[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n
Martha Silano \u2013\u00a0<\/strong>She\u2019s Pretty Much Who She Was; A Poem about Twinflower<\/em><\/p>\n Natalie Martell \u2013\u00a0<\/strong>Growing Things; Thalassophobia<\/em><\/p>\n Nicholas Wong \u2013\u00a0<\/strong>The urge to destroy is also; Gen X Odes<\/em><\/p>\n John A. Nieves \u2013\u00a0<\/strong>Scattering<\/em><\/p>\n Oak Morse \u2013\u00a0<\/strong>Hawk Heat Black Man<\/em><\/p>\n Dara Yen Elerath \u2013\u00a0<\/strong>A List of Facts; Sex<\/em><\/p>\n B.B.P. Hosmillo \u2013\u00a0<\/strong>Geography of Abuse, or the Rooms My Partner Built; Deformation Sonnet<\/em><\/p>\n Matthew Thomas Bernell\u00a0\u2013\u00a0<\/strong>The Way from Sweetwater<\/em><\/p>\n Nora Gupta<\/strong>\u00a0\u2013\u00a0Elegy for Aunt Kate<\/i><\/p>\n Meghan Sterling\u00a0<\/strong>\u2013\u00a0<\/strong>Snowfall with Madness and Synesthesia<\/em><\/p>\n Christopher Brean Murray \u2013\u00a0<\/strong>Dreams of Labrador<\/em><\/p>\n Aleena Ahmed\u00a0<\/strong>\u2013\u00a0<\/strong>Paralysis<\/em><\/p>\n Anthony Thomas Lombardi \u2013\u00a0<\/strong>praying mantis\u2019s head being devoured by its mate under a full buck moon; sonnet in which the Poet contemplates suicide, his dead Mother as the Holy Ghost, & the cranes in Purgatory as messengers from God<\/em><\/p>\n Oliver Brooks\u00a0<\/strong>\u2013\u00a0<\/strong>Trans Day of [Visibility\/Remembrance\/Lamentation\/Liberation]<\/em><\/p>\n Eli V. Rahm\u00a0<\/strong>\u2013\u00a0<\/strong>UNTITLED 1969<\/em><\/p>\n Rebe Huntman\u00a0<\/strong>\u2013\u00a0<\/strong>Marriage With Caged Sky & Lines from Rumi<\/em><\/p>\n Puneet Dutt\u00a0<\/strong>\u2013\u00a0<\/strong>Neon Syzygy<\/em><\/p>\n Sean Cho A\u00a0<\/strong>\u2013\u00a0<\/strong>Rushed Sonnet #1; Rushed Sonnet #4<\/em><\/p>\n Allison Field Bell \u2013\u00a0<\/strong>The Girls<\/em><\/p>\n Ann Pedone \u2013\u00a0<\/strong>The Directory; from: Sheep<\/em><\/p>\n J. Bailey Hutchinson \u2013\u00a0<\/strong>Feast; Lake Poem<\/em><\/p>\n [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Fiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Emily Forester \u2013<\/strong>\u00a0You\u2019re Ready When We Are<\/em><\/p>\n Katie McMorris \u2013\u00a0<\/strong>The Shrinking<\/em><\/p>\n Jackie Reitzes \u2013\u00a0<\/strong>Contranyms<\/em><\/p>\n Danica Li \u2013\u00a0<\/strong>The Old Man and the Wart<\/em><\/p>\n Amanda Gersh \u2013\u00a0<\/strong>This Old Child<\/em><\/p>\n Chelsea Lebron \u2013\u00a0<\/strong>Eviction Notice<\/em><\/p>\n Darren Huang \u2013\u00a0<\/strong>I Look Up<\/em><\/p>\n Swetha Amit<\/strong>\u00a0\u2013\u00a0The Sweetness of Semolina<\/em><\/p>\n Gabrielle Lucille Fuentes<\/strong>\u00a0\u2013\u00a0The Jasper Fox<\/em><\/p>\n [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Art” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Marcia Brauer<\/strong>\u00a0\u2013\u00a0Out of This World<\/i><\/p>\n Tschiegg \u2013<\/strong>\u00a0No Title (Cover); Blue<\/em><\/p>\n Torey Akers \u2013\u00a0<\/strong>mthr thrsa<\/em><\/p>\n Alicia Josten Zapata \u2013<\/strong>\u00a0Walk Lightly; Good Bones<\/em><\/p>\n [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Nonfiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Sarah Beth Childers \u2013<\/strong>\u00a0Gravida 5.1<\/em><\/p>\n Mary Christine Kane \u2013<\/strong>\u00a0Things I could do with the sweater you gave me, that light cotton cardigan with tan and cream horizontal stripes and red and pink flowers appliqued, which sounds ugly but is beautiful\u2014strangers stop to tell me so although I rarely bring myself to wear it now.<\/em><\/p>\n Hilary Schaper \u2013\u00a0<\/strong>Sitting<\/em><\/p>\n Joanna Acevedo \u2013\u00a0<\/strong>Joy<\/em><\/p>\n [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Translation” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease”]<\/p>\n Antonia Pozzi, translated by Amy Newman \u2013<\/strong>\u00a0Don Quixote<\/em><\/p>\n Constantine P. Cavafy, translated by Alex de Voogt \u2013<\/strong>\u00a0I have brought to the Arts<\/em><\/p>\n Miguel Otero Silva, translated by Chris Holdaway \u2013\u00a0<\/strong>The Choir\u2019s Eighth Voice is that of the City<\/em><\/p>\n [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.17.2″]<\/p>\n Past Issue: 48.2<\/span><\/strong><\/span><\/p>\n [\/et_pb_text][et_pb_image _builder_version=”3.17.2″ src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/12\/48.2-Cover.jpg” \/][et_pb_button _builder_version=”3.17.2″ button_text=”Purchase” button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_alignment=”center” background_layout=”dark” custom_button=”on” \/][et_pb_text _builder_version=”3.17.2″ text_text_shadow_blur_strength=”0.3em” text_orientation=”center”]<\/p>\n $<\/span>7 US [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”] Martha Silano \u2013\u00a0She\u2019s Pretty Much Who She Was; A Poem about Twinflower Natalie Martell \u2013\u00a0Growing Things; Thalassophobia Nicholas Wong \u2013\u00a0The […]<\/p>\n","protected":false},"author":37709,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-5853","page","type-page","status-publish","hentry"],"yoast_head":"\n
\n<\/span><\/p>\n