  
{"id":1304,"date":"2016-11-07T14:37:49","date_gmt":"2016-11-07T20:37:49","guid":{"rendered":"https:\/\/uwm.edu\/clacs\/?page_id=1304"},"modified":"2016-11-07T16:31:18","modified_gmt":"2016-11-07T22:31:18","slug":"34th-annual-latin-american-film-series-2012","status":"publish","type":"page","link":"https:\/\/uwm.edu\/clacs\/public-engagement\/film-series\/34th-annual-latin-american-film-series-2012\/","title":{"rendered":"34th Annual Latin American Film Series, 2012"},"content":{"rendered":"<p><em>Presented by the Center for Latin American and Caribbean Studies, 51ÁÔÆæ Union Programming, Union Theatre and The Department of Film.<\/em><\/p>\n<h3>April 13-20, 2012<\/h3>\n<p>51ÁÔÆæ Union Theatre<\/p>\n<p>All films will be shown in their original language with English subtitles. Films are not rated; many include adult content. For more information please call the Center for Latin American and Caribbean Studies at (414) 229-5986.<\/p>\n<p><em>If you just can&#8217;t wait for LAFS Opening Night . . .<\/em><\/p>\n<h4>Wednesday, April 11<\/h4>\n<p>Share the Earth Environmental Film Series<br \/>\n<strong>Land (Tierra)<\/strong>, A new film by Julian T. Pinder<br \/>\n7pm, 51ÁÔÆæ Union Theatre<br \/>\nThe southern Pacific coast of Nicaragua. American developers charge on, transforming jungle and beach into resorts, hotels and gated communities. Unexpectedly, the former revolutionaries sweep back into power and re-claim the country. This modern day wild west erupts into a battle between former revolutionaries, angry locals, and foreign developers over the land beneath their feet. But progress marches on . . . Or does it?<\/p>\n<p>Cosponsored by the Center for Latin American and Caribbean Studies<\/p>\n<h4>Thursday, April 12<\/h4>\n<p><em>Event organized by Marquette University in conjunction with the Latin American Film Series<\/em><br \/>\n<strong>The Cuban Game (El juego de Cuba)<\/strong>, Directed by Manuel Mart\u00edn Cuenca<br \/>\nMarquette University, Cudahy Hall 001<\/p>\n<p><strong>6:30 pm<\/strong> &#8211; Panel discussion on the politics of baseball<\/p>\n<dl>\n<dt>Panel participants:<\/dt>\n<dd>Larry Baldassaro (UW-Milwaukee)<\/dd>\n<dd>Ra\u00fal Galv\u00e1n (Milwaukee Public Television)<\/dd>\n<dd>J. Gordon Hylton (Marquette University Law School)<\/dd>\n<dd>Armando Gonz\u00e1lez P\u00e9rez (Marquette University)<\/dd>\n<\/dl>\n<p><strong>7:30 pm<\/strong> &#8211; Documentary screening<br \/>\n<strong>9:05 pm<\/strong> &#8211; Talk back with the director<br \/>\n<a href=\"http:\/\/www.marquette.edu\/fola\/documents\/ElJuegodeCubacorr.pdf\">Full program information, PDF download<\/a><\/p>\n<p>In 1999, a Cuban All-Stars baseball team played home and away games against the Baltimore Orioles &#8211; the first such encounter between the US and Cuba in more than 30 years. The games were welcomed by some as a politically motivated gesture of reconciliation, but dismissed by others as a cynical attempt by the Orioles to gain leverage on Cuba&#8217;s immense pool of talent. This emotive and skillful documentary traces the history of baseball in Cuba and speaks to the political sentiment involved in the sport. Co-organized by the Center for Latin American and Caribbean Studies.<br \/>\n<iframe loading=\"lazy\" title=\"El juego de Cuba\" width=\"604\" height=\"453\" src=\"https:\/\/www.youtube.com\/embed\/fgcSzo6caRE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>LAFS Opening Night<\/h3>\n<h4>Friday, April 13<\/h4>\n<p>7pm<br \/>\n<strong>Norberto&#8217;s Deadline (Norberto apenas tarde)<\/strong><br \/>\nUruguay, 85 min &#8211; 35mm &#8211; Directed by Daniel Hendler<br \/>\nFor the 30-something Norberto, life does not seem to live up to all that he has expected. No longer content with his job or his marital arrangements, he attempts to immerse himself in an entirely different lifestyle. Watch as Norberto improvises his way through this change by taking acting workshops for beginners to improve his confidence and tries to fit in with the younger crowd that he meets there. This is a hilarious story of what happens when we are not honest with ourselves and those we love.