[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n
Ocean Vuong<\/strong> – My Ulysses(s) [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Fiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Brian Phillip Whalen<\/strong> – Air [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Nonfiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Terre Ryan<\/strong> – The Way You Spell Success [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Art” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Emma LaPine<\/strong> – Regeneration of Being [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”returning the gift: indigenous futures” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease”]<\/p>\n Kimberly Blaeser\u00a0<\/strong>– Language, Tents, and Flysheets: Building a Shelter of the Ephemeral [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.17.2″]<\/p>\n Past Issue: 47.2<\/span><\/strong><\/span><\/p>\n [\/et_pb_text][et_pb_image _builder_version=”3.17.2″ src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/06\/CCR-Cover-Feb-2024-scaled.jpg” \/][et_pb_button _builder_version=”3.17.2″ button_text=”Purchase” button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_alignment=”center” background_layout=”dark” custom_button=”on” \/][et_pb_text _builder_version=”3.17.2″ text_text_shadow_blur_strength=”0.3em” text_orientation=”center”]<\/p>\n $<\/span>7 US [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”] Ocean Vuong – My Ulysses(s) Lindsey D. Alexander – Homestead, Sure Jennifer Givhan – Ceremony Kyle McCord – August 5, […]<\/p>\n","protected":false},"author":37709,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-5700","page","type-page","status-publish","hentry"],"yoast_head":"\n
\nLindsey D. Alexander<\/strong> – Homestead, Sure
\nJennifer Givhan<\/strong> – Ceremony
\nKyle McCord<\/strong> – August 5, 2012
\nAsh Bowen<\/strong> – Storm
\nJay Deshpande<\/strong> – The Music is Sweet When It’s Stuck Inside of Us; Eidolon
\nCody Ernst <\/strong>– Thoughts on Crow Nest
\nRoger Reeves<\/strong> – New Ghosts in the Balcony; When the Light Came to Lucille Clifton
\nJonterri Gadson<\/strong> – In My Rush
\nSteven D. Schroeder<\/strong> – The Fugitive
\nRob Stephens<\/strong> – Faith, Works, and My Gris-Gris Doll
\nBrandon Krieg<\/strong> – Interjection
\nclaire schwartz<\/strong> – your mouth is a cotillion
\nLA Johnson<\/strong> – Prescience
\nAlexandra Teague<\/strong> – Duchamp’s Nude, Descending, Speaks
\nAdam Love<\/strong> – After Your Last Poker Hand, You Bought Cocaine and a Pistol
\nSarah Barber<\/strong> – The Varied Thrush
\nBrianna Noll<\/strong> – On Social Graces
\nMary Angelino\u00a0<\/strong>– Ice Storm
\nKeith Leonard\u00a0<\/strong>– Ode to Dreaming the Dead<\/p>\n
\nGeorge Choundas<\/strong> – The Son of Butt Trudd
\nKeith Rosson<\/strong> – Baby Jill
\nLindsey Drager<\/strong> – Unsoiled
\nSonja Vitow\u00a0<\/strong>– What You Want to Learn<\/p>\n
\nJames Warren Boyd<\/strong> – Shirts and Skins
\nColeen Muir\u00a0<\/strong>– Bone in the Throat
\nShellie Richards\u00a0<\/strong>– The Strike<\/p>\n
\nSusan Hale<\/strong> – Wedding Day Garden
\nJames D. Autio<\/strong> – Milkweed and Wooden Leg; Ahab<\/p>\n
\nb: william bearhart\u00a0<\/strong>– When I Was In Las Vegas And Saw A Warhol Painting of Geronimo; At the Georgia O’Keefe Museum and Iterations
\nHeid E. Erdich\u00a0<\/strong>– WXYZ; Incantation on a Frank Big Bear Collage
\nSimon J. Ortiz\u00a0<\/strong>– Who Likes Indians; Long Time Ago
\nDenise Low\u00a0<\/strong>– A Jackalope Walks into an Indian Bar; Jane’s Maze
\nGordon Henry\u00a0<\/strong>– From Letters to the Dead and Distant: Dear Marie; Dear Sonny; The Mute Scribe Recalls the Talking Circle
\nLaura Tohe\u00a0<\/strong>– Blue Impala; Dancing Under the Stars
\nEric Gansworth\u00a0<\/strong>– Origin Story
\nJanet McAdams\u00a0<\/strong>– Chronicle of the Year, Stolen; The Body’s Guide to Evolution
\nMaurice Kenny\u00a0<\/strong>– My Father Does Not Sing
\nRhiana Yazzie\u00a0<\/strong>– Patterns
\nPhilip H. Red Eagle\u00a0<\/strong>– Discovery
\nAlice M. Azure\u00a0<\/strong>– Plague of Horned Serpents
\nMargaret Noodin\u00a0<\/strong>– Nimbiiskaabiimin Apane\/We Are Returning Always
\nJoseph Bruchac\u00a0<\/strong>– The Cave at Quartz Mountain<\/p>\n
\n<\/span><\/p>\n