yet i saw that it was living,\/ edges softened, blanks filled in\u2014a sphere\/ that begged my absence, that collected\/ my childhood in its outstretched hands\/ and pushed it under the skin of itself,\/ hidden and repurposed, folded away,\/ breathing gently under combs of wind.\u201d<\/span><\/i><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:240,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">To provide context and add a layer of strangeness to the story, readers are given two more voices to contrast with Helen\u2019s. <\/span><span data-contrast=\"none\">For our Greek Chorus, the women of Sparta gossip among themselves. They inform us of such in \u201cthe spartan woman discuss the family\u201d: <\/span><i><span data-contrast=\"none\">&#8220;there are not ways of living. there&#8217;s one way\/ out of the mud and one way back in, if you\u2019re\/ concerned about that sort of thing. we&#8217;re not\/&#8230;we like\/ to take attendance, unofficially,\/ just a little whisper to share over coffee\/ in the church hall\u201d.<\/span><\/i><span data-contrast=\"none\"> In more abstract moments, we are also given a narrative from \u201cThe Swan.\u201d Following the myth, it is not always clear if The Swan is an actual swan, Zeus in the form he took to impregnate Leda and conceive Helen, or both, or neither. This voice is from a distance\u2014a bird\u2019s-eye view, one might say\u2014and gives a similar feeling of remove Helen senses from the community. An example from \u201c(interlude: the swan describes an invasive species)\u201d:<\/span><i><span data-contrast=\"none\"> \u201camerica killed her trumpeter swans, but she doesn\u2019t love\/ us, her mute replacements: so beautiful, so hungry, so vehement in\/ defending ourselves. helen, i see you. hatched from an egg, paddling\/ ever since. born in a land that doubts your claim to it.\u201d<\/span><\/i><span data-contrast=\"none\">\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Zoccola shows the big and small ways in which Helen\u2019s life unravels in her retelling, with the authenticity of her voice as a Southern writer imbued with the mystical quality of early Classical Antiquity. Her empathy for her characters cuts through their cynicism and mystery, giving readers a modern, human portrait of larger-than-life literary figures.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><i><span data-contrast=\"none\">Helen of Troy, 1993 <\/span><\/i><span data-contrast=\"none\">is published by Scribner Poetry and distributed through Simon &amp; Schuster. Purchase information can be found <\/span><a href=\"https:\/\/www.simonandschuster.com\/books\/Helen-of-Troy-1993\/Maria-Zoccola\/9781668046333\"><span data-contrast=\"none\">here<\/span><\/a><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/d28hgpri8am2if.cloudfront.net\/book_images\/onix\/cvr9781668046333\/helen-of-troy-1993-9781668046333_xlg.jpg\" width=\"257\" height=\"386\" \/><\/p>\n<p><strong>Bios:<\/strong><\/p>\n<p><strong>Maria Zoccola<\/strong> is a poet and educator from Memphis, Tennessee. She has writing degrees from Emory University and Falmouth University and has spent several years leading creative writing workshops for middle and high school youth. Maria\u2019s work has previously appeared in\u00a0<i>Ploughshares<\/i>,\u00a0<i>The Kenyon Review<\/i>,\u00a0<i>The Iowa Review<\/i>,\u00a0<i>The Sewanee Review<\/i>,\u00a0<i>ZYZZYVA<\/i>, and elsewhere, and has received a special mention for the Pushcart Prize.\u00a0<i>Helen of Troy, 1993<\/i>\u00a0is her debut poetry collection.<\/p>\n<p><strong>Allie Farrell\u00a0<\/strong>is a doctoral student at the University of Wisconsin \u2013 Milwaukee, studying English with an emphasis in Media, Cinema, and Digital Studies. She focuses on hauntings, history, and how the two intertwine. Allie is an Assistant Editor at\u00a0<em>The Cream City Review.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.17.2&#8243; custom_margin=&#8221;0px|0px|0px|0px&#8221; custom_padding=&#8221;0px|0px|0px|0px&#8221;][et_pb_row _builder_version=&#8221;3.17.2&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.17.2&#8243;]by Allie Farrell [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.17.2&#8243; custom_padding=&#8221;0|0px|32.1719px|0px|false|false&#8221;][et_pb_row custom_padding=&#8221;15px|0px|16.0859px|0px|false|false&#8221; _builder_version=&#8221;3.0.48&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.17.2&#8243; custom_margin=&#8221;0px|0px|0px|0px&#8221; custom_padding=&#8221;0px|0px|0px|0px&#8221;] Photograph by Morgan Lyttle &nbsp; Maria Zoccola, a queer Southern writer and educator from Memphis, Tennessee, brings the epic to the everyday in her debut collection, [&hellip;]<\/p>\n","protected":false},"author":37906,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"categories":[51],"tags":[86,87,58],"class_list":["post-6667","post","type-post","status-publish","format-standard","hentry","category-blog","tag-maria-zoccola","tag-mythology","tag-poetry","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - 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