{"id":2043,"date":"2018-03-15T19:08:14","date_gmt":"2018-03-16T00:08:14","guid":{"rendered":"http:\/\/draft.creamcityreview.org\/?page_id=12"},"modified":"2025-11-03T01:15:56","modified_gmt":"2025-11-03T07:15:56","slug":"issues","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/issues\/","title":{"rendered":"ISSUES"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.17.2″ background_color=”rgba(255,255,255,0.14)” custom_padding=”50px|0px|50px|0px|false|false”][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.17.2″][et_pb_column type=”3_5″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_tabs _builder_version=”3.17.2″ body_font=”||||||||” body_line_height=”1.2em” custom_margin=”45px||”][et_pb_tab title=”Poetry” _builder_version=”3.17.2″]<\/p>\n

Nicolette Ratz – <\/strong>Nomenclature<\/em><\/p>\n

Chloe Bryan – <\/strong>Acreage<\/em><\/p>\n

Amanda Maret Scharf – <\/strong>L Train<\/em><\/p>\n

Sophia Chong – <\/strong>de-de invited god home, 1997; Life Could Be Beautiful<\/em><\/p>\n

Kelly Hoffer – <\/strong>poem with a belated arrival<\/em><\/p>\n

Rosebud Ben-Oni – <\/strong>49In :: not tryna be dramatic but; 63Eu :: Ultra V : O : X {o Ennui, It Means Nothing to Me}<\/em><\/p>\n

June Gervais –<\/strong> If You Live in Ten Places before You Are Twenty; Please Review Your Stay at Hotel Liminal<\/em><\/span><\/p>\n

Navila Nahid –<\/strong>\u00a0ADHD Symptom Checklist\u00a0<\/i><\/span><\/p>\n

Jessica Freeman –<\/strong> Intake; The Last Time I Saw Her at the River House<\/em><\/span><\/p>\n

Steve Castro, Christopher Citro, and Dustin Pearson –<\/strong>\u00a0On a Planet of Gas and Dust and Smoky Mountains, Bird Calls<\/i><\/span><\/p>\n

Betsy Mitchell <\/strong>Martinez –<\/strong> How can I love all this so much and be insane?<\/em><\/span><\/p>\n

Daniel <\/strong>Seifert –<\/strong> Map-grid a and b\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Jessica Nirvana Ram –<\/strong> Lineage\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Irene Villase\u00f1or –<\/strong> Our Departure, 1827\u00a0<\/em><\/span><\/p>\n

Jaia Hamid Bashir –<\/strong> Divinities; The Teeth Lottery\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/span><\/p>\n

Jane Zwart –<\/strong>\u00a0After You Surrender<\/i><\/span><\/p>\n

plum.e champlin –<\/strong> sonnet for a homosexual [hiprofessor] 1.11.25<\/em><\/span><\/p>\n

Collin Callahan –<\/strong> Bicycle Delivery Person; No One Left on the Telephone<\/em><\/span><\/p>\n

Shlagha Borah –<\/strong> Matriphagy\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Sonia Greenfield –<\/strong> Kleenex\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Samuel Burt –<\/strong> Small Stunned Creatures; Aubade with Ash Tree\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Brian Czyzyk –<\/strong> Chewing the Green\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Susan L. Leary –<\/strong> At First, Obedience, Subsequently\u2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Kami Enzie –<\/strong> Death \u2260 Silence<\/em><\/span><\/p>\n

Elias Diakolios –<\/strong> After the Death of the Grandmaster (II); After the Death of the Grandmaster (VIII)<\/em><\/span><\/p>\n

 <\/p>\n

[\/et_pb_tab][et_pb_tab title=”Fiction” _builder_version=”3.17.2″]<\/p>\n

Caitlin Rae Taylor –<\/strong> To Stay Alive<\/em><\/p>\n

Ian Christopher Hooper –<\/strong> Superlight<\/em><\/p>\n

Hannah Licht –<\/strong> Consanguinity<\/em><\/p>\n

[\/et_pb_tab][et_pb_tab title=”Art” _builder_version=”3.17.2″ body_font=”||||||||”]<\/p>\n

