  {"id":5805,"date":"2024-09-20T09:32:09","date_gmt":"2024-09-20T14:32:09","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?page_id=5805"},"modified":"2026-01-08T16:13:08","modified_gmt":"2026-01-08T22:13:08","slug":"34-2-fall-winter-2010","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/34-2-fall-winter-2010\/","title":{"rendered":"34.2 Fall\/Winter 2010"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243;][et_pb_row][et_pb_column type=&#8221;1_2&#8243;][et_pb_tabs _builder_version=&#8221;3.17.2&#8243;][et_pb_tab _builder_version=&#8221;3.17.2&#8243; title=&#8221;Poetry&#8221; link_option_url_new_window=&#8221;off&#8221; use_background_color_gradient=&#8221;off&#8221; background_color_gradient_start=&#8221;#2b87da&#8221; background_color_gradient_end=&#8221;#29c4a9&#8243; background_color_gradient_type=&#8221;linear&#8221; background_color_gradient_direction=&#8221;180deg&#8221; background_color_gradient_direction_radial=&#8221;center&#8221; background_color_gradient_start_position=&#8221;0%&#8221; background_color_gradient_end_position=&#8221;100%&#8221; background_color_gradient_overlays_image=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; background_size=&#8221;cover&#8221; background_position=&#8221;center&#8221; background_repeat=&#8221;no-repeat&#8221; background_blend=&#8221;normal&#8221; allow_player_pause=&#8221;off&#8221; background_video_pause_outside_viewport=&#8221;on&#8221; tab_text_shadow_style=&#8221;none&#8221; body_text_shadow_style=&#8221;none&#8221; hover_transition_duration=&#8221;300ms&#8221; hover_transition_delay=&#8221;0ms&#8221; hover_transition_speed_curve=&#8221;ease&#8221; tab_text_shadow_horizontal_length=&#8221;0em&#8221; tab_text_shadow_vertical_length=&#8221;0em&#8221; tab_text_shadow_blur_strength=&#8221;0em&#8221; body_text_shadow_horizontal_length=&#8221;0em&#8221; body_text_shadow_vertical_length=&#8221;0em&#8221; body_text_shadow_blur_strength=&#8221;0em&#8221;]<\/p>\n<p><strong>Sean Hahn<\/strong> &#8211; To the Memory of James Liddy<br \/>\n<strong>Alicia Rebecca Myers <\/strong>&#8211; My Neighbors Make Morning Pornos; Heaven for Girls; Riverside Casino; High Proof<br \/>\n<strong>Denise Duhamel <\/strong>&#8211; Trying to Write a Poem; Whiteout; Spring<br \/>\n<strong>Cameron Witbeck<\/strong> &#8211; Abracadabra<br \/>\n<strong>Allison Barrett<\/strong> &#8211; Fit<br \/>\n<strong>Jay Leeming<\/strong> &#8211; The Silence Artist<br \/>\n<strong>Michael Homolka <\/strong>&#8211; Chinatown<br \/>\n<strong>Elisabeth von Uhl<\/strong> &#8211; Amid; Trash; Eve&#8217;s Anger<br \/>\n<strong>Chad Heltzel<\/strong> &#8211; Pastoral; Archaeoacoustics<br \/>\n<strong>K.M.A. Sullivan<\/strong> &#8211; Searching for answers in the feminine hygiene aisle<br \/>\n<strong>Frank X. 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Guykics\u00a0<\/strong>&#8211; Fly<br \/>\n<strong>Les Bares\u00a0<\/strong>&#8211; Family Reunion; The Ghost of My Father<br \/>\n<strong>Julie Marie Wade\u00a0<\/strong>&#8211; The Cartographer<br \/>\n<strong>Susan Morse\u00a0<\/strong>&#8211; Destination: Irony<br \/>\n<strong>Weston Cutter\u00a0<\/strong>&#8211; Pumpernickel<br \/>\n<strong>Beth Marzoni\u00a0<\/strong>&#8211; Saying Your Name to the Rain<br \/>\n<strong>Jonathan Greenehause\u00a0<\/strong>&#8211; While at Lunch in the Land of Opportunity<br \/>\n<strong>Marcus Wicker\u00a0<\/strong>&#8211; Love Letter to Bruce Leroy<br \/>\n<strong>Rhonda Lott\u00a0<\/strong>&#8211; Rosemary<br \/>\n<strong>Donald Illich\u00a0<\/strong>&#8211; Arms<br \/>\n<strong>Sharon Singleton\u00a0<\/strong>&#8211; Albermarle County Fair<br \/>\n<strong>Kris Bigalk\u00a0<\/strong>&#8211; Trailer Park Cinderella<\/p>\n<p>[\/et_pb_tab][et_pb_tab _builder_version=&#8221;3.17.2&#8243; title=&#8221;Fiction&#8221; link_option_url_new_window=&#8221;off&#8221; use_background_color_gradient=&#8221;off&#8221; background_color_gradient_start=&#8221;#2b87da&#8221; background_color_gradient_end=&#8221;#29c4a9&#8243; background_color_gradient_type=&#8221;linear&#8221; background_color_gradient_direction=&#8221;180deg&#8221; background_color_gradient_direction_radial=&#8221;center&#8221; background_color_gradient_start_position=&#8221;0%&#8221; background_color_gradient_end_position=&#8221;100%&#8221; background_color_gradient_overlays_image=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; background_size=&#8221;cover&#8221; background_position=&#8221;center&#8221; background_repeat=&#8221;no-repeat&#8221; background_blend=&#8221;normal&#8221; allow_player_pause=&#8221;off&#8221; background_video_pause_outside_viewport=&#8221;on&#8221; tab_text_shadow_style=&#8221;none&#8221; body_text_shadow_style=&#8221;none&#8221; hover_transition_duration=&#8221;300ms&#8221; hover_transition_delay=&#8221;0ms&#8221; hover_transition_speed_curve=&#8221;ease&#8221; tab_text_shadow_horizontal_length=&#8221;0em&#8221; tab_text_shadow_vertical_length=&#8221;0em&#8221; tab_text_shadow_blur_strength=&#8221;0em&#8221; body_text_shadow_horizontal_length=&#8221;0em&#8221; body_text_shadow_vertical_length=&#8221;0em&#8221; body_text_shadow_blur_strength=&#8221;0em&#8221;]<\/p>\n<p><strong>Marc