<br \/>\n<iframe loading=\"lazy\" title=\"Norberto&#039;s Deadline Trailer\" width=\"604\" height=\"453\" src=\"https:\/\/www.youtube.com\/embed\/IrebkyWIGYA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>Saturday, April 14<\/h4>\n<p>7pm<br \/>\n<strong>Nostalgia for the Light (Nostalgia de la luz)<\/strong><br \/>\nChile, 2011, 90 min &#8211; DVD &#8211; Directed by Patricio Guzm\u00e1n<br \/>\nThe Atacama Desert of Northern Chile is best known as a paradise for astronomers and stargazers. Its landscape is ideal for sky viewing due to its high altitude, dry air and lack of light pollution. However, not often mentioned is the truth that the Pinochet dictatorship discarded many of its deceased political prisoners in the same territory. This is the latest installment of the critical documentaries produced by the famed director, Patricio Guzm\u00e1n. With an interdisciplinary scope that covers many different fields of thought, Nostalgia for the Light gives us a snapshot of the dynamic nature of the Atacama as well as its historical atrocities.<br \/>\nNostalgia for the Light trailer<\/p>\n<h4>Saturday, April 14<\/h4>\n<p>Co-presented by 51ÁÔÆæ Film Studies<br \/>\n9pm<br \/>\n<strong>Juan of the Dead (Juan de los muertos)<\/strong><br \/>\nCuba, 2011, 100 min &#8211; 35mm &#8211; Directed by Alejandro Brugu\u00e9s<br \/>\nAttention: horror film buffs and zombie movie freaks; make sure not to miss Juan of the Dead! Watch as the protagonists, Juan &#8211; an unemployed outcast &#8211; and his close friends, form a zombie killing business in Havana amidst a chaotic modern day coup d&#8217;etat led by the living dead. Brugu\u00e9s&#8217; film is breaking new ground in Cuban cinema and is the country&#8217;s first full-fledged zombie thriller. Interestingly, the result is not simply a replica of other Western gore movies. Do not get us wrong, Juan of the Dead is extremely gruesome, and yet, it also features subtle Cuban idiosyncrasies, many political commentaries on U.S.- Cuba relations, and a critique of the 1959 revolution.<br \/>\n<iframe loading=\"lazy\" title=\"JUAN OF THE DEAD (2011) - Official Trailer - Cuban Zombies!\" width=\"604\" height=\"453\" src=\"https:\/\/www.youtube.com\/embed\/dOquktXvkT4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>Sunday, April 15<\/h4>\n<p>4:30pm<br \/>\n<strong>The Good Herbs (Las buenas hierbas)<\/strong><br \/>\nMexico, 2010, 117 min &#8211; DVD &#8211; Directed by Mar\u00eda Novaro<br \/>\nSince pre-Columbian times, the use of medicinal plants to heal the body and the soul has been a long standing tradition in Mexico, and Lala knows this very well. Unfortunately, they have never been of great interest to her hippie daughter, Dahlia, a young single mom who is trying to raise her small son on her own. This is a story woven with elements of humor and magical realism, motifs of plants and herbs, and words that come to life, but most of all, it is a dramatic portrayal of resilience and the power of love. It is a story about the strength of the independent grandmother, Lala, who is forced to come to terms with the fact that she is slipping away as her Alzheimer&#8217;s progresses and the need to pass along her knowledge to a daughter who is desperately trying to save her.