{"id":5712,"date":"2024-09-19T12:26:55","date_gmt":"2024-09-19T17:26:55","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?page_id=5712"},"modified":"2026-01-08T16:13:25","modified_gmt":"2026-01-08T22:13:25","slug":"36-2-fall-winter-2012","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/36-2-fall-winter-2012\/","title":{"rendered":"36.2 Fall\/Winter 2012"},"content":{"rendered":"

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Greg Wrenn<\/strong> – Detainment
\nYi-Fen Chou<\/strong> – Emily Dickinson Serial Killer Poem
\nMarianne Kunkel<\/strong> – Love as a Young Girl
\nGerardo Mena<\/strong> – Insurgent
\nElyse Fenton<\/strong> – Preparations for the Kingdom
\nAshley E. Booth <\/strong>– Offering: Construction; Offering: Tactile
\nJefferson Carter<\/b>– Sunlight
\nKit Frick<\/strong> – Sea That Has Become Known; Sea of Showers
\nMichael Bazzett<\/strong> – The Stone
\nMichael Meyerhofer<\/strong> – Involuntary Memory
\nChristopher Citro<\/strong> – Communication Problems in the Middle Ages
\nLisa Fay Coutley<\/strong> – Self-Portrait as Pyrocumulonimbus; Driving Up-Canyon With My Two Teen Sons
\nJames Schiller<\/strong> – tiny ergonomic world
\nMichael Schmeltzer<\/strong> – Cure for a Horse on Fire
\nSara Quinn Rivara<\/strong> – South Haven; Mackinac Island
\nTheodore Worozbyt\u00a0<\/b>– Strap
\nMeagan Evans\u00a0<\/strong>– She maketh him to lie down
\nGeorge David Clark\u00a0<\/strong>– The Picture of Little G.C. in a Prospect of Flowers
\nGillian Cummings\u00a0<\/strong>– Oiseau
\nBrian Laidlaw\u00a0<\/strong>– they found a wolf
\nRebecca Olson\u00a0<\/strong>– What We Preserve
\nNina Puro\u00a0<\/strong>– Many Medicines
\nDevon Branca\u00a0<\/strong>– Goodbye
\nMatthew Minicucci\u00a0<\/strong>– Patroclus
\nHadara Bar-Nadav\u00a0<\/strong>– Watch
\nNiamh Corcoran\u00a0<\/strong>– Tyrian Purple
\nCasey Thayer\u00a0<\/strong>– The Field Speaks
\nBonnie Arning\u00a0<\/strong>– Lost Body
\nAidan Rooney<\/strong> – The War Effort
\nAudrey Walls\u00a0<\/strong>– Solstice
\nBruce Robinson\u00a0<\/strong>– Digestion: A Journal<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Fiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Annalisa Grier\u00a0<\/strong>– The Lantana, Blooming
\nDouglas Sliver\u00a0<\/strong>– The Angola Prison Rodeo
\nJ.A. Tyler\u00a0<\/strong>– Stag Country No. 2
\nJ. Bowers\u00a0<\/strong>– The Mammoth Horse Waits
\nStephen Haynie\u00a0<\/strong>– Waterslide<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Nonfiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Jen Ralston<\/strong> – natchitoches, louisiana (september 14, 2010)
\nJohn G. Rodwan, Jr.\u00a0<\/strong>– Ironies on Parade<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Review” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

R.T. Both\u00a0<\/strong>– Brazil: a Novella<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Interview” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Brittany Cavallaro\u00a0<\/strong>– An Interview with Rebecca Hazelton<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Art” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Christopher Woods\u00a0<\/strong>– Another Midway Kitchen; Cook; Lemon Lady; The Fortune Teller Will Be Back in Five Minutes<\/p>\n

[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.17.2″]<\/p>\n

Past Issue: 47.2<\/span><\/strong><\/span><\/p>\n

[\/et_pb_text][et_pb_image _builder_version=”3.17.2″ src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/06\/CCR-Cover-Feb-2024-scaled.jpg” \/][et_pb_button _builder_version=”3.17.2″ button_text=”Purchase” button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_alignment=”center” background_layout=”dark” custom_button=”on” \/][et_pb_text _builder_version=”3.17.2″ text_text_shadow_blur_strength=”0.3em” text_orientation=”center”]<\/p>\n

$<\/span>7 US
\n<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”] Greg Wrenn – Detainment Yi-Fen Chou – Emily Dickinson Serial Killer Poem Marianne Kunkel – Love as a Young Girl […]<\/p>\n","protected":false},"author":37709,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-5712","page","type-page","status-publish","hentry"],"yoast_head":"\n36.2 Fall\/Winter 2012 - 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