Theater lecturer to direct several productions in 2024-25 seasonÂ
Marcella Kearns (Lecturer, Acting) is preparing for a busy remainder of the 2024-25 theater season with three different productions, both in and out of Wisconsin.Â
From Dec. 6 until Dec. 15, Kearns will direct a production of Shakespeareâs The Tempest at , which is a Young Company Performance Project.
In 2025, Kearns will present another work by Shakespeare, directing Henry IV from Feb. 3 through April 18 at the in Cedar City, Utah. Finally, from May 2 until May 11, Kearnsâ production of Dawn Kingâs The Trials will play at the .
Senior dance students present new choreographic works in New Dancemakers: Emanation
A wide variety of original pieces will premiere at âNew Dancemakers: Emanation,â a night of deeply engaging work choreographed by senior dance students at PSOA. âEmanationâ marks a major point in senior dance studentsâ capstone projects, showcasing the skills they have developed in their undergraduate education.
Creative skills
Across ten distinct works, âEmanationâ will present all that students have learned in their dance studies. One concept that will be especially noticeable is how the 51ÁÔÆæ Department of Dance is on the cutting edge of dance by inspiring students to move beyond traditional styles.
Charlotte Reynolds
One student who benefited from this exploration is Charlotte Reynolds. Her piece â80HDâ frames people with ADHD through the lens of a 1980s, three-level video game. Noting how her creativity has grown since studying at PSOA, Reynolds felt compelled to fuse different dance styles to fully express herself and her art.
âDance isnât just about styles, anymore,â said Reynolds. âWith the piece Iâve created this year⊠itâs like a fusion. Itâs my artistry and my style. I feel like PSOA has taught me to open up my vision and mind to the different possibilities of dance and art.â
Reynolds also described feeling that she presents her well-rounded set of skills by merging different dance methods and techniques.
âMoving away from the traditional breakdown has definitely been a part of my journey at 51ÁÔÆæ,â said Reynolds. âThroughout my time, Iâve learned that I donât just need to be one thing, I can do many things.â
Maya Hirsig-Smith
Another individual who benefited from a PSOA’s exploration of new styles of dance is Maya Hirsig-Smith.
âTeachers here have really opened my mind to freely expressing myself,â said Hirsig-Smith. âThis dance department is really open to trying new things.â
Hirsig-Smith credited the foundational skills she picked up in her early composition and improv-based classes at PSOA as helping her generate ideas to complete her piece.
âThe way a lot of people get writerâs block, we get dancerâs block,â said Hirsig-Smith. âI had a lot of that during this process, but I went back to my core skills a lot. I thought, ‘What have I done in the past that maybe I can use again?’â
Hirsig-Smith found ways to draw from past work while ensuring that she was âswitching it upâ to stay original and creative.
Lia Smith-Redmann
Another student presenting original choreography is Lia Smith-Redmann, debuting her piece âAmericana: Labor Union,â which tells the story of the âunattainableâ American dream and criticizes the ideology of working oneself to death.
âItâs a letter of respect to my community,â said Smith-Redmann. âItâs in honor of the working class and all of the labor strikes that have happened recently.â
Smith-Redmann said that the soft skills she developed at PSOA proved valuable in the creation of her piece.
âAs a dancer and choreographer, youâre picking up technical and artistic skills, and learning how to build off your own interests and repertoire,â said Smith-Redmann. âSkills like how to work with people and respect dancerâs bodies⊠Those soft skills have been really important to my process.â
Through her work, Smith-Redmann fosters a collaborative space for her eight dancers, ensuring everyone feels respected and fulfilled.
Collaboration skills
In the New Dancemakers program, dancers receive weekly feedback from a diverse panel of experts across Milwaukeeâs dance community.
âCross-pollinating between dance and other fields is not only important to me personally, but on an industry level is really important,â said Smith-Redmann. âPSOA really invests a lot of time and energy into you as an artist⊠Theyâre really zeroing in on you, your craft, and what you want to say.â
Megan Holzhauer
Fellow student Megan Holzhauer also found the collaborative aspect of these weekly check-ins to be extremely valuable while creating her work, âBehind That Gleam.â
âI feel like weâre all a team and we all have each otherâs backs,â said Holzhauer. âItâs great to be able to go to everybody and ask for advice and feedback⊠Itâs great to get a fresh perspective from a diverse panel.â
Holzhauerâs piece centers on perfectionism among athletes. While she describes how perfectionism can help one excel, it also can overwhelm oneâs daily existence.
