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SUMMARY:Sum Total: Department of Art & Design Faculty Exhibition
DESCRIPTION:Date & TimeSeptember 5–28\, 2025Wednesday–Fridays (2–7 p.m.)\, Saturdays (11 a.m.–3 p.m.)Reception: Friday\, September 5 (5–7 p.m.) \n\n\n\n\n\nLocationKenilworth Square East Gallery \n\n\n\n\n\nCelebrate the vibrant artistic community at Peck School of the Arts with this unmissable\, biennial exhibition featuring the work of faculty and teaching staff from the Department of Art & Design. \n\n\n\nExhibiting Faculty\n\n\n\nFaculty Artists\n\n\n\n\n\n\nJamie Bertsch\n\n\n\nCynthia Brinich-Langlois\n\n\n\nJoel Butler\n\n\n\nAllison Calteux\n\n\n\nJim Charles\n\n\n\nZhiwan Cheung\n\n\n\nKyoung Ae Cho\n\n\n\nJorge Ariel Escobar\n\n\n\nRobert Grame\n\n\n\nLane Hall\n\n\n\n\n\n\n\nAdam Hawk\n\n\n\nCynthia Hayes\n\n\n\nNeil Horsky\n\n\n\nRobin Jebavy\n\n\n\nYevgeniya Kaganovich\n\n\n\nDerek Kiesling\n\n\n\nOksana Kryzhanivska\n\n\n\nNicolas Lampert\n\n\n\nWes Larsen\n\n\n\n\n\n\n\nGregory Martens\n\n\n\nkatie e. martin\n\n\n\nAndrew McConville\n\n\n\nErica A. Meier\n\n\n\nJessica Meuninck-Ganger\n\n\n\nLisa Moline\n\n\n\nJoseph Mougel\n\n\n\nAmy O’Neill\n\n\n\nAngela Piehl\n\n\n\n\n\n\n\nJeremy Plunkett\n\n\n\nMary Roley\n\n\n\nNathaniel Stern\n\n\n\nNic Umbs\n\n\n\nMatthew Vivirito\n\n\n\nMelissa Wagner-Lawler\n\n\n\nShane Walsh\n\n\n\nMichael Ware\n\n\n\nGlenn Williams
URL:/arts/event/sumtotal/
LOCATION:Kenilworth Square East Gallery\, 2155 N. Prospect Ave\, Milwaukee\, WI\, 53202
CATEGORIES:Art & Design,Arts and Culture,Exhibitions & Showcases,Faculty and Staff,Feature,Prospective Students,Public,Students,51���� Campus Events
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SUMMARY:Peck School of Arts Fall Student Welcome
DESCRIPTION:Date & TimeFriday\, September 5\, 2025 (12–1:30 p.m.) \n\n\n\n\n\nLocationTheatre Building\, Mainstage Theatre Lobby \n\n\n\n\n\nPlease join us in the Mainstage Theatre lobby for our annual Fall welcome event. New and returning students are invited for pizza\, games\, crafts and a chance to meet representatives from Milwaukee area arts organizations.
URL:/arts/event/peck-school-of-arts-fall-student-welcome/
LOCATION:Theatre Building\, Mainstage Theatre\, 2400 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Feature,Student Life,Students,51���� Campus Events
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SUMMARY:Experimental Tuesdays: Tribulation 99
DESCRIPTION:Date & TimeTuesday\, September 9\, 2025 (7–9 p.m.) \n\n\n\n\n\nLocation51���� Union Cinema \n\n\n\n\n\nUpon its release in 1991\, Tribulation 99 became an instant counter-culture classic. Craig Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory\, combining covert action\, environmental catastrophe\, space aliens\, cattle mutilations\, killer bees\, religious prophecy\, doomsday diatribes\, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac. \n\n\n\nTribulation 99 by Craig Baldwin  \n\n\n\n16mm | 1991 | 48 minutes | Color \n\n\n\nA delirious vortex of hard truths\, deadpan irony\, and archival mash-ups—industrials\, graphs\, cartoons\, movies from Hollywood B to Mexican Z—Tribulation 99 constructs a truly perverse vision of American imperialism.  \n\n\n\nPreceded by Stolen Movie  \n\n\n\nDigital file | 1976 | 9 minutes | Color  \n\n\n\nArmed with S8 camera and sound-person (John Corser)\, Baldwin runs both recording devices continously through single-take raids on a series of SF Market St. grindhouse theaters. Rushing past box offices and through front lobbies\, he captures the chance scenes and sounds on screen at the time\, then flees out the rear exit doors to re-unite with the reality of the street.  \n\n\n\n AS A FILMMAKER\, Baldwin’s works represent a radical fusion of form and content. Formally\, his films are constructed largely from audiovisual material appropriated from pre-existing films. In this\, they represent a radical stance toward media culture as a participatory field. As an artist\, Baldwin engages with mainstream media as an adversary\, using its languages in ironic opposition. In this way he talks back to corporately produced media and creates inspiring\, wildly imaginative works which profoundly challenge the nature of one-way media consumption.  \n\n\n\n“… I’m interested in black-comic social critique\, and also in graphic montage\, rhythm\, and acceleration; but above it all\, I’m interested in the mobilization and manipulation and manic play with old and new meanings\, as “found” footage is recontextualized with newly-produced sound and imagery\, documentary testimony and collateral text. This polymorphous collage-essay form represents an effort to create an audio-visual language that has the same metaphoric and punning qualities as spoken language; clusters of signifiers in provisional constructs cobbled together. The flotsam and jetsam of film culture can serve to stage a review of the carnival acts of history.” \n\n\n\nAS A FILM CURATOR\, Baldwin is known for Other Cinema\, an extensive and hugely influential series of film/video programs he has personally organized in San Francisco on a schedule of 36 programs per year since the late 1980s. Like his films\, Baldwin’s Other Cinema represents a radically expanded approach to film exhibition\, media consumption and cultural engagement in which ephemeral forms of film history coexist alongside expanded cinema performance\, underground/experimental film screenings\, speculative lecture presentations\, in-person artists and more.  \n\n\n\nExperimental Tuesdays is a free public series featuring celebrated work of contemporary and historical artist-made film and video. This weekly series presents films and artists that explore the creative and critical potential of moving images. It also amplifies marginalized voices by hosting artists that represent diverse populations\, such as LGBT\, Native American\, Black and Latinx artists. Hosted by the Department of Film\, Video\, Animation & New Genres\, and presented in partnership with 51����’s Union Cinema\, this series is a bedrock of the Milwaukee arts landscape. Recent screenings include Silvia das Fadas\, Courtney Stephens\, Simon Liu\, Helena Wittman\, Jessica Bardsley\, Suneil Sanzgiri\, Mary Helena Clark\, Angelo Madsen Minax\, and Rhayne Vermette to name a few.