Dickinson <\/strong>&#8211; Separate, Bodies<br \/>\n<strong>Matt Ingebretson<\/strong> &#8211; Apple Tree<br \/>\n<strong>Lindsay Sproul<\/strong> &#8211; More Fool You<br \/>\n<strong>John Oliver Hodges<\/strong> &#8211; Arbus<br \/>\n<strong>J. Erin Sweeney <\/strong>&#8211; Project<br \/>\n<strong>Don Peteroy <\/strong>&#8211; Too Much Anthropology<br \/>\n<strong>Joseph Levens <\/strong>&#8211; Back to Rosemary Farm<\/p>\n<p>[\/et_pb_tab][et_pb_tab _builder_version=&#8221;3.17.2&#8243; title=&#8221;Nonfiction&#8221; link_option_url_new_window=&#8221;off&#8221; use_background_color_gradient=&#8221;off&#8221; background_color_gradient_start=&#8221;#2b87da&#8221; background_color_gradient_end=&#8221;#29c4a9&#8243; background_color_gradient_type=&#8221;linear&#8221; background_color_gradient_direction=&#8221;180deg&#8221; background_color_gradient_direction_radial=&#8221;center&#8221; background_color_gradient_start_position=&#8221;0%&#8221; background_color_gradient_end_position=&#8221;100%&#8221; background_color_gradient_overlays_image=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; background_size=&#8221;cover&#8221; background_position=&#8221;center&#8221; background_repeat=&#8221;no-repeat&#8221; background_blend=&#8221;normal&#8221; allow_player_pause=&#8221;off&#8221; background_video_pause_outside_viewport=&#8221;on&#8221; tab_text_shadow_style=&#8221;none&#8221; body_text_shadow_style=&#8221;none&#8221; hover_transition_duration=&#8221;300ms&#8221; hover_transition_delay=&#8221;0ms&#8221; hover_transition_speed_curve=&#8221;ease&#8221; tab_text_shadow_horizontal_length=&#8221;0em&#8221; tab_text_shadow_vertical_length=&#8221;0em&#8221; tab_text_shadow_blur_strength=&#8221;0em&#8221; body_text_shadow_horizontal_length=&#8221;0em&#8221; body_text_shadow_vertical_length=&#8221;0em&#8221; body_text_shadow_blur_strength=&#8221;0em&#8221;]<\/p>\n<p><strong>Kyle Minor<\/strong> &#8211; Glossolalia<br \/>\n<strong>Bill Capossere<\/strong> &#8211; The Price of Passages<br \/>\n<strong>Jack Cobb <\/strong>&#8211; Lehi&#8217;s Children and the Apocalypse of Motion<br \/>\n<strong>Jason Ludden\u00a0<\/strong>&#8211; Bartering: A how to guide for the uninformed<br \/>\n<strong>Cami Freeman\u00a0<\/strong>&#8211; One Way to Begin Is to Begin with a Word<\/p>\n<p>[\/et_pb_tab][et_pb_tab _builder_version=&#8221;3.17.2&#8243; title=&#8221;Art&#8221; link_option_url_new_window=&#8221;off&#8221; use_background_color_gradient=&#8221;off&#8221; background_color_gradient_start=&#8221;#2b87da&#8221; background_color_gradient_end=&#8221;#29c4a9&#8243; background_color_gradient_type=&#8221;linear&#8221; background_color_gradient_direction=&#8221;180deg&#8221; background_color_gradient_direction_radial=&#8221;center&#8221; background_color_gradient_start_position=&#8221;0%&#8221; background_color_gradient_end_position=&#8221;100%&#8221; background_color_gradient_overlays_image=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; background_size=&#8221;cover&#8221; background_position=&#8221;center&#8221; background_repeat=&#8221;no-repeat&#8221; background_blend=&#8221;normal&#8221; allow_player_pause=&#8221;off&#8221; background_video_pause_outside_viewport=&#8221;on&#8221; tab_text_shadow_style=&#8221;none&#8221; body_text_shadow_style=&#8221;none&#8221; hover_transition_duration=&#8221;300ms&#8221; hover_transition_delay=&#8221;0ms&#8221; hover_transition_speed_curve=&#8221;ease&#8221; tab_text_shadow_horizontal_length=&#8221;0em&#8221; tab_text_shadow_vertical_length=&#8221;0em&#8221; tab_text_shadow_blur_strength=&#8221;0em&#8221; body_text_shadow_horizontal_length=&#8221;0em&#8221; body_text_shadow_vertical_length=&#8221;0em&#8221; body_text_shadow_blur_strength=&#8221;0em&#8221;]<\/p>\n<p><strong>Jon Horvath <\/strong>&#8211; Passages (2010) [11, 71, 102, 103, 154, 155, 170, 171, 240]; Photographs<br \/>\n<strong>Leah R. 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