âPerfectionism is very idealized,â said Holzhauer. âI really wanted to not only help individuals learn how to excel in a healthy way but also maintain a better well-being and overall experience in sports.â
Holzhauer has been sitting on her topic throughout her education, which has made the creation of her piece an exciting and impactful endeavor.
âThis has felt like an accumulation of all four years,â said Holzhauer. âI honestly feel like Iâve had my New Dancemakers topic since freshmen year⊠Thereâs so much excitement around it.â
Reflection from Maria
Maria Gillespie (Professor, Dance; Graduate Program Director, Dance) is the artistic director for New Dancemakers and has worked alongside these students throughout their education at the Peck School.
As is the case for many dance faculty members, getting to see their students enter this final stage of their education is a special occurrence.
âWatching these seniors grow into singular artists with powerful motivation and deep care for their craft is by far the most rewarding experience of our work here in the Department of Dance,â said Gillespie. âThese ten choreographers show all of us what embodied patience, rigor, empathy, and tenderness can become â really gorgeous artworks that glow!â
Gillespie has also noted how âEmanationâ has been a labor of love and passion for dance students.
âThe choreographers chose the title âEmanationâ because it unifies their unique paths and visions, describing how the knowledge and experiences gained here at 51ÁÔÆæ radiate through their dancing and future paths,â said Gillespie.
Production photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal WagnerProduction photos from “New Dancemakers: Emanation” | Photos by Christal Wagner
âNew Dancemakers: Emanationâ runs Nov. 20-23, 2024, at Studio 254 in Mitchell Hall. For more information and tickets, visit the PSOA events calendar.
Story by Jason McCullum ’25
Alum and lecturerâs new concert featured in Shepherd Express
Dance lecturer Gina Laurenzi (BFA 2013, Dance; MFA 2024, Dance) and her newest concert dis/connect were featured in Shepherd Express following a premiere with Danceworks Performance MKE. dis/connect was Laurenziâs third full-length piece with Danceworks and her first as co-artistic director with Christal Wagner (Lecturer, Dance; Outreach Coordinator, Dance).
Research from Laurenziâs MFA thesis was incorporated into the concert, as the piece explores the modern obsession that people have with social media.
âWhen will we notice we tune into the phone more than each other, and the world around us?â Laurenzi wrote in the dis/connect program. âWhen occupied by happenings online, and entranced by apps and social media, we miss out on these awe-filled experiences that happen in real-time and we risk missing out on moments of connection. Are we able to experience awe with our heads in our phones?â
To read more about dis/connect and Laurenzi, read her feature in .
PSOA partner WaterMarks MKE featured on CBS 58
WaterMarks MKE, an initiative that helps educate people on their relationship with water systems, was recently featured on CBS 58 as they continue to set up WaterMarkers throughout Milwaukee.
Over the past four years, UW-Milwaukee has worked closely with WaterMarks MKE to work alongside artists and create visually appealing art that educates. These WaterMarkers are meant to remind people to reduce their water waste.
âWhen I see these, I know this means the community came together with artists and scientists and residents to talk about water and the water issues in their neighborhood, and the city at large,” said Katie Avila Loughmiller, the WaterMarks manager for programs & engagement.Â
To watch WaterMarks recent feature, visit the .
To read more about WaterMarks partnership with PSOA, including the work of recent MFA candidate Corrigan Eckert, visit the PSOA News & Stories page.
Art MFA candidate and WaterMarks grad assistant uses art to amplify the importance of water conservation
Over the past four years, UW-Milwaukee has worked closely with WaterMarks MKE, an initiative that helps people better understand their relationships with the water systems and infrastructure that support their lives.
Started in 2014, WaterMarks hosts a series of public programs, community events, and initiatives that develop community understanding regarding water conservation and environmental activism. This project further pursues its mission by working alongside artists to create visually appealing works throughout Milwaukee that help educate the city.
Art MFA candidate Corrigan Eckert is a Graduate Assistant with WaterMarks in a role that aims to expand her knowledge of using art to provide education on water sustainability.