URL:/arts/event/experimental-tuesdays-tribulation-99/
LOCATION:51���� Union Cinema\, 2200 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Arts and Culture,Experimental Tuesdays,Film & Animation,Public,Students,51���� Campus Events
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SUMMARY:Artists Now! Guest Lecture Series: Michelle Angela Ortiz
DESCRIPTION:Date & TimeWednesday\, September 10\, 2025 (7:30–9 p.m.) \n\n \n\nLocationVirtual \n\n\n \nMichelle Angela Ortiz is a Philadelphia-based artist\, muralist\, community arts educator\, and filmmaker who uses her art as a vehicle to represent people and communities whose histories are often lost or co-opted. For 25 years\, Ortiz has designed and created over 50 large-scale public works nationally and internationally. In 2016\, she received the Americans for the Arts’ Public Art Year in Review Award which honors outstanding public art projects in the nation. \n \nThroughout the fall and spring semesters\, the Artists Now! Guest Lecture Series welcomes a diverse group of nationally and internationally recognized artists working across traditional\, hybrid and emergent disciplines. Join us to explore and expand boundaries of creative visual practices alongside others with an interest in contemporary visual art. \n\n \n \nVisit Michelle Angela Ortiz’s website. \n \n\nWatch Now!\n\n \n\n \n \n\nThe Artists Now! Guest Lecture Series is supported in part by the 51���� Black & Gold Committee and Differential Tuition funds\, Frederick R. Layton Fund\, the John Colt Memorial Art Fund\, The Queer Curatorial Fund\, Center for 21st Century Studies\, Mary L. Nohl Fund Fellowships for Individual Artists\, Print Club\, Focus\, and OBJECT.
URL:/arts/event/artists-now-guest-lecture-series-michelle-angela-ortiz/
LOCATION:/arts/event/artists-now-guest-lecture-series-michelle-angela-ortiz/
CATEGORIES:Art & Design,Artists Now!,Arts and Culture,Lectures Conferences and Symposiums,Public,Students,51���� Campus Events
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LAST-MODIFIED:20250913T030315Z
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SUMMARY:ChemLight 2025
DESCRIPTION:Date & TimeSeptember 12–28\, 2025Wednesday–Fridays (2–7 p.m.)\, Saturdays (11 a.m.–3 p.m.)Reception: Friday\, September 12 (5–7 p.m.) \n\n\nLocationKenilworth Square East\, 4th Floor Gallery \n\n\nChemLight presents a selection of works by students from the Photography & Imaging Area’s Materials and Processes and Studio Lighting courses. Curated by advanced undergraduate and graduate students\, this exhibition brings together traditional and experimental photographic techniques alongside images that investigate the nuanced use of light within the studio environment. Together\, these works highlight a broad spectrum of visual exploration and technical skill—balancing the unpredictability of chemical processes with the precision of controlled lighting.
URL:/arts/event/chemlight/
LOCATION:Kenilworth Square East\, 4th Floor Gallery\, 2155 N. Prospect Ave.\, Milwaukee\, WI\, 53202
CATEGORIES:Art & Design,Arts and Culture,Exhibitions & Showcases,Faculty and Staff,Feature,Prospective Students,Public,Students,51���� Campus Events
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SUMMARY:Woven Images
DESCRIPTION:Date & TimeSeptember 12–28\, 2025Wednesday–Fridays (2–7 p.m.)\, Saturdays (11 a.m.–3 p.m.)Reception: Friday\, September 12 (5–7 p.m.) \n\n\nLocationKenilworth Square East\, 3rd Floor Gallery \n\n\nExhibition of selected hand-woven pieces from Fibers courses in the Department of Art & Design.
