{"id":2291,"date":"2019-01-04T21:47:34","date_gmt":"2019-01-05T03:47:34","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?page_id=2291"},"modified":"2020-06-14T13:07:33","modified_gmt":"2020-06-14T18:07:33","slug":"40-1-spring-summer-2016","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/archive-current\/40-1-spring-summer-2016\/","title":{"rendered":"40.1 SPRING\/SUMMER 2016"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.17.2″ background_color=”rgba(255,255,255,0.14)” custom_padding=”50px|0px|50px|0px|false|false”][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.17.1″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center”][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2016\/06\/40-1.jpg” align=”center” _builder_version=”3.17.2″ box_shadow_style=”preset2″ max_width=”90%” animation_direction=”top”][\/et_pb_image][et_pb_button button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_text=”Purchase” button_alignment=”center” _builder_version=”3.17.2″ custom_button=”on” button_text_color=”#edd49c” button_bg_color=”#090928″ button_border_color=”#090928″ button_font=”||||||||” custom_margin=”25px||”][\/et_pb_button][et_pb_text _builder_version=”3.17.2″ custom_margin=”10px||”]<\/p>\n

$<\/span>\u00a07\u00a0us<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_tabs _builder_version=”3.17.2″ body_font=”||||||||”][et_pb_tab title=”Poetry” _builder_version=”3.17.2″ body_font=”||||||||” body_line_height=”3em”]<\/p>\n

\n
\n
Jen Jabaily-Blackburn<\/strong> –\u00a0Impossible Houses \/\u00a0Have-to-dos<\/div>\n
Nick Harp<\/strong> –\u00a0All Data<\/div>\n
Peter Twal<\/strong> –\u00a0Leave Impossible Tasks<\/div>\n
Divya Victor<\/strong> –\u00a0Paper Boats<\/div>\n
Sarah Gambito<\/strong> –\u00a0Immigration \/ Ancestor 46<\/div>\n
Alexandra Regalado<\/strong> –\u00a0La Medusa \/\u00a0La Do\u00f1a<\/div>\n
Daniel Tobin<\/strong> –\u00a0DIMINUENDO<\/div>\n
Becka Mara McKay<\/strong> –\u00a0Time Is a Disappointing\u00a0Lepidopterist<\/div>\n
Dean Rader<\/strong> –\u00a0Self-Portrait in Time<\/div>\n
Dan Ferrara<\/strong> –\u00a0Shack, Peaked Hill Bars, 1955<\/div>\n
Jennifer Metsker<\/strong> – Behind the Century<\/div>\n
Carmen Gimin\u00e9z Smith<\/strong> –\u00a0Migraine \/\u00a0Phantom \/\u00a0First Coda<\/div>\n
Matthew Olzmann<\/strong> –\u00a0Letter to Matthew Olzmann from the\u00a0Roman Empire \/<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 Letter to Matthew\u00a0Olzmann from a Traffic Light in Durham,\u00a0North Carolina<\/div>\n
Jeanne Morel<\/strong> –\u00a0Splintering Tiny Soup\u00a0Bowls Up Into the Sky<\/div>\n
Sam Roxas-Chua<\/strong> –\u00a0Confessional \/ Egg Brooding<\/div>\n
Craig Santos Perez<\/strong> –\u00a0The Pacific Written\u00a0Tradition<\/div>\n
Laurel Nakanishi<\/strong> –\u00a0Baseball \/\u00a0Fording<\/div>\n
Brandon Shimoda<\/strong> –\u00a0MY GREAT AUNT SETSUKO \/ A GIANT ASLEEP<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0IN\u00a0FORTUNE\u2019S SPINDLE \/ MY GREAT\u00a0AUNT SETSUKO \/ LEUKEMIA \/\u00a0A GIANT\u00a0<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0ASLEEP IN\u00a0FORTUNE\u2019S SPINDLE<\/div>\n
Angela Pe\u00f1aredondo<\/strong> – Love Darts<\/div>\n
Rodrigo Toscano<\/strong> –\u00a0selections from\u00a0Explosion\u00a0Rocks Springfield<\/em><\/div>\n<\/div>\n<\/div>\n

[\/et_pb_tab][et_pb_tab title=”Fiction & Non-fiction” _builder_version=”3.17.2″ tab_font=”||||||||” body_font=”||||||||” body_line_height=”3em”]<\/p>\n

Fiction<\/span><\/div>\n
Anastasia Edel<\/strong> –\u00a0Snow<\/div>\n
Pete Fromm<\/strong> –\u00a0Grief<\/div>\n
Ryan Habermeyer<\/strong> –\u00a0Everything You Wanted to Know\u00a0About Astrophysics But<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0Were Too Afraid to Ask\u00a0<\/div>\n
Kate Gray<\/strong> –\u00a0The Score<\/div>\n
Christine Sneed<\/strong> –\u00a0Paul’s Check Register<\/div>\n
Jackie Shannon Hollis<\/strong> –\u00a0A Clean Break<\/div>\n
Hannah Pass<\/strong> –\u00a0Everything Beautiful<\/div>\n
Mary Helen Stefaniak<\/strong> –\u00a0Tattoo 2082<\/div>\n
Ihab Hassan<\/strong> –\u00a0Two<\/div>\n
Non-fiction<\/span><\/div>\n
RM Cooper<\/strong> – Auto[complete]<\/div>\n
Rachel Kincaid<\/strong> –\u00a0An Interview with\u00a0Iliana Rocha, author of\u00a0Karankawa<\/em><\/div>\n
Douglas Smith<\/strong> –\u00a0This Creature Covered in Death Clothes: Twenty Notes on\u00a0<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0Violence\u00a0<\/div>\n
Bridget G Dooley<\/strong> – Review of Ginger Ko\u2019s Motherlover<\/em><\/div>\n

[\/et_pb_tab][et_pb_tab title=”Art & I\/O” _builder_version=”3.17.2″ body_font=”||||||||” body_line_height=”3em”]<\/p>\n

Art<\/span><\/div>\n
\n
Deborah Lema<\/strong> – Snowflaking No. 54 \/\u00a0Snowflaking No. 18 \/ Snowflaking No. 89<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0\/\u00a0Snowflaking No. 80<\/div>\n
Allen Forrest<\/strong> –\u00a0from City Life:\u00a0<\/em>Girl and Boy Wading \/\u00a0Sunbather \/ Toy Boat<\/div>\n
\u00a0 \u00a0 \u00a0\/\u00a0Water Wading<\/div>\n<\/div>\n
I\/O<\/span><\/div>\n
\n
Stuart Moulthrop<\/strong> – i0verture<\/div>\n
Josephine Anstey<\/strong> –\u00a0The Alter Ego Workshop:\u00a0A Cognitive Exercise<\/div>\n
Jody Zellen<\/strong> –\u00a0from\u00a0Time Jitters:\u00a0<\/em>For You \/ Decoding \/ Pull \/\u00a0Thinking<\/div>\n
Deena Larsen,\u00a0Stace Johnson, and Robert Lavett Smith<\/strong> – Tryptych<\/div>\n
Nick Montfort<\/strong> –\u00a0from Random<\/em> By\u00a0(Process on Source) \/\u00a0from Una p\u00e1gina de <\/em><\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 Babel\u00a0<\/em>(Process on Source) \/\u00a0from\u00a0Use of Dust\u00a0<\/em>(Process on Source)<\/div>\n
Jason Nelson –<\/strong>\u00a0Invisible Game<\/div>\n<\/div>\n

[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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