âIâve always been really intrigued in art as a vehicle to encourage people to learn and know more about the environment,â said Eckert. âThe best art is visually dynamic and can get you to connect or believe. Thatâs what WaterMarks is doing.â
In 2021, the renowned New York City artist Mary Miss, along with Principal Investigators (PIs) from 51ÁÔÆæ’s Geography Department, faculty from Art and Design, and colleagues from the Center for Student Experience and Talent, secured a four-year, multi-million-dollar grant from the National Science Foundation. This grant helped expand the WaterMarks project, giving more 51ÁÔÆæ and PSOA students a chance to be involved.
As a Graduate Assistant, Eckert works with the Center for Student Experience and Talent at 51ÁÔÆæ. Her focus is on improving community engagement through tabling events, networking with other organizations, and youth outreach.
Eckertâs role at WaterMarks goes hand-in-hand with her research as a masterâs student. Centered on human perspectives regarding the wellbeing of animals and plants, Eckertâs process of doing environmental research has been informed by the increase in community involvement that has come from her WaterMarks role.
âItâs important to think about audience and community and how that all comes together to make an artwork,â said Eckert. âYou might make something beautiful, but I donât know if it is fully art until itâs been experienced and interpreted by people.â
WaterMarks strives to build community and reinforce the importance of education. At a time where environmental threats are more pronounced than ever, WaterMarks aims to provide a stroke of positivity.
âThere needs to be hope and you need to give people concrete things they can do to help,â said Eckert. âOur hope is to give community members the chance to engage in a way where they know they are not alone⊠Community is so important to make the impact we want.â
To learn more about how WaterMarks empowers artists, scientists, and community members, visit the .
Story by Jason McCullum ’25
Art alumâs life and career chronicled in Shepherd Express featureÂ
Evelyn Patricia Terry (BFA 1970; Art MS 1973) was recently interviewed for a feature with Shepherd Express that chronicled Terryâs six-decade-long career in the arts, which has seen her create diverse works and exhibits around the world.Â
In the Q&A-style article, Terry discusses the beginnings of her career including what brought her to UW-Milwaukee in the 70s.
âI took a class called Related Art,â said Terry in her Shepherd Express feature. âAt the end of the class, my teacher said, âEvelyn, I think youâre an artist. You should get a degree in drawing.â I went immediately to the art department in Mitchell Hall.â
As described in the article, Terryâs 51ÁÔÆæ roots remained influential in the early stages of her career, providing her with connections that led to valuable work opportunities.
âI got two degrees from 51ÁÔÆæ,â said Terry. âRuth Milofsky, a 51ÁÔÆæ professor, hired me to teach residents at the Hillside Public Housing project.â
To learn more about Terryâs life and career, read her feature in .
Film faculty receives honorable mention for voter advocacy filmÂ
Sean Kafer (Teaching Faculty II,âŻFilm, Video, Animation, and New Genres) recently received an honorary mention in the Spark the Vote Challenge by the Why Do You Vote? Social Action Campaign. This mention recognized “Don’t Tell Me Your Vote Doesnât Matter,” a short film directed and produced by Kafer and activist Mariah Smith.Â
The film merges Kaferâs passion for impactful storytelling, voter engagement, and education advocacy. The work of Kafer and Smith sought to inspire Milwaukee communities to use their vote to promote transformative power in our nationâs future.
How the collaborative magic of theatre makes a ship crash on stage
On Wednesday, the Peck School of the Arts theater department will present its latest production âPericles.â From the twilight of Shakespeareâs career, this piece chronicles adventure, love, and family through the tragedy of a devastating shipwreck and several extreme storms throughout.
For PSOAâs production, the sensation of the wreck is created through sound and movement, brought to life by the work and collaboration of PSOA theater students.
The Immersion of Sound
Taking the reins of sound design for âPericlesâ is Ella Baird (Theater Production BFA, Junior), who is making her solo debut as a sound designer. Through this role, Baird has the difficult task of portraying multiple storms without the use of complex scenery.
To make the storm and wreck feel believable for the audience, actors on stage use practical sounds including a rain machine and thunder sheets. These sounds are slowly complemented by digital sounds that come from speakers throughout the theater, creating a deeper level of immersion for audiences.
