{"id":1693,"date":"2017-12-07T10:02:35","date_gmt":"2017-12-07T16:02:35","guid":{"rendered":"https:\/\/uwm.edu\/c21\/?page_id=1693"},"modified":"2025-10-19T19:23:09","modified_gmt":"2025-10-20T00:23:09","slug":"visual-culture-film-photography-history","status":"publish","type":"page","link":"https:\/\/uwm.edu\/c21\/visual-culture-film-photography-history\/","title":{"rendered":"Visual Culture: Film\/Photography\/History"},"content":{"rendered":"
\"\"<\/a>
Screenings that kicked off the Visual Culture Conference<\/figcaption><\/figure>\n

April 23-25, 1992<\/p>\n

with Herbert Blau, Edward Buscombe, Philippe Dubois, Tom Gunning, Miriam Hansen, Lynne Kirby, Patricia Mellencamp, Patrice Petro, Griselda Pollock, Eric Rentschler, Allan Sekula, Abigail Solomon-Godeau, Sally Stein, John Tagg, Linda Williams, and Charles Wolfe<\/em><\/p>\n

This conference explored the relationships among film, photography, and historical changes in modes of looking and perception. It was the first film conference held at the Center since 1982. The book, Fugitive Images: From Photography to Video<\/em> emerged as a result of this conference.<\/p>\n

\"photo<\/a>
Eric Rentschler (UC-Irvine) and Patrice Petro (51ÁÔÆæ)<\/figcaption><\/figure>\n

Thursday, April 23<\/strong><\/p>\n

2:00 – 2:30 pm
\nWelcome: Kathleen Woodward<\/strong> (51ÁÔÆæ)<\/p>\n

Histories of Looking: Theories of Perception<\/em><\/p>\n

2:30 – 3:30 pm
\nLinda Williams<\/strong> (UC-Irvine)<\/p>\n

4:00 – 6:00 pm
\nTom Gunning<\/strong> (SUNY-Purchase)<\/p>\n

6:00 pm
\nReception<\/p>\n

8:00 – 9:30 pm
\nGriselda Pollock<\/strong> (University of Leeds)<\/p>\n

\"photo<\/a>
(back l-r) Kathleen Woodward, Coco Fusco, Patrice Petro, Patricia Mellencamp, (front l-r) Tracey Moffat, Carol Tennessen<\/figcaption><\/figure>\n

Friday, April 24<\/strong><\/p>\n

Visual Economies<\/em><\/p>\n

10:00 am – 12:00
\nAllan Sekula<\/strong> (California Institute of Art)
\nHerbert Blau<\/strong> (51ÁÔÆæ)<\/p>\n

1:30 – 3:00 pm
\nPhilippe Dubois<\/strong> (Universit\u00e9 de Li\u00e8ge, Universit\u00e9 de Paris III)<\/p>\n

\"\"<\/a>
Film Screenings Program<\/figcaption><\/figure>\n

Disputed Histories<\/em><\/p>\n

3:30 – 5:30 pm
\nSally Stein<\/strong> (UC-Irvine)
\nCharles Wolfe<\/strong> (UC-Santa Barbara)
\nPatricia Mellencamp<\/strong> (51ÁÔÆæ)<\/p>\n

7:00 – 9:30 pm
\nScreening of films by Tracey Moffat<\/strong> (Australia)
\nand Laleen Jayamanne<\/strong> (Sri Lanka)<\/p>\n

\"Linda<\/a>
Linda Williams (UC-Irvine)<\/figcaption><\/figure>\n

Saturday, April 25<\/strong><\/p>\n

Anatomies of the Visible<\/em><\/p>\n

10:00 am – 12:00 pm
\nAbigail Solomon-Godeau<\/strong> (UC-Santa Barbara)
\nLynne Kirby<\/strong> (Independent Television Service)<\/p>\n

Imagining the Nation<\/em><\/p>\n

1:30 – 3:30 pm
\nEric Rentschler<\/strong> (UC-Irvine)
\nEdward Buscombe<\/strong> (British Film Institute)<\/p>\n

Negativity and History (between Photography and Historiograghy)<\/em><\/p>\n

4:00 – 6:00 pm
\nJohn Tagg<\/strong> (SUNY-Binghampton)
\nMiriam Hansen<\/strong> (University of Chicago)<\/p>\n

\"Philippe<\/a>
Philippe Dubois (Universit\u00e9 de Li\u00e8ge, Universit\u00e9 de Paris III)<\/figcaption><\/figure>\n

Discussants:\u00a0Dudley Andrew, Ben Brewster, Eduardo Cadava, Lea Jacobs, Andrew Martin, Linda Mizejewski, Roswitha Mueller<\/p>\n

\"photo<\/a>
Connie Ballides (Uline Fellow) and Lynne Worshaw<\/figcaption><\/figure>\n

Conference Organizer: Patrice Petro (51ÁÔÆæ)
\nConference Coordinator: Carol Tennessen (51ÁÔÆæ)<\/p>\n

\"photo<\/a>
Jamie Owen Daniel and Herbert Blau<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

April 23-25, 1992 with Herbert Blau, Edward Buscombe, Philippe Dubois, Tom Gunning, Miriam Hansen, Lynne Kirby, Patricia Mellencamp, Patrice Petro, Griselda Pollock, Eric Rentschler, Allan Sekula, Abigail Solomon-Godeau, Sally Stein, John Tagg, Linda Williams, and Charles Wolfe This conference explored …<\/p>\n","protected":false},"author":690,"featured_media":0,"parent":0,"menu_order":22,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_tec_requires_first_save":true,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_tribe_blocks_recurrence_rules":"","_tribe_blocks_recurrence_description":"","_tribe_blocks_recurrence_exclusions":"","footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-1693","page","type-page","status-publish","hentry"],"yoast_head":"\nCenter for 21st Century Studies<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uwm.edu\/c21\/visual-culture-film-photography-history\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Visual Culture: Film\/Photography\/History\" \/>\n<meta property=\"og:description\" content=\"April 23-25, 1992 with Herbert Blau, Edward Buscombe, Philippe Dubois, Tom Gunning, Miriam Hansen, Lynne Kirby, Patricia Mellencamp, Patrice Petro, Griselda Pollock, Eric Rentschler, Allan Sekula, Abigail Solomon-Godeau, Sally Stein, John Tagg, Linda Williams, and Charles Wolfe This conference explored …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/uwm.edu\/c21\/visual-culture-film-photography-history\/\" \/>\n<meta property=\"og:site_name\" content=\"Center for 21st Century Studies\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-20T00:23:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/uwm.edu\/c21\/wp-content\/uploads\/sites\/359\/2020\/01\/Before-Hollywood-Screening-4.21.92-Flyer-web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"607\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/c21\\\/visual-culture-film-photography-history\\\/\",\"url\":\"https:\\\/\\\/uwm.edu\\\/c21\\\/visual-culture-film-photography-history\\\/\",\"name\":\"Visual Culture: Film\\\/Photography\\\/History - 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