{"id":2258,"date":"2019-01-04T20:52:09","date_gmt":"2019-01-05T02:52:09","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?page_id=2258"},"modified":"2020-06-14T13:06:45","modified_gmt":"2020-06-14T18:06:45","slug":"41-1-summer-spring-2017","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/archive-current\/41-1-summer-spring-2017\/","title":{"rendered":"41.1 SPRING\/SUMMER 2017"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.17.2″ background_color=”rgba(255,255,255,0.14)” custom_padding=”50px|0px|50px|0px|false|false”][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.17.1″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center”][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2017\/04\/Cover-Fulls.png” align=”center” _builder_version=”3.17.2″ box_shadow_style=”preset2″ max_width=”90%” animation_direction=”top”][\/et_pb_image][et_pb_button button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_text=”Purchase” button_alignment=”center” _builder_version=”3.17.2″ custom_button=”on” button_text_color=”#edd49c” button_bg_color=”#090928″ button_border_color=”#090928″ button_font=”||||||||” custom_margin=”25px||”][\/et_pb_button][et_pb_text _builder_version=”3.17.2″ custom_margin=”10px||”]<\/p>\n

$<\/span>\u00a07\u00a0us<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_tabs _builder_version=”3.17.2″ body_font=”||||||||”][et_pb_tab title=”Poetry” _builder_version=”3.17.2″ body_font=”||||||||” body_line_height=”3em”]Jack Giaour<\/strong> – trans man in spring \/\u00a0trans man in october<\/p>\n

\n
\n
Shannon Hearn<\/strong> –\u00a0HYDROGEN PEROXIDE\u00a0WORKS: ClassROOM Settings<\/div>\n
Andrew Kozma<\/strong> –\u00a0In the Case of Stairs<\/div>\n
Chiwan Choi<\/strong> –\u00a0excerpt from\u00a0The Yellow House<\/em><\/div>\n
Jen Siraganian<\/strong>– Armenian Hair \/\u00a0Being Armenian \/\u00a0Armenian Restaurant in<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 Arkansas<\/div>\n
Glenn Shaheen<\/strong> –\u00a0The Delicacy and Beauty of These\u00a0Structures<\/div>\n
Christina Clark<\/strong> –\u00a0Resignation Letter to Silent Model\u00a0Management \/\u00a0Casting<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 Call<\/div>\n
Emily Blair<\/strong> –\u00a0Back From the Dead<\/div>\n
Charlie Bondhus<\/strong> –\u00a0Study for a Flat Earth<\/div>\n
Jessica Rae Bergamino<\/strong> –\u00a0Saturnalian \/\u00a0Voyager Two\u2019s Prayer to Uranus<\/div>\n
Joseph O. Legaspi<\/strong> –\u00a0The Stones \/ A Year in the Mouth of a Whale<\/div>\n
Conor Bracken<\/strong> –\u00a0The Odyssey<\/div>\n
Karissa Morton Carter<\/strong> –\u00a0Lunatia<\/div>\n
Jenny Xie<\/strong> –\u00a0Corfu \/\u00a0Displacement \/\u00a0Middles<\/div>\n
Janet Kauffman<\/strong> –\u00a0Practice for Outside Situations\u00a0Uncalled-for<\/div>\n
Angie Macri<\/strong> –\u00a0Carnelian, which Suggests\u00a0the Flesh<\/div>\n
Nausheen Eusuf<\/strong> –\u00a0Destrudo<\/div>\n
Paula Mendoza<\/strong> –\u00a0Ode to Lelo\u00ae and Moths \/\u00a0My Demon Is Sad All It Can\u00a0Be Is<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Complicit<\/div>\n
Naoko Fujimoto<\/strong> –\u00a0A Big Bowl of Beef Stew<\/div>\n
Landon Godfrey<\/strong> –\u00a0Champagne \/\u00a0Cy Twombly\u00a0Untitled<\/em><\/div>\n
John Sibley Williams<\/strong> –\u00a0On Being Told:\u00a0White Is a\u00a0Color Without Hue<\/div>\n
Michael Torres<\/strong> –\u00a0f is for forever \/ The Flame<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_tab][et_pb_tab title=”Fiction & Non-fiction” _builder_version=”3.17.2″ tab_font=”||||||||” body_font=”||||||||” body_line_height=”3em”]Fiction<\/span><\/p>\n

Julie C. Day<\/strong> –\u00a0Raven Hair<\/div>\n
Cole Bucciaglia<\/strong> – Threnody by an Amateur\u00a0Oceanographer for His\u00a0Father the<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Biologist<\/div>\n
Sidney Taiko<\/strong> -Bad Star<\/div>\n
Peter Tiernan<\/strong> – Carla and the Werewolf<\/div>\n
Emily J. Stinson<\/strong> – Cull, ’27 Break<\/div>\n
<\/div>\n
Non-fiction<\/span><\/div>\n
Jacob M. Appel<\/strong> – My Hebrew School<\/div>\n
Victoria Young<\/strong> – How To Have a Fake Affair with a Real Celebrity<\/div>\n
Guy Choate<\/strong> – Joshua<\/div>\n
Shanae Aurora Martinez<\/strong> – Listening to the Good People: A Review of Margaret <\/em><\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Noodlin’s Weweni:<\/em> Poems in Anishinaabemowin and English<\/div>\n

[\/et_pb_tab][et_pb_tab title=”Art” _builder_version=”3.17.2″ body_font=”||||||||” body_line_height=”3em”]<\/p>\n

Fabrice Poussin<\/strong> -Eluding the Mystery \/\u00a0Home Almost<\/div>\n
Susan Turner<\/strong> – Contemplation #1 \/ Contemplation #2 \/\u00a0Contemplation #3 \/<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Contemplation #7 \/\u00a0Lone #3\/ Not Alone<\/div>\n
Doug Smock<\/strong> – ICBM \/ this is only a test…<\/div>\n

[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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