Sound designer Ella Baird (center) with fellow production team members. | Photo by Cameron Wise (BFA Film)
Throughout the play, the storms get increasingly intense through a clever use of volume. That work is amplified by the actors on stage, whom Baird describes as âreally respondingâ to the audio they hear.
âAt one point, there’s a booming thunderclap that prompts Pericles to cry to the gods to stop the thunder,â said Baird. âThereâs a strong element of collaboration there that is apparent through the whole show.â
Baird takes a step away from the sound booth when âPericlesâ opens, leaving the work to a sound operator who has been carefully learning Bairdâs cues throughout rehearsal.
âIâm glad I get to hand it off to somebody else,â said Baird. âI get to sit down, enjoy the show, and see how audiences respond to it⊠The showâs theme of familial love really resonates, and I hope audiences appreciate it, too.â
The Physicality of Acting
For this production, the actors create aspects of the set with their bodies.
âWe are the boat, we are the waves,â said Natalie Gustafson (Theatre Performance BFA: Acting, Junior), who plays Marina, the daughter of the titular character. âWe create the boat by holding hands, making different levels, and rocking back and forth. Itâs really beautiful.â
Gustafson explains that this is not as simple as standing still to create a boat shape. Instead, the cast collaborates to move as one.
âItâs not just about being a boat, itâs about portraying emotion,â said Gustafson. âItâs a real bonding experience that takes a lot of work and coordination.â
Natalie Gustafson (left) and Autumn Holmes rehearse a scene from “Pericles.” | Photo by Cameron Wise (BFA Film)
The actors collaborate with the technical crew, reacting to the sounds from Baird and the lighting design, which sometimes creates the illusion of thunder and lightning in the theater.
âWeâve had to be very flexible and collaborative in this production,â said Gabe Rodriguez (Acting BFA, Junior), who plays Pericles. âThe way weâre approaching this work is very physical⊠if thereâs a boat on stage, weâre creating the boat with our movement.â
At the height of his acting training with Peck School of the Arts, Rodriguez feels he utilizes movement and his relationship with sound to convey what is happening in the story.
Rodriguez intensively studied âPericlesâ and similar Shakespearean works, such as âKing Lear,â to prepare himself for the physicality needed to perform his role.
According to Rodriguez, he has been supported by faculty and peers at PSOA who have trained alongside him. One of his most crucial preparations came during âBeach Day,â a once-a-year event when the theater department studies their physical and vocal craft on the beaches of Lake Michigan.
âI jumped in the water and started doing my lines,â said Rodriguez. âFeeling the energy that came from getting crushed by Lake Michigan and trying to fight through it proved really helpful.â
The magic of theatre comes together strongly for “Pericles,” helping students tackle big themes in the play that will resonate with audiences.
âPericles is a story about fate and learning to live with what happens,â said Gustafson. âI hope audiences walk away appreciating the strength and willpower of human beings.â
âPericlesâ opens on Nov. 6, 2024, and runs through Nov. 10, 2024, at the Mainstage Theatre. For more information and tickets, visit the PSOA events calendar.
Story by Jason McCullum ’25
PSOA faculty and alums come together for voting advocacy art installation Â
From now until November 30th, an art installation about modern politics and voting from Kim Cosier (Professor Emeritus, Art) and the artist collective Art Build Workers is on display at the University YMCA. This piece, entitled This is What Democracy Looks Like, was made in collaboration with Joe Brusky (BS 2006, Education), Nicolas Lampert (Teaching Faculty II, Art), Claudio Martinez (BFA 2007, Art), and Pete Railand (Teaching Faculty II). Â
Read more about the installation and its creation in .
Viola professor Claudia Lasareff-Mironoff plays Carnegie Hall
Claudia Lasareff-Mironoff (Adjunct Professor, Viola) performed at Carnegie Hall in New York City as principal viola of the Chicago Philharmonic. The October 24th concert featured New York premieres of two works written for the Chicago Philharmonic by American composers Nicholas Hubbell and Jonathan Bingham, Tchaikovskyâs Romeo and Juliette Fantasy, and multiple original songs by guest artist Sleeping At Last (Ryan OâNeal).
Actress Rita Wilson was a surprise addition to this performance singing a duet she co-wrote with Sleeping At Last.