URL:/arts/event/woven-images/
LOCATION:Kenilworth Square East\, 3rd Floor Gallery\, 2155 N. Prospect Ave.\, Milwaukee\, WI\, 53202
CATEGORIES:Art & Design,Arts and Culture,Exhibitions & Showcases,Public,Students,51���� Campus Events
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250916T190000
DTEND;TZID=America/Chicago:20250916T210000
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SUMMARY:Experimental Tuesdays: New Red Order - Never Settle
DESCRIPTION:Date & TimeTuesday\, September 16\, 2025 (7–9 p.m.) \n\n\nLocation51���� Union Cinema \n\n\nThis promotional initiation video lures inductees with promises of decolonization and settler remediation. Imagery of settler-led planetary destruction is juxtaposed with sequences of underground group therapy sessions where settlers can lose\, forget\, and explore their identities in order to indigenize. Sharing their labor\, lurking through museums\, and institutions\, future accomplices snap thousands of cellphone pictures of every artifact and artwork on hand.  \nDeploying and containing confrontational representations around the stakes of accompliceship\, the video examines the dynamics influencing the conditions in which the concerns of indigenous people are often treated as a topic du jour and then co-opted by non-indigenous people\, alongside the search for ways to make amends.  \nNew Red Order is a public secret society facilitated by core contributors Adam Khalil\, Zack Khalil\, and Jackson Polys. In our current period of existential and environmental catastrophe\, desires for Indigenous epistemologies increase and enterprising settlers labor to extract this understanding as if it were a natural resource. New Red Order—emerging out of contradistinction from the Improved Order of Red Men\, a secret society that ‘plays Indian’—calls attraction toward indigeneity into question\, yet promotes this desire\, and enjoins potential non-Indigenous accomplices to participate in the co-examination and expansion of Indigenous agency. Working with an interdisciplinary network of informants the NRO co-produces video\, performance\, and installation works that confront settler colonial tendencies and obstacles to Indigenous growth. They have presented their work at Artists Space\, Haus der Kulturen der Welt Berlin\, Kunsthal Charlottenborg\, Kunstverein in Hamburg\, Lincoln Center\, Museum of Modern Art\, Museum of Contemporary Art Detroit\, New York Film Festival\, Sundance Film Festival\, Toronto Biennial 2019\, Walker Art Center\, and Whitney Biennial 2019\, among others\, expanding the public secret society network across numerous institutional platforms.  \nMembers of NRO will join via Zoom for a public Q&A after the screening. \n2018 | 50 minutes | United States / Canada | English | Color | Stereo | 16:9 | HD video \n \n\nExperimental Tuesdays is a free public series featuring celebrated work of contemporary and historical artist-made film and video. This weekly series presents films and artists that explore the creative and critical potential of moving images. It also amplifies marginalized voices by hosting artists that represent diverse populations\, such as LGBT\, Native American\, Black and Latinx artists. Hosted by the Department of Film\, Video\, Animation & New Genres\, and presented in partnership with 51����’s Union Cinema\, this series is a bedrock of the Milwaukee arts landscape. Recent screenings include Silvia das Fadas\, Courtney Stephens\, Simon Liu\, Helena Wittman\, Jessica Bardsley\, Suneil Sanzgiri\, Mary Helena Clark\, Angelo Madsen Minax\, and Rhayne Vermette to name a few.
URL:/arts/event/experimental-tuesdays-new-red-order-never-settle/
LOCATION:51���� Union Cinema\, 2200 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Arts and Culture,Experimental Tuesdays,Film & Animation,Public,Students,51���� Campus Events
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DTSTART;TZID=America/Chicago:20250917T193000
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SUMMARY:Artists Now! Guest Lecture Series: Kelly and Kyle Phelps
DESCRIPTION:Date & TimeWednesday\, September 17\, 2025 (7:30–9 p.m.) \n\n\nLocationVirtual \n\n\nIdentical twin brothers Kelly and Kyle Phelps are Professors at private Catholic universities in Ohio. Kelly Phelps is a Professor at Xavier University (Cincinnati) and Kyle is a Professor at University Dayton (Dayton) where they head the sculpture and ceramic departments. Much of the twins’ ceramics-based work is about the blue collar working-class\, race relations\, and the everyday struggles of the common man and woman. The twins continue to work collaboratively to create their artwork and share a studio in Centerville (OH). \nThroughout the fall and spring semesters\, the Artists Now! Guest Lecture Series welcomes a diverse group of nationally and internationally recognized artists working across traditional\, hybrid and emergent disciplines. Join us to explore and expand boundaries of creative visual practices alongside others with an interest in contemporary visual art. \n \nVisit Kelly and Kyle Phelps’s Instagram. \n\nWatch Now!\n\n\n \n\nThe Artists Now! Guest Lecture Series is supported in part by the 51���� Black & Gold Committee and Differential Tuition funds\, Frederick R. Layton Fund\, the John Colt Memorial Art Fund\, The Queer Curatorial Fund\, Center for 21st Century Studies\, Mary L. Nohl Fund Fellowships for Individual Artists\, Print Club\, Focus\, and OBJECT.