<br \/>\n<iframe loading=\"lazy\" title=\"Las buenas hierbas trailer oficial HD de Mar\u00eda Novaro Canana Films THE GOOD HERBS OFFICIAL\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/kU9rVUJir9A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>Sunday, April 15<\/h4>\n<p>7pm<br \/>\n<strong>Chinese Take-Away (Un cuento chino)<\/strong><br \/>\nArgentina, 2011, 93 min &#8211; Directed by Sebasti\u00e1n Borensztein<br \/>\nIn Buenos Aires, the bitter and methodic Roberto (Ricardo Dar\u00edn) is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari has an unrequited love for him, but Roberto is always evasive. One day, Roberto sees a Chinese named Jun being expelled from a taxi while he is watching the landing of airplanes in the airport and he helps the man to stand up. Jun does not speak Spanish and shows a tattoo with an address on his arm. Roberto heads to the spot with Jun and discover that the place belonged to Jun&#8217;s uncle that sold it three and half years ago. Roberto goes with Jun to the police station, to the China&#8217;s embassy and to a Chinese neighborhood to seek out his uncle but it is a fruitless search. Roberto lodges Jun in his house and after a series of incidents, he finds a delivery boy to translate Jun and he learns the dramatic story of his life.<br \/>\nUn Cuento Chino trailer<\/p>\n<h3>LAFS 2011 Audience Favorite<\/h3>\n<h4>Monday, April 16<\/h4>\n<p>7pm<br \/>\n<strong>The Gift of Pachamama(El regalo de la Pachamama)<\/strong><br \/>\nBolivia, Japan, 2008, 102 min &#8211; DVD &#8211; Directed by Toshifumi Matsushita<br \/>\nOn Bolivia&#8217;s inland salt sea (the Salar de Uyuni), 13-year-old Kunturi and his family cut bricks of salt by hand, which they use to barter for goods. It is not an easy life, but still rich with friends and family. When Kunturi&#8217;s grandmother falls ill, his father decides to take his son on the almost four-month journey along the salt trail (the Ruta de la Sal) to see her. Their first stop is the Potos\u00ed mine to find a friend&#8217;s long-absent father and the last stop is the famous Bolivian Tinku festival. As tragedy and joy commingle, Kunturi is forced to confront the complexities of adult life, including death, suffering, and his first love \u2013 the most powerful of all.<br \/>\nhttps:\/\/www.youtube.com\/watch?v=SnIix8U3L6s<\/p>\n<h4>Tuesday, April 17<\/h4>\n<p>7pm<br \/>\n<strong>Karen Cries on the Bus (Karen llora en un bus)<\/strong><br \/>\nColombia, 2011, 98 min &#8211; 35mm \u2013 Directed by Gabriel Rojas Vera<br \/>\nKaren is a woman in her thirties who realizes that she has spent the last ten years of her life in a loveless marriage, so she decides to walk away from it to finally seek an identity of her own. With her savings, she rents a tiny apartment in the center of Bogot\u00e1, but she has no friends, no job and no money and she soon begins to run into some obstacles. With few job prospects, having no prior work experience and considered too old for some positions \u2014 soon Karen feels lost and she begins resorting to everything from stealing apples from fruit stalls to begging for change at bus stops. This is an endearing tale of finding freedom, facing the challenges that come along with it, and starting over.<\/p>\n<p><em>In collaboration with the Chicago Latino Film Festival<\/em><\/p>\n<h4>Wednesday, April 18<\/h4>\n<p>7pm<br \/>\n<strong>Day of Black (Dia de preto)<\/strong><br \/>\nBrazil, 2011, 90 min &#8211; Blu-ray \u2013 Directed by Marcos Felipe, Daniel Mattos, and Marcial Renato<br \/>\nSet in Brazil during both the seventeenth century and the modern era, this film explores two narratives that highlight the continuing struggles for freedom faced by Brazilians of African descent. Dia de preto begins with the story of the first black slave to be freed in Brazil. The plot then shifts to portray a contemporary allegory in which the black man is the driver for a wealthy family. Involved with the daughter of his boss and the theft of a sacred relic, he spends a crazy night in a mall facing a series of bizarre characters. After a journey of life and death, our hero learns that there are times when the night is dreadful, and some stories never end.