Alum and Nohl Fellow returns to campus for film screening
Filmmaker and 2023 Nohl Fellow Janelle VanderKelen (MA 2014, Art; MFA 2016, Performing Arts) will return to campus on November 7 for âGreen Imaginaries,â a free event showcasing some of her recent work.
This event, which is presented by Union Cinema and co-sponsored by the Mary L. Nohl Fund Individual Artist Fellowship Program, will feature 45 minutes of short films by VanderKelen followed by a Q&A with students.
Most recent work
The program includes a screening of VanderKelenâs most recent short film âDirection of the Road,â which is based on a short story from science fiction author Ursula K. Le Guin. The film is a 3D-modeled animation that revolves around a tree’s perceptions of its experiences.
VanderKelen sat with the inspiration for âDirection of the Roadâ for a decade before having the technology necessary to bring it to life.
âThe film is built using cyan and scarlet 3D imagery,â said VanderKelen. âHowever, it is not to be viewed with 3D glasses. I think audiences will enjoy this sensation.â
Still from “Direction of the Road” (2023)
During the storytelling process of âDirection of the Road,â VanderKelen drew from her Peck School of the Arts education to ponder how her audience would engage with the material. Additionally, her time with PSOA gave her the drive to pursue technology she was not familiar with.
âMy PSOA education fostered a sense of independent risk-taking and continued self-education,â said VanderKelen. âThatâs one of the most important things that an arts education can give you⊠To stay on top of technology and storytelling mores, we need to be flexible⊠I think PSOA does that really well.â
Other selected films
Another standout work VanderKelen will screen is her 2022 film âLanguage Unknown.â This David Lynch-inspired piece concerns how plants and fungi may observe human life. While people are often the ones who quantify living things, this film explores whether plants may be smarter than us.
âLanguage Unknownâ was made using stop-motion animation and time lapses. It was also shot entirely on 16mm film. For VanderKelen, shooting on film is an important method to alter viewer perceptions.
âOne of the reasons I like working on film is how it renders light,â said VanderKelen. âOften when we film with digital, there is a difference between the human eye and the digital sensor. Film manages to render the natural world in a different way.â
The Nov. 7 screening provides VanderKelen with an opportunity to test some of her in-progress work with an audience that are fans of experimental film.
To take advantage of this, VanderKelen will showcase two excerpts from a feature film that she is currently making centered around 12th-century abbess Hildegard of Bingen. This will be the first time that these are being screened in tandem with some of VanderKelenâs other work.
Still from “Language Unknown” (2022)Still from VanderKelen’s in-progress feature film “The Golden Thread”
A homecoming
VanderKelen no longer resides in Milwaukee, making her Nov. 7 screening an exciting occasion.
âThis feels like a homecoming for me,â said VanderKelen. âIt feels like an opportunity to reengage with the mindset of current students.â
Since graduating from PSOA, VanderKelen has been an Assistant Professor at the University of Tennessee in Knoxville teaching Cinema Studies and Time-Based Arts. She is using this screening event to reconnect with the Milwaukee film community that she holds dear.
âIt feels important to continue in the filmmaking community,â said VanderKelen. âMaintaining those connections is important for any student who goes on to have a professional career in film. It is important to remember who you know, where you come from, and the environments and spaces that influence you heavily.â
For more information on âGreen Imaginaries,â visit the PSOA Events calendar.
Story by Jason McCullum ’25
Professor Emeritus Yehuda Yannay celebrated at PSOA Chamber Music concert
Last week, a large crowd gathered to celebrate the late Yehuda Yannay (Professor Emeritus, Music) with a memorial concert presented by 51ÁÔÆæ Chamber Music Milwaukee.
Professor Bernard Zinck (Associate Professor, Violin; Area Head, Strings and String Pedagogy), the series director, curated a concert featuring five selections of Yannayâs chamber music that highlighted the quirkiness and adventurous creativity that persisted throughout his career.
âWhat I treasure most about Yehuda was the last two years of his life,â said Jill Sebastian (BA 1973, Art; MFA 1979), a Professor Emerita at Milwaukee Institute of Art & Design. âWhat does it mean to be a creative person in the last days of your life? That was Yehuda⊠He was grateful for every moment.â
Five musicians performed four chamber works and one solo work during the two-hour concert. Those individuals were Professor Greg Flint (horn), Ravenna Helson (cello), Stefanie Jacob (piano), Stas Venglevski (bayan), and Professor Bernard Zinck (violin).