URL:/arts/event/artists-now-guest-lecture-series-kelly-and-kyle-phelps/
LOCATION:/arts/event/artists-now-guest-lecture-series-kelly-and-kyle-phelps/
CATEGORIES:Art & Design,Artists Now!,Arts and Culture,Lectures Conferences and Symposiums,Public,Students,51���� Campus Events
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DTSTART;TZID=America/Chicago:20250919T080000
DTEND;TZID=America/Chicago:20250919T120000
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CREATED:20230509T155230Z
LAST-MODIFIED:20250625T120014Z
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SUMMARY:Sing Out! Tenor-Bass Festival
DESCRIPTION:Date & TimeFriday\, September 19\, 2025 (8 a.m.–12 p.m.) \n\n\nGrades7–12 \n\n\nLocationZelazo Center for the Performing Arts\, Bader Hall \n\n\nContactDr. Zack Durlam\, durlam@uwm.edu \n\n\nSing Out brings together 750+ 9th-12th grade and 350+ 7th-8th grade tenor-bass singers from over 60 schools from around Wisconsin and Illinois. No advance preparation is required; students learn pieces at the festival and conclude the morning with the high school and middle school choirs singing for one another and together. Additional activities include performances by the 51���� Tenor-Bass Choir and interest and reading sessions for directors. \nDirectors\nZack D. DurlamAssociate Professor\, Choral ConductingDirector\, Choral Activities\, Concert Chorale\, Kameradendurlam@uwm.edu414-229-2869Music Building 165Jenny  HuttonAssistant Professor\, Choral Music EducationArea Head\, Music EducationDirector\, Bella Vocehuttonj@uwm.edu414-251-8155Music Building 159 \nSchedule\n\n\n\n\n7:15 a.m.\nCheck-in and seating: Students should dress professionally and according to their school dress code. No performance attire required.\n\n\n8–11:30 a.m.\nWarm-ups\, rehearsal\, director workshops and reading sessions\, and performance by the 51���� Kameraden Tenor-Bass Choir.\n\n\n11:30–noon\nPerformances by seventh/eighth-grade students\, ninth- through twelfth-grade students and combined choirs.\n\n\n\n\nSheet Music\nSchools must provide music for each participating singer. Music can be ordered from Brass Bell Music Store in Glendale\, which has the music available at a discount. \n\n\n\n\n7–8 grade repertoire\n9–12 grade repertoire\n\n\n\n\nHigh Hopes\, Two-part\, arr. Audrey Snyder\, Hal Leonard 00354655\nTshotsholoza\, arr. Jeffery L. Ames (TTBB)\, Walton WLG114\n\n\nUjima\, Zanaida Robles\, MusicSpoke\nTell My Father\, arr. Andrea Ramsey (TBB)\, Hal Leonard 02501096\n\n\n\n\n\n\nPurchase Discounted Music from Brass Bell\n\nRegistration\nOpen to Choral Directors. Limited to the first 700 registered 9–12 graders and first 300 registered 7–8 graders. All payments must be received by September 1. Middle and high schools should register separately unless they have a single director at both schools – in which case they may register on one form and pay a single registration. \nCost $93 per school (fewer than 40 students)$183 per school (40+ students) \n\nRegistration
URL:/arts/event/music-sing-out-tenor-bass-festival/
LOCATION:Zelazo Center for the Performing Arts\, Bader Hall\, 2419 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Arts and Culture,Music,Prospective Students,51���� Campus Events
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SUMMARY:Heartland Marimba
DESCRIPTION:Date & TimeFriday\, September 19\, 2025 (7:30–9:30 p.m.) \n\n\nLocationZelazo Center for the Performing Arts\, Room 250 \n\n\nHeartland Marimba was established in 2016 by acclaimed marimba soloist Matthew Coley and has done more than 140 concerts since its inception. The group seeks to give a platform to the music of American composers in its programming and continues to expand its repertoire with works from composers worldwide.  \nThis trio performance comprised of distinctly creative forces (Matthew Coley\, Hunter Gross\, and Sophia Lo) exemplifies Heartland Marimba’s mission to develop and disseminate the classical marimba art form in both academic and community contexts. \n \n\nTickets are not required for this FREE event. \n\n\n \n\nView Program (PDF)
URL:/arts/event/heartland-marimba-quartet/
LOCATION:Zelazo Center for the Performing Arts\, Room 250\, 2419 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Arts and Culture,Music,Performances,Public,Students,51���� Campus Events
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DTSTART;TZID=America/Chicago:20250923T190000
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DTSTAMP:20260418T230045
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UID:10000848-1758654000-1758661200@uwm.edu
SUMMARY:Experimental Tuesdays: Tomonari Nishikawa\, In Memoriam
DESCRIPTION:Date & TimeTuesday\, September 23\, 2025 (7–9 p.m.) \n\n\nLocation51���� Union Cinema \n\n\nBorn in Nagoya\, Japan\, Tomonari Nishikawa immigrated to the United States in 1999 to pursue filmmaking and earned his MFA from the San Francisco Art Institute. He passed away in April 2025\, leaving behind a profound legacy as an artist\, teacher\, and friend to many in the experimental film community.  \nPlease join us for a screening dedicated to Nishikawa’s work—a celebration of his singular vision and lasting influence. His films\, often shot on 8mm and 16mm\, explore the act of observation through material processes and formal experimentation. With a deep attentiveness to place\, rhythm\, and perception\, his works illuminate the beauty and complexity of the everyday.  \nNishikawa’s films have been presented at major festivals and institutions around the world\, including Berlinale\, Rotterdam\, Edinburgh\, Toronto\, and the New York Film Festival. In 2010\, MoMA PS1 exhibited a selection of his films\, and his installation Building 945 received the 2008 grant from the Museum of Contemporary Cinema in Spain. At the time of his passing\, he was a beloved professor in the Cinema Department at Binghamton University. \nFilms screened on 16mm\, 35mm\, and dual 16mm. \n \n\nExperimental Tuesdays is a free public series featuring celebrated work of contemporary and historical artist-made film and video. This weekly series presents films and artists that explore the creative and critical potential of moving images. It also amplifies marginalized voices by hosting artists that represent diverse populations\, such as LGBT\, Native American\, Black and Latinx artists. Hosted by the Department of Film\, Video\, Animation & New Genres\, and presented in partnership with 51����’s Union Cinema\, this series is a bedrock of the Milwaukee arts landscape. Recent screenings include Silvia das Fadas\, Courtney Stephens\, Simon Liu\, Helena Wittman\, Jessica Bardsley\, Suneil Sanzgiri\, Mary Helena Clark\, Angelo Madsen Minax\, and Rhayne Vermette to name a few.