<br \/>\n<iframe loading=\"lazy\" title=\"DAY OF BLACK - Promo 4&#039; 29&quot;\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/ltfEVk3TeQ8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>Thursday, April 19<\/h4>\n<p>7pm<br \/>\n<strong>Granito: How to Nail a Dictator<\/strong><br \/>\nU.S., Guatemala, 2011, 103 min &#8211; DVD \u2013 Directed by Pamela Yates<br \/>\nSometimes films make history; they do not just document it. Such is the case with Granito, the astonishing new film by Pamela Yates. The documentary follows the process by which Yates and her team attempt to use the 1983 film When the Mountains Tremble as evidence to prosecute Guatemalan leaders for genocide within the international justice system. Part political thriller, part memoir, Yates transports us back in time through a riveting, haunting tale of impunity and she returns to the present with a cast of characters joined by destiny and the quest to bring a malevolent dictator to justice. The characters become integral to the overarching narrative &#8211; of wrongs done and fairness sought &#8211; that they have pieced together, each adding their granito, their tiny grain of sand, to the epic tale.<br \/>\n<a href=\"https:\/\/vimeo.com\/27986215\">Movie Trailer<\/a><\/p>\n<h3>LAFS Closing Night<\/h3>\n<h4>Friday, April 20<\/h4>\n<p>7pm<br \/>\n<strong>Shores (Orillas)<\/strong><br \/>\nArgentina, Benin, 2011, 96 min &#8211; 35mm \u2013 Directed by Pablo C\u00e9sar<br \/>\nShantas is a young delinquent living in the shantytowns of the outskirts of Buenos Aires. He has just professed to the Orish\u00e1 religion and he survives the streets with two weapons: a gun and the conviction that he is an immortal being. Meanwhile, across the Atlantic in Benin, West Africa, the young Bab\u00e1r\u00edmis\u00e1&#8217;s heart is failing and his mother, in one last desperate attempt to save his life, turns to a priestess to perform rituals and sacrifices that will restore his link to the Orish\u00e1 gods. Orillas is an account of two boys, two continents, one religion, and a ritual that will bring their lives and the shores of these two continents together once again.<br \/>\n<iframe loading=\"lazy\" title=\"Orillas Trailer Oficial\" width=\"604\" height=\"453\" src=\"https:\/\/www.youtube.com\/embed\/wR12qNRiDZA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><em>The series is co-sponsored by<\/em> 51ÁÔÆæ Union Sociocultural Programming, the Center for International Education, the Women&#8217;s Studies Program, the Urban Studies Program, the Office of Diversity and Climate, the Departments of Africology, Art History, Film, Film Studies, History, MALLT, the Latin American and Caribbean Studies Certificate Program, and the major in Latin American, Caribbean, and U.S. Latino Studies (LACUSL). Programming by Aaron Bethke-Shoemaker and Marisela Ch\u00e1vez-Narv\u00e1ez. <em>In collaboration with the Chicago Latino Film Festival.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Presented by the Center for Latin American and Caribbean Studies, 51ÁÔÆæ Union Programming, Union Theatre and The Department of Film. April 13-20, 2012 51ÁÔÆæ Union Theatre All films will be shown in their original language with English subtitles. Films are &hellip; <span class=\"ls-more-link\"><a href=\"https:\/\/uwm.edu\/clacs\/public-engagement\/film-series\/34th-annual-latin-american-film-series-2012\/\"><em>Continue Reading<\/em> &raquo;<\/a><\/span>","protected":false},"author":30,"featured_media":0,"parent":714,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"page-templates\/ls-2col-sidebar-left.php","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-1304","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>34th Annual Latin American Film Series, 2012 - Center for Latin American &amp; Caribbean Studies<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uwm.edu\/clacs\/public-engagement\/film-series\/34th-annual-latin-american-film-series-2012\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"34th Annual Latin American Film Series, 2012\" \/>\n<meta property=\"og:description\" content=\"Presented by the Center for Latin American and Caribbean Studies, 51ÁÔÆæ Union Programming, Union Theatre and The Department of Film. 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