Left to right: Professor Bernard Zinck, Professor Greg Flint, Stefanie Jacob, Ravenna Helson | Photo by Cameron Wise (BFA Film)
In 1970, Yannay joined the Music Theory and Composition faculty at 51ÁÔÆæ and served as a Professor of Music until 2005, when he retired. Yannay passed away in December 2023 at the age of 86, following a brief illness.
His legacy continues at 51ÁÔÆæ as he generously endowed a scholarship to Peck School of the Arts. The Yannay Scholarship Fund is awarded to undergraduate or graduate students pursuing a music composition degree program.
âI cannot tell you how grateful I am to have known Yehuda as a colleague, a friend, and now as a philanthropist,â said Kevin Hartman (Interim Dean, College of Arts & Architecture; Professor, Trumpet). âIâm grateful for Yehuda, his life, and his music.â
The celebration of life began with a 2020 short documentary titled âYehuda Composedâ directed by Daniel Boville (BFA 2011, Film). The film features Yannayâs music and archival footage to showcase his creative process and passion. âYehuda Composedâ also reflected on Yannayâs tenure as an educator, displaying his love for working with his students.
âIf I am not learning something from the students, I consider this an absolute failure,â said Yannay in the film.
Four individuals gave speeches reflecting on Yannayâs life. Those individuals were Jon Welstead, Kevin Hartman, Jill Sebastian, and Marie Mellott (BFA 1979, Inter-Arts: Art).
To read more about Yannayâs life and achievements, visit his .
To watch Bovilleâs 2020 short documentary âYehuda Composed,â visit his .
Story by Jason McCullum ’25
Professor Emerita receives Vision Award at Denver Film Festival
Cecelia Condit (Professor Emerita, Film) was recently awarded the Stan Brakhage Vision Award at the 47th Denver Film Festival. This award followed her recent solo show at the Ewing Gallery of Art+Architecture at the University of Tennessee.
Condit was the director of PSOAâs graduate film program for 30 years. Her career featured stories that focused on feminism and the natural world.
Read more about the festival on the .
Professor Emeritus explores the Milwaukee River in new art installationÂ
When it comes to the Milwaukee River, most Wisconsin natives may believe they have seen all there is to see. However, Professor Emeritus Dick Blau, who co-founded the 51ÁÔÆæ FVANG Department, has presented the city with an opportunity to see the river in a whole new light.
Nightly until February 14, an empty storefront on Wisconsin Avenue projects a slow-moving, abstract loop of the Milwaukee River made up entirely of photos from Blau. The exhibition is called âThe Same River Twice.â
The project is a follow-up to Blauâs 2020 project, âMilwaukee Night and Day,” which was similarly presented in the same storefront. Distilling ten years of photographs of the block on which he lives into a single mythical day, Blau made an 18-minute film into a city story that is both a documentary and an experimental narrative.
Both projects reflect Blauâs ability to look at the world through the camera and create art that alters what people would typically expect to see.
âIâm interested in art in which you can use aspects of nature to make something thatâs a figment of the imagination and not a document of whatâs there,â said Blau. âThat expands our sensibility in a way that I find very rich and provocative.â
For âThe Same River Twice,â Blau took photos of the Milwaukee River daily for five years, a practice consistent with what he teaches his students.
âTo this day, Iâm on my students to shoot every day,â said Blau. âI believe in constant productionâŠThereâs something about actually working with your craft on a really regular basis. That is what turns you into an artist.â
While The Same River Twice was initially conceived as a silent film, once a week alum Evan Maruszewski (BFA 2005, Film), a long-time collaborator of Blauâs, appears and improvises to the film on his accordion. Blau, a long-time fan of Maruszewskiâs work, describes this as a kind of urban surprise that âdoubles the experienceâ of viewing the exhibition.
On select occasions, Evan Maruszewski (BFA 2005, Film), a long-time collaborator of Blauâs, appears and improvises to the film on his accordion. | Photo by Cameron Wise (BFA Film)
“I don’t get many opportunities to improvise musically, so this is a personal treat for me,” said Maruszewski. “‘The Same River Twice’ is a unique partner to perform with. Working with the images as they flow into one another is a fun challenge, but I find the abstract nature of the piece lends itself perfectly to adventurous interpretation.”