URL:/arts/event/experimental-tuesdays-tomonari-nishikawa-in-memoriam/
LOCATION:51���� Union Cinema\, 2200 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Arts and Culture,Experimental Tuesdays,Film & Animation,Public,Students,51���� Campus Events
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250924T193000
DTEND;TZID=America/Chicago:20250924T210000
DTSTAMP:20260418T230045
CREATED:20250710T141849Z
LAST-MODIFIED:20250929T130738Z
UID:10000820-1758742200-1758747600@uwm.edu
SUMMARY:Artists Now! Guest Lecture Series: Seth Gould
DESCRIPTION:Date & TimeWednesday\, September 24\, 2025 (7:30–9 p.m.) \n\n\nLocationVirtual \n\n\nSeth Gould is a Massachusetts-based metalsmith and tool maker who creates and ornaments utilitarian objects that range from simple tools to highly embellished locks. Gould has exhibited work in Germany\, Japan\, and across the United States. He has been a Core Fellow and a Resident Artist at the Penland School of Craft and has taught\, demonstrated\, and lectured at Haystack Mountain School of Crafts\, the Center for Metal Arts\, Southern Illinois Metalsmithing Society\, and the Society of North American Goldsmiths. \nThroughout the fall and spring semesters\, the Artists Now! Guest Lecture Series welcomes a diverse group of nationally and internationally recognized artists working across traditional\, hybrid and emergent disciplines. Join us to explore and expand boundaries of creative visual practices alongside others with an interest in contemporary visual art. \n \nVisit Seth Gould’s website. \n\nWatch Now!\n\n\n \n\nThe Artists Now! Guest Lecture Series is supported in part by the 51���� Black & Gold Committee and Differential Tuition funds\, Frederick R. Layton Fund\, the John Colt Memorial Art Fund\, The Queer Curatorial Fund\, Center for 21st Century Studies\, Mary L. Nohl Fund Fellowships for Individual Artists\, Print Club\, Focus\, and OBJECT.
URL:/arts/event/artists-now-guest-lecture-series-seth-gould/
LOCATION:/arts/event/artists-now-guest-lecture-series-seth-gould/
CATEGORIES:Art & Design,Artists Now!,Arts and Culture,Lectures Conferences and Symposiums,Public,Students,51���� Campus Events
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DTSTART;TZID=America/Chicago:20250925T190000
DTEND;TZID=America/Chicago:20250925T210000
DTSTAMP:20260418T230045
CREATED:20240123T195449Z
LAST-MODIFIED:20250909T135834Z
UID:10000302-1758826800-1758834000@uwm.edu
SUMMARY:Film Faculty & Staff Screenings
DESCRIPTION:Date & TimeThursday\, September 25\, 2025 (7–9 p.m.) \n\n\nLocation51���� Union Cinema \n\n\nThe Department of Film\, Video\, Animation and New Genres at 51���� is home to a celebrated group of faculty and staff whose creative work spans disciplines\, genres\, and modes of production. They are not only exceptional educators but also accomplished artists whose films have screened at festivals\, museums\, and galleries around the world. This special program is a chance to experience the breadth and vitality of their work. Expect drama\, documentary\, comedy\, experimental film\, animation\, appropriation\, and\, of course\, the unexpected. Many of the artists (your teachers!) will be in attendance. \n \n\nTickets are not required for this FREE event.