Julia Fennell<\/strong> –<\/strong> The Loud Quiet Night<\/em><\/p>\n

Morphic Rooms –<\/strong> Inference I\u00a0<\/em><\/p>\n

Kale Hensley – <\/strong>Queen of the Darn’d<\/em><\/p>\n

Mirka Walter – <\/strong>Movement Research IV<\/em><\/p>\n

Cover artist: Jacelyn –<\/strong> <\/i>A Branch in Spring\u00a0<\/em>
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Visionary<\/em><\/p>\n

 <\/p>\n

[\/et_pb_tab][et_pb_tab title=”Nonfiction” _builder_version=”3.17.2″]M Jaime Zuckerman –<\/strong> Symbiosis Sestina<\/em><\/p>\n

Laurie Lathem –<\/strong> All the Pretty Sounds<\/em><\/p>\n

Daniel Uncapher – <\/strong>“Problematic Characters”: An Essay on the Typewriter Business (Past, Present, and Future)<\/em>
\n[\/et_pb_tab][et_pb_tab title=”Translation” _builder_version=”3.17.2″]Hua Qing \u534e\u6e05, translated by Liang Yujing –<\/strong> A Heavy Snowfall in Life<\/em><\/p>\n

E.M. Palitha Edirisooriya, translated by Kasun Pathirage and Samodh Porawagamage –<\/strong> May 25th; August 19th; Thursday<\/em><\/p>\n

 
\n[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text disabled_on=”off|off|off” _builder_version=”3.17.2″ text_orientation=”center” custom_margin=”5px||”]Current Issue: 49.1<\/span><\/strong><\/span>
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\n[\/et_pb_button][et_pb_text _builder_version=”3.17.2″ text_orientation=”center” custom_margin=”10px||”]$<\/span>14 US \/ <\/span> $19 CAN<\/span>
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PAST ISSUES<\/span><\/p>\n

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\n[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.17.1″ custom_padding=”50px|0px|0|0px|false|false”][et_pb_row _builder_version=”3.17.2″][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”48.1 Spring\/Summer 2024″ url=”https:\/\/uwm.edu\/creamcityreview\/47-2-fall-winter-2023\/” _builder_version=”3.17.2″ header_level=”h1″ header_font_size=”13″ header_line_height=”1.3em” link_option_url=”https:\/\/uwm.edu\/creamcityreview\/47-2-fall-winter-2023\/”]\"\"<\/a>
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\n[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.17.1″ custom_padding=”50px|0px|0|0px|false|false”][et_pb_row _builder_version=”3.17.2″][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”44.1 Spring\/Summer 2020″ url=”https:\/\/uwm.edu\/creamcityreview\/44-1-winter-spring-2020\/” alt=”Photo of cover of Cream City Review Issue 44.1″ image_max_width=”95%” _builder_version=”3.17.2″ header_font=”|700|||||||” header_text_align=”center” header_font_size=”13px” header_letter_spacing=”1px” header_line_height=”1.3em” body_text_align=”center” body_text_color=”#000000″ body_line_height=”1.4em” text_orientation=”center”]\"Cream<\/a>
\n[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”43.2 Fall\/Winter 2019″ url=”https:\/\/uwm.edu\/creamcityreview\/43-2-fall-winter-2019\/” alt=”Photo of cover of Cream City Review Issue 43.2″ image_max_width=”91%” _builder_version=”3.17.2″ header_font=”|300|||||||” header_text_align=”center” header_text_color=”#000000″ header_font_size=”13px” header_line_height=”1.3em” custom_margin=”|||0px” custom_padding=”|||0px”]\"Cream<\/a>
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