âThe Same River Twiceâ is not only a unique experience for those who view it, but it also gave Blau a space to further explore his creativity and passion for art.
âItâs opened up a whole new vocabulary for me and itâs also provided a space, a freedom thatâs very, very important,â said Blau. Given the current political situation, I spend a great deal of time using my camera in defense of democracy. That can be quite overwhelming. âItâs the river that saves me.â
âThe Same River Twiceâ runs 24 hours a day at 142 West Wisconsin Avenue, just across from the entrance to the Plankinton Mall. For more information on Blau and his work, check out
Story by Jason McCullum ’25
Students join forces with faculty on summer research projectsÂ
This summer, more than a dozen Peck School of the Arts students worked on paid research projects through 51ÁÔÆæâs Support for Undergraduate Research Fellows (SURF) program.
The SURF Program, housed in the Office of Undergraduate Research, gives students an opportunity to collaborate with faculty members on thoughtful and sophisticated projects. Students who engage in SURF projects take what they learned in the classroom and apply it to field experience.
Georgia Didier (Senior, Film BFA) worked alongside Sean Kafer (Teaching Faculty II, FVANG; Program Director, doc51ÁÔÆæ) on a documentary under the title âThe Brady Street Neighborhood Historical Project.â Didier highlighted the tactile, real-world experience as an important part of this project.Â
âThrough fieldwork and collaborative experiences working on the Brady Street Documentary Project, I gained a better understanding of what it takes to work with a crew and as a film editor outside the classroom,â said Didier.
Georgia Didier working on âThe Brady Street Neighborhood Historical Projectâ | Photo by Sean Kafer
Didier and Kafer also worked with Emanuel Zander (Senior, Film BFA)on this documentary. Zander expressed a passion for the project as he got to illuminate the rich and vast history of Milwaukeeâs iconic Brady Street neighborhood.Â
âFrom this project, I have gained the ability to pull from multiple sources of information and create a retelling of what the Brady Neighborhood was and what it has become today,â said Zander.
Students work on âThe Brady Street Neighborhood Historical Project” | Photo by Sean Kafer
Syd Seebach (Senior, Film Studies BFA) worked with Dr. Nathaniel Stern (Professor, Creative Technologies / Mechanical Engineering; Director, 51ÁÔÆæ Startup Challenge) on an exhibition titled âGeneration to Generation: Mother Computer.â Seebach felt it was a fulfilling way of applying her coursework to a larger project.Â
âPSOA is about the ability to develop an idea, and physically and creatively represent that idea,â said Seebach. âWorking with the crew at Stern Studio is relevant to my coursework because it allows me to imagine more creatively.â
Many more PSOA students were involved in SURF projects during the summer term:
Justin Laabs and Cole Lehto working with Adam Hawk, âDigital Technologies in Traditional Craftâ
Pavonis Giron working with Yevgeniya Kaganovich, âDivergent Fates: Tree Intuiting Chair Paper, Remembering Tree, That Imagined Being a Chairâ
Anthony Zelazoski working with Yevgeniya Kaganovich, âDivergent Fatesâ
Dakota Galkowski and Drew Talo working with Oksana Kryzhanivska, âUnveiling Posthuman Presence: Investigating Identity Shifts in Extended Reality Realmsâ
Ang Van Den Eeden working with Geryn Roche, âUndergraduate Ceramic Glaze Researchâ
Collin Chesak, Ambrose Schulte, Sydney Seebach and working with Nathaniel Stern, âGeneration to Generation: Mother Computerâ
Sarah Johnson working with Michael Ware, â3D Printing in Colored Porcelainâ
Cole Lehto working with Glenn Williams, âVel R. Phillips Plaza Art Projectâ
Georgia Didier and Emanuel Zander working with Sean Kafer, âThe Brady Street Neighborhood Historical Projectâ
Aral Nen working with Sean Kafer, âUnity, Progress, and Activism in Milwaukeeâs Urban Neighborhoodsâ
Samuel Schoonover working with Sean Kafer, âLasting Connections: The Service of Dr. Finlayson to a Communityâ