URL:/arts/event/film-faculty-staff-screenings/
LOCATION:51���� Union Cinema\, 2200 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Arts and Culture,Feature,Film & Animation,Public,Students,51���� Campus Events
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250928T110000
DTEND;TZID=America/Chicago:20250928T140000
DTSTAMP:20260418T230045
CREATED:20230630T143256Z
LAST-MODIFIED:20250926T220552Z
UID:10000025-1759057200-1759068000@uwm.edu
SUMMARY:Kenilworth Open Studios
DESCRIPTION:Date & TimeSunday\, September 28\, 2025 (11 a.m.–2 p.m.) \n\n\nAgesAll Ages \n\n\nLocationKenilworth Square East \n\n\n\n\n\nImmerse yourself in creativity when Peck School of the Arts student and faculty artists open their studios to the public during Doors Open Milwaukee. From exhibitions and studio visits to live performances and family-friendly art activities\, you’ll find something to excite you at Kenilworth Open Studios. \nLocated in the heart of Milwaukee’s East Side neighborhood\, Kenilworth Square East is the Peck School of the Arts’ creative research facility. Formerly a Ford Model T factory\, you’ll now find artist studios along with research\, instruction\, performance and production spaces. \n\n\nHighlights at a Glance\n\n\n\nArchitecture Tour: Professor James Shields\, one of the architects behind the building’s major renovation\, will lead a personal tour at 11 a.m.\nOpen Studios: Step inside faculty studios to learn about their creative research and latest work\, including opportunities to watch them create in real time\nLive Demonstrations: Experience firsthand what goes into documentary filmmaking\, foley sound\, paper maker’s gardens\, and the performing arts \nHands-on Activities: Try out digital fabrication\, stop motion animation\, puppetry\, printmaking\, and make-and-take projects with art education students\nArt Exhibitions & Film Screenings: Explore Sum Total faculty exhibition\, Woven Images student exhibition\, and recent films by students and faculty\n\n\n\nPlan Your Visit\n\n\n\nParking: Street parking is available in the surrounding blocks. Be mindful of signage and restrictions. Good news: many spots are free on Sundays.\nPublic Transit: Kenilworth Square East is located near several bus lines. Visit the Milwaukee County Transit System to view route maps.\nWear comfortable shoes. You’ll want to explore multiple floors.\nCome early. Start with the architecture tour and leave plenty of time to explore the entire building. There is a lot to see!Bring your curiosity. Many demonstrations and activities let you participate.\n\n\n\nAbout Kenilworth Square East\n\n\nLocated in the heart of Milwaukee’s East Side neighborhood\, 51����’s six-floor\, 500\,000 square foot Kenilworth Square East building serves as the creative research facility for the Peck School of the Arts. Originally built in 1915 by the Ford Motor Company\, the building once housed an automobile assembly plant for the Model T. The building was purchased by the federal government in the 1940s before being acquired by 51���� to house the university motor pool\, mailroom\, and print shop\, among other auxiliary uses. A major renovation in 2006 transformed the building for use by the Peck School of the Arts\, including student and faculty studios\, performance and production spaces\, public galleries\, a screening room and various instructional facilities. In 2016\, the building’s sixth floor was renovated to become the popular performance and event venue Jan Serr Studio\, complete with stunning views of Lake Michigan and the city skyline. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n2025 Schedule of Events\nHere’s what we have planned for you at Kenilworth Open Studios. Schedule subject to change. \nArchitect-led Tour\n\n\n\n\nLocation\nDescription\n\n\n\n\n1st Floor – Prospect Avenue entrance\nProfessor James Shields\, AIA\, was one of the architects behind the major renovation that ushered in a new era for Kenilworth Square East. Professor Shields will offer firsthand insights into what went into its transformation. Gather at 11 a.m. for the tour.\n\n\n\n\nArt & Design\n\n\n\n\nLocation\nDescription\n\n\n\n\n1st Floor – Gallery\nFaculty Exhibition: Sum Total 2025\n\n\n3rd Floor – Gallery\nFibers Exhibition: Woven Images 2025\n\n\n3rd Floor – Commons\nPop-up Sale & Display with OBJECT Student Organization\n\n\n3rd Floor – DVC Adream Lab (339)\nSenior Design & Visual Communication students will be working on projects using the equipment\, including risograph printing\, laser cutting\, vinyl cutting and more.\n\n\n3rd Floor – Digital Fabrication Lab (368\, 375)\nHands-on Activity with DigiFab Student Organization\n\n\n3rd Floor – Patio\nPaper Maker’s Garden\, a paper making farm and interdisciplinary research collaboration with Electra Quinney Institute.\n\n\n4th Floor – Commons\nHands-on Activity with Print Club\n\n\n5th Floor – Commons\nFamily-friendly\, Hands-on Art Activity with Art Education Faculty and Students\n\n\nVarious Floors – Studios\nGet an inside look at various faculty\, staff\, and student studios\n\n\n\n\nFilm & Animation\n\n\n\n\nLocation\nDescription\n\n\n\n\n1st Floor – Screening Room\nScreening: Recent Student & Faculty Work\n\n\n4th Floor – Room 408\nLighting & Cinematography Display \n\n\n4th Floor – Room 416\nDemonstration of Live\, Interactive Foley Performance: Falling in Terms of Silent with Associate Professor Kelly Kirshtner\n\n\n4th Floor – Room 420\nScreening: Works-in-Progress by Graduate Students\n\n\n4th Floor – Room 445\ndoc|51���� creates documentaries that connect communities and spark dialogue around social issues. Guests are invited to experience our studio\, meet director Sean Kafer and students\, and join us for a screening of Brady Street: Portrait of a Neighborhood.