{"id":2273,"date":"2019-01-04T21:20:50","date_gmt":"2019-01-05T03:20:50","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?page_id=2273"},"modified":"2020-06-14T13:07:08","modified_gmt":"2020-06-14T18:07:08","slug":"40-2-fall-winter-2016","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/archive-current\/40-2-fall-winter-2016\/","title":{"rendered":"40.2 FALL\/WINTER 2016"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.17.2″ background_color=”rgba(255,255,255,0.14)” custom_padding=”50px|0px|50px|0px|false|false”][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.17.1″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center”][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2017\/01\/40_2_cover_image_1.jpg” align=”center” _builder_version=”3.17.2″ box_shadow_style=”preset2″ max_width=”90%” animation_direction=”top”][\/et_pb_image][et_pb_button button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_text=”Purchase” button_alignment=”center” _builder_version=”3.17.2″ custom_button=”on” button_text_color=”#edd49c” button_bg_color=”#090928″ button_border_color=”#090928″ button_font=”||||||||” custom_margin=”25px||”][\/et_pb_button][et_pb_text _builder_version=”3.17.2″ custom_margin=”10px||”]<\/p>\n

$<\/span>\u00a07\u00a0us<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_tabs _builder_version=”3.17.2″ body_font=”||||||||”][et_pb_tab title=”Poetry” _builder_version=”3.17.2″ body_font=”||||||||” body_line_height=”3em”]<\/p>\n

Kevin Matz<\/strong> – Poem Beginning With<\/div>\n
Angela Voras-Hills<\/strong> – Persona<\/div>\n
Dan Encarnacion<\/strong> – Blank Man \/\u00a0Projecting Man<\/div>\n
Sharon Dolin<\/strong> –\u00a0Dazzle Anew<\/div>\n
Timothy Yu<\/strong> –\u00a0Chinese Dream 11 \/\u00a0Chinese Dream 12 \/ Chinese Dream 13<\/div>\n
Jenny Sadre-Orafai<\/strong> –\u00a0Outlines<\/div>\n
Benjamin Goldberg<\/strong> –\u00a0Housesitting Without a Prescription<\/div>\n
K.M. English<\/strong> –\u00a0The Whiteness of the Sink<\/div>\n
Jesse Minkert<\/strong> –\u00a0High Capacity Clip<\/div>\n
Farid Matuk<\/strong> –\u00a0Pantertanter* from Disco\u00a0to Disco \/ Tell Me Again \/ My<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0Daughter Ensconced<\/div>\n
Ryo Yamaguchi<\/strong> –\u00a0Commute #1<\/div>\n
Chris Holdaway<\/strong> –\u00a0I Split into Traffic Like Plastic \/\u00a0The Scattered Wet to the<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 Land<\/div>\n
Roberto Harrison<\/strong> –\u00a0the violation of mathematics<\/div>\n
Daniel Borzutzky<\/strong> –\u00a0Dream Song #423 \/\u00a0Lake Michigan, Scene\u00a0#40104.2kkd<\/div>\n
Andrea Cohen<\/strong> – Spell \/\u00a0Before & After<\/div>\n
Lindsay Tigue<\/strong> –\u00a0Other People’s Wedding\u00a0Guests<\/div>\n
Brian Russell<\/strong> –\u00a0The Story about the Deer<\/div>\n
Jenny Johnson<\/strong> –\u00a0Gay Marriage Poem<\/div>\n
Erin M. Bertram<\/strong> –\u00a0Excerpt from A Field Guide\u00a0to the Body in Need (Salt)<\/div>\n
Carrie Chappell<\/strong> – noodling \/ Appeler<\/div>\n
Kendra DeColo<\/strong> –\u00a0Prelude to an Attempt at\u00a0Autoerotic\u00a0Asphyxiation \/\u00a0Palmistry<\/div>\n
Julia Germaine<\/strong> –\u00a0Freelance Ethnopharmacology \/\u00a0New Industry \/ Where<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0went…<\/div>\n
Alexis Pope<\/strong> –\u00a0from\u00a0That Which\u00a0Comes After<\/em><\/div>\n

[\/et_pb_tab][et_pb_tab title=”Fiction & Non-fiction” _builder_version=”3.17.2″ tab_font=”||||||||” body_font=”||||||||” body_line_height=”3em”]Fiction<\/span><\/p>\n

\n
\n
\n
Chelsea Werner-Jatzke<\/strong> – Appropriate Finery<\/div>\n
Michelle Ross<\/strong> – When the Cottonmouths\u00a0Come to Feed<\/div>\n
Weisheng Renee Mao<\/strong> –\u00a0If<\/div>\n
Liz Prato<\/strong> –\u00a0The Road to Lila Bankhead\u2019s Farm<\/div>\n
Heather Foster<\/strong> – The Baptist<\/div>\n
Catherine Hawkins<\/strong> – Bad Romance<\/div>\n
Non-fiction<\/span><\/div>\n
Ephraim Scott Sommers<\/strong> – The Poem of Anger: Amiri Baraka, Tory Dent, and Adrian C.<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 Louis<\/div>\n
Sean Prentiss<\/strong> – Only to Wilderness<\/div>\n
Marilee Robin Burton<\/strong> – My Father’s Penis<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_tab][et_pb_tab title=”Art & I\/O” _builder_version=”3.17.2″ body_font=”||||||||” body_line_height=”3em”]<\/p>\n

Art<\/span><\/div>\n
Sergio Zaragoza<\/strong> – Maxilla \/ Maebe A. Girl \/ Valora Vontease \/ Lyudmila<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Yusonufavich<\/div>\n
Leanne Grabel<\/strong> – The Day My Mother Died<\/div>\n
Justin Van Genderen<\/strong> – Gravity \/ Quantum Mechanics \/ String Theory \/<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Universal Gravitation<\/div>\n
Joe McDermott<\/strong> – erode \/ the tilt<\/div>\n
I\/O<\/span><\/div>\n
John Cayley<\/strong> – The Listeners<\/div>\n

[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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