\n\n\n4th Floor – Room 468\nSpooky Candy Jam: Make your own animation out of candy using animation cameras with help from Animation Club members. Come play with your food! \n\n\n4th Floor – Room 485\nAnimation Demonstration: Destructive animation and painting under the camera with Assistant Professor and experimental animator Laura Harrison \n\n\n4th Floor – Room 491\nVR Film Experience with Assistant Professor Joel Benjamin\n\n\n4th Floor – Commons\nHandmade Film Workshop: Direct Animation\, Scratch Film\, “Film Destroy” Techniques and Loop Making\n\n\nVarious Floors – Studios\nGet an inside look at various faculty\, staff\, and student studios\n\n\n\n\nMusic\, Theatre & Dance\n\n\n\n\nLocation\nDescription\n\n\n\n\n5th Floor – Commons\nPop-up Classical Guitar Performances \n\n\n5th Floor – Commons\nMusic Historian Research Display\n\n\n5th Floor – Kenilworth Five-0-Eight Theatre \nMusical Theatre Show Tunes Tune-Up\n\n\n6th Floor – Jan Serr Studio \nPop-up Performances by 51���� Jazz’s “Jane’s Combo”\n\n\n6th Floor – Classroom (660)\n11 a.m. | Winterdances Open Rehearsal with Dawn Springer11:30 a.m. | Care Open Rehearsal with Maria Gillespie12:00 p.m. | The Canvas and the Cage Research project with Maria Gillespie12:30 p.m. | Dance 412: Composition 1 Showing with Maria Gillespie1:00 p.m. | Wild Space Dance Company Rehearsal with Dan Schuchart1:30 p.m. | Winterdances Open Rehearsal with Ishmael Konney\n\n\n\n\n\nArtist Studios\n\n \n\nCam\n308\nI’m a printmaker and photographer who works across multiple mediums\, creating art that combines traditional graffiti and digital.\n\n\n \n\nNeb Berry\n308\nPrintmaker and fibers artist using fabric\, medical imagery\, and food to dissect the fat body and experience. Currently focusing on food packaging and the way we speak about food and its effect on our bodies\, both emotionally and physically.\n\n\n \n\nDawn Ellen Van Kley-Imes\n308\nFiber Artist who is doing research in plant dyeing on fabric to use in quiltmaking and fabric collage. Plants gift us with many things which include color\, medicine and food. They also share nutrition with each other through an underground network.\n\n\n \n\nJosie Osborne\n325\nJosie Osborne is a print\, collage and assemblage artist who is also a member of the Art Build Workers collective. Osborne’s personal work is informed by poetry\, written word and personal experience.\n\n\n \n\nAaron Kia Napunako Boyd\n331\nSculptor and metalworker of Kanaka ‘Oiwi and mixed heritage. Diasporic relationships of knowledge based on place/linking the passing of knowledge within indigenous communities and plant communities\, senescence structures\, and stewardship.\n\n\n \n\nJacob Alba\n337\nJeweler whose creative research interests revolve around the use of modern Digital Fabrication technology alongside traditional bench jewelry practices. Currently working on sculptural/architectural pieces exploring the skill of stone setting.\n\n\n \n\nArthur Gibson\n342\nMetalsmith whose research focuses on tool making both functional and sculptural. Inspired by the mishmashed dialectical objects of the surrealist movement. Current work involves combining various tools in an inventive and humourous way.\n\n\n \n\nLily Wilkie-Jones\n343\nA sculpture and print maker\, I use found objects and photos to create metal objects and the environments around them.\n\n\n \n\nJoel Butler\n349\nAnti-fascist intermedia artist who explores altered states of consciousness through automatism and flow. Grounded in the tradition of surrealism\, playing with themes of queerness/othering\, the grotesque\, and the visual language of comics. \n\n\n \n\nJorge Ariel Escobar\n349\nQueer/Latinx image-maker exploring the ephemeral nature of analog photography as a metaphor for the fleeting\, intimate connections within queer relationships.\n\n\n \n\nAmy O’Neill\n355\nObservational painter interested in intersections and balances between community and isolation\, and the collaborative effort to build and maintain shared commonalities. Currently working on small landscapes painted from direct observation.\n\n\n \n\nJeremy Plunkett\n367\nHyperrealist Painter and Printmaker interested in how mundane subjects and cast light further insight metaphor for life and death\, human and artifice\, or use and waste.\n\n\n \n\nCynthia Brinich-Langlois\n371\nEven when we think we’re being subtle and unobtrusive\, animals are aware and regard us with caution. They step aside\, they recede and give us space. But they still watch us. So in these works\, animals stare back at us. Their gaze meets ours.\n\n\n \n\nKelly Kirshtner\n416\nKelly Kirshtner is an artist and sound designer whose work takes a speculative approach to storytelling through sound\, moving image\, and intermedia practices.\n\n\n \n\nAlex Witteman\n424\nPhotographer and sculptor whose work seeks to combine and amplify these two mediums through experimentation and documentation. Mostly explores themes of isolation and commodification of necessities in the modern world.\n\n\n \n\nkathryn e. martin – meurer\n435\nAn enthusiastic (and happy) maker who works to find inherent\, potential connections between materials and meaning as a way to cite sculptures in space.\n\n\n \n\nDaniel Atkinson\n436\nExploring various processes in printmaking and brick sculpture.\n\n\n \n\nLiya Du\n437\nAs a visual artist and mother of two\, my work explores the reconciliation of art and mothering life through themes of time\, memory\, domestic labor\, and the mother–child relationship by using painting & drawing\, book art and mix-media.\n\n\n \n\nEthan Sorge\n442\nPhotographer who is interested in seeking out community narratives in Milwaukee. My current work is focused on the indigenous people and history of the area\, two big topics that are often overlooked. I am also interested in making films.\n\n\n \n\nShirine Shah\n449\nFilmmaker\, writer.\n\n\n \n\nAlessandro Streccioni\n449\nIf I close my eyes and see an image\, where does that image come from? This is one of the questions that Alessandro Streccioni\, filmmaker and artist\, asks himself every day.\n\n\n \n\nLin Chen\n455\nLin Chen is a experimental and documentary filmmaker and interdisciplinary artist exploring memory and everyday life.\n\n\n \n\nIsaac Brooks\n459\nFilmmaker and sound recordist editing a current short work. \n\n\n \n\nSteve Wetzel\n465\nIn addition to my work as the head of school for Peck\, I am an artist and filmmaker. For this event I will be wandering the halls\, but please feel free to walk through my studio.\n\n\n \n\nJesse McLean\n467\nI’m primarily a filmmaker\, making experimental nonfiction films. I’ve dedicated my creative research and art practice to exploring what it means to be human in relation to what is not.\n\n\n \n\nLaura Harrison\n485\nI am a filmmaker whose creative practice incorporates painting\, writing and all forms of animation to create experimental hybrid narrative films. Currently I am working on a new film entitled Partial Love Objects.\n\n\n \n\nJoseph Mougel\n494\nJoseph Mougel’s site-responsive work spanning photography\, video\, & performance. His current explorations bridge historical photograpic processes with current technologies. Visitors can print an AI image as a cyanotype\, to be toned with botanicals.\n\n\n \n\nGeornica Daniels\n524\nIn my sculptures and installations\, I navigate the tension between preservation and loss. My works often undergo a metamorphosis during their creation\, transitioning from pliable and moist states to structured and rigid forms.\n\n\n \n\nNathaniel Stern\n535\nArtist\, poet\, and engineer whose art explores the co-evolution of humans and technology – from fire and language to the Internet and AI. Recent exhibition of installations opened in Michigan\, covered in Forbes\, coming to Milwaukee and Kansas.\n\n\n \n\nWinifred Elysse Newman\n539\nI am a researcher in neuroscience and architecture\, and I also serve as the Dean of the College and Schools. For this event\, please stop by for coffee and talk.\n\n\n \n\nMer Garcia\n542\nPrintmaker and 3D artist whose explores the ties between memory\, identity\, and tradition. Rooted in storytelling\, it seeks to preserve fragments of my heritage and family history\, capturing memories to keep them alive.\n\n\n \n\nJack Lehtinen\n543\nMy art practice looks to critique what is lost because of AI technologies by contrasting automated machine-made processes with tactile\, human-centered practices like print and papermaking.\n\n\n \n\nAngela Piehl\n549\nMy collages\, paintings\, and drawings explore tensions found in accumulations.\n\n\n \n\nJamie Bertsch\n553\nThe process is the point of it. Jamie Bertsch works in wood\, paper\, textiles + the poetics of color. Always learning about how things are made— and listening intently to the intuitive process of it all.\n\n\n \n\nCynthia Hayes\n553\nA painter whose recent work is inspired by observations made during her travels throughout China while visiting PSOA’s partner institution\, Hubei University of Technology in Wuhan. Colorful contemporary and historical imagery coincide in her work.\n\n\n\n\n\nNew in 2025! Kenilworth Open Studios is taking place during Doors Open Milwaukee.
URL:/arts/event/kenilworth-open-studios/
LOCATION:Kenilworth Square East\, 2155 N. Prospect Ave.\, Milwaukee\, WI\, 53202
CATEGORIES:Alumni & Community,Art & Design,Arts and Culture,Dance,Exhibitions & Showcases,Feature,Film & Animation,Music,Performances,Performances,Prospective Students,Public,Students,Theatre,51���� Campus Events
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DTSTART;TZID=America/Chicago:20250930T190000
DTEND;TZID=America/Chicago:20250930T210000
DTSTAMP:20260418T230045
CREATED:20250721T163236Z
LAST-MODIFIED:20250721T163238Z
UID:10000858-1759258800-1759266000@uwm.edu
SUMMARY:Experimental Tuesdays: From the Archives
DESCRIPTION:Date & TimeTuesday\, September 30\, 2025 (7–9 p.m.) \n\n\nLocation51���� Union Cinema \n\n\nCurated by MFA candidates from the Department of Film\, Video\, Animation and New Genres\, these programs feature a unique opportunity to see some of the incredible 16mm prints from the 51���� Cinema Arts Archive. For each program\, the curator is invited to program a selection of films around a theme of their choosing. \nThe Cinema Arts Archive now contains over 400 essential works on 16mm film\, and a handful on 35mm\, from a range of historic and contemporary cinema. This unique and expansive archive continues to preserve\, grow\, and reflect the ever-evolving landscape of avant-garde film—representing a commitment to the past\, present\, and future of the medium. Alongside giants like Hollis Frampton\, Bruce Baillie\, Deborah Stratman\, and Jennifer Reeves lie many lesser-known gems ready to ignite curiosity and expand minds. While the collection aims to capture an array of crucial cinematic history\, modes\, and movements\, the majority of work is artist-made\, short form\, and experimental in nature. \n \n\nExperimental Tuesdays is a free public series featuring celebrated work of contemporary and historical artist-made film and video. This weekly series presents films and artists that explore the creative and critical potential of moving images. It also amplifies marginalized voices by hosting artists that represent diverse populations\, such as LGBT\, Native American\, Black and Latinx artists. Hosted by the Department of Film\, Video\, Animation & New Genres\, and presented in partnership with 51����’s Union Cinema\, this series is a bedrock of the Milwaukee arts landscape. Recent screenings include Silvia das Fadas\, Courtney Stephens\, Simon Liu\, Helena Wittman\, Jessica Bardsley\, Suneil Sanzgiri\, Mary Helena Clark\, Angelo Madsen Minax\, and Rhayne Vermette to name a few.
URL:/arts/event/experimental-tuesdays-from-the-archives-5/
LOCATION:51���� Union Cinema\, 2200 E. 51����.\, Milwaukee\, WI\, 53211
CATEGORIES:Arts and Culture,Experimental Tuesdays,Film & Animation,Public,Students,51���� Campus Events
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